“Vsevolod Mikhailovich Garshin (1855–1888)” by Ilia Efimovich Repin, 1884

Oil on canvas.

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“Autumn,” Alexei Stepanov, circa 1923(?)

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“Our Drive Home,” by Eric Robert Nolan

“Our Drive Home,” by Eric Robert Nolan

On our drive home,
your voice was song. Your lips
pursed to form the perfect overture.

 

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Photo credit: By Rick Doble (Own work) [GFDL (http://www.gnu.org/copyleft/fdl.html) or CC BY-SA 4.0-3.0-2.5-2.0-1.0 (https://creativecommons.org/licenses/by-sa/4.0-3.0-2.5-2.0-1.0)%5D, via Wikimedia Commons

 

This woman knocks my socks off.

This is Kawehi doing a cover of “Don’t Dream It’s Over,” by Crowded House.

 

“Scheharazade, the Heroine of the Thousand and One Nights,” 1907

Frontispiece, “Stories from the Arabian Nights, Retold by Laurence Housman; With Drawings by Edmund Dulac.”

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“Women’s March of 2017,” by Sabrina, Age 12

My friend’s daughter recently drew her first political cartoon, and it’s pretty darned impressive!

 

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Cover to “Old Man Logan” Vol. 2, #20, Andrea Sorrentino, 2017

Marvel Comics.

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“Lullaby,” by W. H. Auden (recited by Eric Robert Nolan)

A few quick words on the premiere of “The Defenders” (2017)

I certainly wasn’t as thrilled with the premiere of Marvel’s “The Defenders” (2017) as I thought I’d be.  I’d somewhat grudgingly rate it a 7 out of 10.

The show’s first episode suffers a bit from an inescapable challenge — how to satisfy the fanbase for each of four superhero characters who have had their own shows.  I’d honestly say that this show so far interests me about 50 percent of the time — I love Daredevil and Jessica Jones, but I don’t much care about Luke Cage or Iron Fist.  Complicating things further is the show’s need to logically tie together all of their respective storylines, while arousing interest in a new overall story for this nascent ensemble team.  (It … looks a lot like Daredevil’s story from both the second season of the Netflix series and the original comics.)

I’m optimistic I’ll enjoy it more as I catch the rest of the series.  Marvel properties almost always have good writers.  And the large cast here (including none other than Sigourney Weaver) is uniformly excellent.

 

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Cover to “Grendel: God and the Devil” #4, John K. Snyder III, 2003

Dark Horse Comics’ 2003 limited series was a reprint of issues #24 to #33 (1988 to 1990) from Comico’s original publication of “Grendel.”

 

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Nurse Your Favorite Heresies in Whispers