Cover to “Grendel: God and the Devil” #5, John K. Snyder III, 2003

Dark Horse Comics.

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The Persimmons Poem.

I’m linking here to “Persimmons,” by Li-Young Lee, over at the Poetry Foundation.  It’s been a favorite of mine since college.

I believe I’ve linked to it here at the blog before, the subject of the poem came up again, as a friend of mine actually grows persimmons in his backyard and posted pictures on Facebook.  (Will the wonders of rural Virginia never cease?)

https://www.poetryfoundation.org/poems/43011/persimmons

 

 

 

Cover to “The Dark Tower: The Long Road Home” #4, Jae Lee, 2008

Marvel Comics.

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A poem about Civil War photos of Fredericksburg

I’m linking here to Poets.org and Eric Pankey’s 2014 poem, “Three Mathew Brady Photographs.”  The poem describes historical photos of Fredericksburg, Virginia and neighboring Chancellorsville — I thought it might be of interest to my alumni or old neighbors.

https://www.poets.org/poetsorg/poem/three-mathew-brady-photographs

 

 

 

Cover to “The Twisted Tales of Bruce Jones” #1, Bruce Jones, 1986

Eclipse Comics.

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Blue Monday.

Okay … these are arguably violet, but you can’t make a New Order reference out of that.

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“Evening by the Lake,” Max Nonnenbruch, 1901

Oil on canvas.

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“Brunnhild,” Gaston Bussière, 1897

Postcard.

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Last night I watched a colorized version of “Night of the Living Dead.”

There are actually several colorized versions of George A. Romero’s 1968 classic floating around out there — the one I watched was the quite decent 2004 revision by Legend Films.  (I believe it’s the truly crude 1986 Hal Roach colorized version that is so widely reviled by fans — and with good reason.  Those green-skinned zombies looked awful in that one clip I watched.)

I had a blast with the Legend Films outing.  I cheerfully recommend it.  The colorization isn’t perfect, and it’s a little strange seeing the start of the zombie apocalypse rendered in occasionally pastel hues.  But this was a fun way to revisit a beloved film I’ve seen so often before, but only in black and white.  You can also finally fully appreciate how beautiful Judith O’Dea was.  (And, in my opinion, she and Duane Jones were damned terrific in this movie.)

Check out the clip below.

 

Nurse Your Favorite Heresies in Whispers