“The Shield of Achilles,” by W. H. Auden

A good buddy of mine in New York is a bit of a classical scholar; he recently finished Homer’s “The Illiad.”  That’s a task that has been beyond me so far.  I tried to read it at age 36, and it was just too thick for me.

Anyway, you and I both know the greatest poetic allegory to “The Illiad” ever written — it’s none other than W.H. Auden’s “The Shield of Achilles.”

Thanks to Poets.org for the text.

 

“The Shield of Achilles”

  She looked over his shoulder
       For vines and olive trees,
     Marble well-governed cities
       And ships upon untamed seas,
     But there on the shining metal
       His hands had put instead
     An artificial wilderness
       And a sky like lead.

A plain without a feature, bare and brown,
   No blade of grass, no sign of neighborhood,
Nothing to eat and nowhere to sit down, 
   Yet, congregated on its blankness, stood
   An unintelligible multitude,
A million eyes, a million boots in line, 
Without expression, waiting for a sign.

Out of the air a voice without a face
   Proved by statistics that some cause was just
In tones as dry and level as the place:
   No one was cheered and nothing was discussed;
   Column by column in a cloud of dust
They marched away enduring a belief
Whose logic brought them, somewhere else, to grief.

     She looked over his shoulder
       For ritual pieties,
     White flower-garlanded heifers,
       Libation and sacrifice,
     But there on the shining metal
       Where the altar should have been,
     She saw by his flickering forge-light
       Quite another scene.

Barbed wire enclosed an arbitrary spot
   Where bored officials lounged (one cracked a joke)
And sentries sweated for the day was hot:
   A crowd of ordinary decent folk
   Watched from without and neither moved nor spoke
As three pale figures were led forth and bound
To three posts driven upright in the ground.

The mass and majesty of this world, all
   That carries weight and always weighs the same
Lay in the hands of others; they were small
   And could not hope for help and no help came:
   What their foes like to do was done, their shame
Was all the worst could wish; they lost their pride
And died as men before their bodies died.

     She looked over his shoulder
       For athletes at their games,
     Men and women in a dance
       Moving their sweet limbs
     Quick, quick, to music,
       But there on the shining shield
     His hands had set no dancing-floor
       But a weed-choked field.

A ragged urchin, aimless and alone, 
   Loitered about that vacancy; a bird
Flew up to safety from his well-aimed stone:
   That girls are raped, that two boys knife a third,
   Were axioms to him, who’d never heard
Of any world where promises were kept,
Or one could weep because another wept.

     The thin-lipped armorer,
       Hephaestos, hobbled away,
     Thetis of the shining breasts
       Cried out in dismay
     At what the god had wrought
       To please her son, the strong
     Iron-hearted man-slaying Achilles
       Who would not live long.


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The Shield of Achilles: Supplied to George IV by Rundell, Bridge and Rundell, 1821

Just a few quick shots of I-95 between Delaware and Washington, DC yesterday.

The first is from the Delaware Bridge; the second is from the Millard E. Tydings Memorial Bridge in Maryland.

The last is Union Station in Washington.

 

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West 34th Street today and views of the NYC skyline.

I never claimed to be a famous photographer.  (Okay, once I actually did claim to be a famous photographer, but I was twentysomething and hitting on an amazing girl in one of Long Island’s tawdrier bars “out east.”  Was it … Bawdy Barn?)

If my inelegant eye doesn’t put you off too much, then enjoy these shots of West 34th Street today and the NYC skyline.  (I regret not getting a shot of the Freedom Tower.)

A quick thanks to the U. S. Army for making me feel safer in Penn Station, really.  Those guys look tough as nails, and just as sharp.  They were visibly scanning every passerby right in the middle of the station, a task I can’t imagine is easy.  But they were at the top of their game.

Hey Stephen King fans — you see that poorly taken snaphot that is second to last?  That’s none other than the NYC entrance to The Lincoln Tunnel.  Our good friend Larry Underwood had a particularly hard time entering and traversing that tunnel, didn’t he?  (It was much easier for me, as I inhabit a different level of The Tower.)

“Baby, can you dig your man?”

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“All sorrows can be borne if you put them in a story …”

“All sorrows can be borne if you put them in a story, or tell a story about them.”

— Isak Dineson (Karen Blixen)

 

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A friend of mine put this 80’s-tastic decal on her car.

She apparently thinks it’s the Death Star, but I SWEAR I am seeing Pac-Man after a lengthy meth addiction.

[UPDATE: Remember being a kid in 1985, and thinking the 1950’s were just a really weird part of history before you were born?  THAT’S HOW KIDS RIGHT NOW THINK OF THE 80’S.  Good Lord.]

 

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An untitled poem by Pete Harrison

Pete Harrison has long been a valued contributor to this blog.  Tonight I’m fortunate enough to feature a poem he’s authored himself — one which I happen to like a lot.

Thanks, Pete!

*****

We had just made love
There was enough light to see her
So I looked at her
Under the soft light
She smiled and asked what I was looking at
I said I was looking at her
Every part
Every mark
Every mole
She said she wished I would not do that
She said she had parts of her that she did not like
She said she had been told that they were imperfections
And when I told her it was all these parts I loved
Because they were all parts of her
And to me she was perfection
She laughed quietly
And looked away from my eyes
I will never be with her again
And I still don’t know
If she believed it was true
For me about her
Or about her for herself
And I still don’t know
Why she would believe anyone or anything else

 

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Publication Notice: Peeking Cat Poetry Magazine to feature “Confession”

I just got some nice news from Samantha Rose over at Peeking Cat Poetry Magazine.  They’ve selected my most popular poem, “Confession,” for publication in the upcoming Issue 10.

“Confession” first appeared in Dead Beats Literary Blog on October 9th, 2013.

I’ll post information about how to purchase copies of Issue 10 when it becomes available.

Thanks, Peeking Cat!

The Sandy Hook memorial playground in West Islip, NY

I took these shots yesterday of the Sandy Hook memorial playground in West Islip, New York, just past the marina and nestled against the Great South Bay.  This particular playground is dedicated to a little girl named Madeline Hsu.

It’s one of 26 such spaces in the tri-state area dedicated to the 26 victims of the 2012 Sandy Hook Elementary School shooting.

You can read more about the memorial sites here:

“Where Angels Play”

 

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Tombe de la famille Celle, par Giulio Monteverde (1893) Monument réalisé en 1893.

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Photo credit:  “Staglieno 30072015 03 Monteverde Celle” by Vassil – Own work. Licensed under CC0 via Wikimedia Commons.

A spoiler-free review of the “Sherlock” Christmas special (2016).

What can I say about the “Sherlock” Christmas special, “The Abominable Bride?”  Extremely little, for fear of spoilers.

I will say that I loved it — I’d rate it a perfect 10, as I would just about any episode of this amazing TV show.  Also, as good as the trailer was … I can say that it offers much more in its story than you’d expect.

I’d also say that it strongly, strongly parallels a movie that I happen to love — right down to its surprise plot device, key character interactions, and a symbolic act by the main protagonist in the climactic scene.  The similarities are just too much for this to be a coincidence — it’s just got to be a well done (and a damn fun) homage.  It’s unexpected, too, as the film I’m thinking off probably appeals to a different fan base.  “The Abominable Bride” also cheerfully skewers another excellent recent film and the twist employed there.  [My blog posts link automatically to Facebook.  If you see this via my page, then PLEASE do not name the movies you think I’m talking about.]

There’s some terrific acting, especially between Sherlock (Benedict Cumberbatch) and our main villain.  And the dialogue is as sly and superbly delivered as always.  I don’t think I’ve ever watched a new episode of “Sherlock” and not laughed out loud at least once.  The stronger, more assertive John Watson (Martin Freeman) that we see is damn terrific.  (There’s a compelling and sensible reason why this iteration of Watson seems a little different than our usual mild anti-hero, but I just can’t say why.)

My quibbles were wholly forgivable.  I thought that the Victorian versions of Molly Hooper (Louise Brealey) and Mycroft Holmes (Mark Gatiss) were just so cartoonish that they seemed right out of a “Saturday Night Live” sketch.  It “took me out of the movie,” and hampered my willing suspension of disbelief.  It felt more like farce and silly sight-gags, instead of the dry, dialogue- and character-driven humor that the show is known for.

I also though that the climactic scene occurring among three primary characters, felt a little … off.  Was it just not staged right?  Was the pacing off?  Maybe I got the sense that I was looking at a soundstage?  I’m not sure.

Finally, I am an inveterate horror movie fan, and I might have liked to have seen the director and screenwriters play up the horror story elements just a little bit more here.  The mystery for this episode was a jewel of an opportunity — a garish, fearsome “ghost bride” that assassinates men.  It could have been just a little scarier, given that story.  I know that “Sherlock” is not a horror show, but its creators did just fine in making their adaptation of “The Hound of the Baskervilles” both a bit frightening and a proper mystery.

But, again, those are just forgivable quibbles.  This show remains the best thing on television!

[Update: there’s a direct reference to “The Five Orange Pips,” but we see little parallel with the story shown.]

 

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Nurse Your Favorite Heresies in Whispers