Tag Archives: 1881

“L’Aurore,” William-Adolphe Bouguereau, 1881

“Dawn.”  Oil.

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“Dnieper in the Morning,” Arkhip Kuindzhi, 1881

Oil on canvas.

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“Still Life with Flowers,” Henri Fantin-Latour, 1881

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Illustration of a Solar Eclipse from “The Young Folks’ Astronomy,” 1881

New York, H. Holt and Company.

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“A Manor House in Autumn,” John Atkinson Grimshaw, 1881

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“Amore e Morte,” Calcedonio Reina, 1881

“Love and Death.” Oil on canvas.

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“Narcissus,” Gyula Benczúr, 1881

Oil on canvas.

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I got my mind on my Monet and my Monet on my mind.

I abhor the work of Claude Monet.  I do.  The fact that his paintings monopolized the covers of art textbooks is probably why I never took an art class in college.  (Mary Washington actually had a pretty popular art history course; my friends exhorted me to take it, but I never followed their advice.)

I don’t even much like the piece you see below.  I’m running this blog post simply because I’m proud of the pun in its headline.  Again — you people really should be paying me for these jokes.

Anyway, the title of Monet’s 1881 painting below is “Ship Aground.”

 

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“Two Sisters (On the Terrace),” Pierre-Auguste Renoir, 1881

Oil on canvas.

This is the very same painting that Donald Trump falsely claimed to own.  (The original is housed at the Art Institute of Chicago, which publicly corrected him.)

 

Pierre-Auguste_Renoir_-_Two_Sisters_(On_the_Terrace)_-_Google_Art_Project

“Good Friends,” by Albert Edelfelt, 1881

(Portrait of the Artist’s Sister Bertha Edelfelt.)  Oil on panel.

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