This is my favorite poem of all time — read by my favorite poet of all time.
Once again, this is an excerpt from Auden’s “The Sea and the Mirror: A Commentary on Shakespeare’s The Tempest,” first published in 1944.
This is my favorite poem of all time — read by my favorite poet of all time.
Once again, this is an excerpt from Auden’s “The Sea and the Mirror: A Commentary on Shakespeare’s The Tempest,” first published in 1944.
Oil on canvas.
The town depicted is Orleans, Massachusetts, but it looks a lot like Salem, Virginia.


Perigree.

Oil on canvas.

February 2018.

20th Century Fox. Composer Ed Harcourt.
Oil on panel.

Conducted by Valery Gergiev, performed by the London Symphony Orchestra.
I was skeptical about “Philip K. Dick’s Electric Dreams” (2017), and I’m not sure why — maybe because I assumed it would be a failed and shameless imitator of “Black Mirror” (2011). But I’m happy to be proven wrong — the first episode was damned good. It isn’t quite as good as “Black Mirror” (the success of which doubtlessly helped this series reach fruition), but it looks like it could be a great show in its own right. (None other than Ron Moore and Bryan Cranston are among the producers for “Electric Dreams,” so that should make us optimistic about the show’s quality.)
I’d rate the first episode a 9 out of 10. (The entry I’m referring to here is the “Episode 1” with which Amazon Video audiences will be familiar — the episodes appeared in a different order when this series first aired last year on Britain’s Channel 4.) It’s got a great cast, including Anna Paquin, Lara Pulver, and the incredible Terrence Howard. (His acting skills are among the best I’ve ever seen.) And its story is damned neat, even if it employs a Dick story device that we’ve already seen in some other adaptations. (Can I write “Dick story device” without my Facebook friends snickering?)
This was good. I recommend it.
