“Repose,” John White Alexander, 1895

Source: Soul Space on Facebook

I dreamt of my mother a little while ago, napping on this September Saturday’s gray, late afternoon.

I dreamt of my mother a little while ago, napping on this September Saturday’s gray, late afternoon. I swear I am not altering or embellishing an ounce of this. There is no poetic license here.

I had been sitting in her apartment’s living room with my laptop in front of me, listening to music on my headphones. I was nearly transfixed by a number of things I wanted to accomplish. I noticed movement from the corner of my eye, and I looked up in surprise to note my mother peeking cautiously around the corner of the hallway. It was clear that she was asking me something.

I couldn’t hear a word. I removed my headphones and asked her to repeat herself — and I was then surprised that I still couldn’t understand a word of her query, because her speech was strangely muffled. (Dreams seldom make sense.)

A second later and she was outside her apartment’s doorway, wearing a nice coat. Her car keys were in one hand, and her handbag was in the other. Her language was still incredbly difficult to decipher, and I was utterly confused as to why. (Was something wrong with her or with me?) But it was clear that she was asking me something. It was also clear that she was rushed.

Finally, a few bits of her query became comprehensible. “I just want to go somewhere, do something.”

“What? Where?”

“I don’t know — something fun.”  She just wanted to enjoy what was left of the day.

“Right now? Why? Why the rush? You don’t even know where you want us to go?”

She said something about both of our responsibilities being met for the day, though I can’t remember her exact words. (Maybe she’d slipped back into that odd unintelligibility of the dream itself.) She definitely said something about her electric bill being paid, and she asked me if I had anything in front of me that was so important that I couldn’t put it off until the following day.

She told me she wanted to get in the car and depart for our destination immediately.

“Life is short,” she told me. Here her words were distinct.

I felt the beginnings of a protest purse forward from my lips. I had a lot to do.

But I noticed how desperate she seemed, and how that desperation bordered on sadness. So I shrugged and told her it would be okay. I arose from the chair at once and reached for my wallet and keys.

Here, perhaps predictably, was where the dream ended. I was literally sitting up and searching my room for my wallet and keys when the memory dawned across me that my mother died eight years ago.

My friends, please make time for your loved ones. Look up from your work, listen to them. Put some work aside, if you can, at least until tomorrow. Go somewhere, do something — something fun.

Life is short.



“Please stop saying you researched it.”

Variant Cover to “The Ultimates” #5, Yasmine Putri, 2015

Marvel Comics.

(Always bet on back.)

Every time I stand up, a different body part hurts.  This is like the worst f***ing game of roulette ever.



Three of my poems published in Lothlorien Poetry Journal Volume 33: Vortex Voyagers.

Things are looking up a bit in stormswept Roanoke.  First, a break in the rainy weather allowed a sojurn today to Benny Marconi’s for pizza.  Second, the mailman brought me my copy of Lothlorien Poetry Journal Volume 33: Vortex Voyagers.

It is a wonderful 237-page tome of outstanding work, and it is just the after-midnight reading that I need right now.  (Insomnia strikes again.)

If you want to enjoy it too, you can order your copy right here.  (And if you do happen to purchase a copy, I hope you peruse the three poems of mine there — “school shooter,” “This Windy Morning” and “The Rough Violet Stone.”  These were published online by Lothlorien in February.)



“The Shadow on the House,” Sidney Herbert Sime, 1905

Illustration from The Pall Mall Magazine.

Quick note.

I’m in a big rush today, so I’m going to have to make a few hasty generalizations.

You understand.



“L’Averse, Place de la Concorde,” Alfred Smith, 1888

Oil on canvas.

Then he got run over by a bandwagon.

We thought its front wheel sheared him right in half, but it turns out it was only a false dichotomy. He was fine, but we still had to appeal to authority to make him be more careful.



Nurse Your Favorite Heresies in Whispers