Tag Archives: 1988

A short review of “Miracle Mile” (1988)

“Miracle Mile” (1988) actually came highly recommended to me.  And that’s perplexing, because this is a pretty bad nuclear war thriller that I’d only grudgingly rate a 4 out of 10.

The script is terrible.  We know that from the film’s opening minutes, when it attempts to establish Anthony Edwards as a likable protagonist by showing him performing impromptu stand-up for schoolchildren on a field trip to a Los Angeles natural history museum.  (He is not a chaperone for the field trip, or connected with these schoolchildren in any way.  He apparently just hangs around alone at museums to inexplicably crack jokes for children he does not know.)

From there, we follow an abortive, cloddishly written romance between two mostly unappealing characters.  (Mare Winningham is the other half of the romance doomed by the impending apocalypse.)  I won’t bore you with the details about the ensuing end-of-the-world thriller, except that an implausible plot device gives the nascent couple and a handful of secondary characters advance knowledge of the nuclear missiles that will hit Los Angles in just more than an hour.

Even the acting was mostly poor.  Surprisingly, this includes the performance by Edwards himself, who has shown nothing but talent in every other role in which I’ve seen him.

The movie comes close to redeeming itself near the end.  Its obligatory chaos-in-the-streets set-piece is surprisingly well done for an otherwise mediocre film, and there are a few good lines when the couple reunites at the movie’s finale.  I suppose you can also have a lot of fun spotting a bevy of other character-actors from the 80’s and 90’s.

I … can’t actually recommend this, though.  I can’t remember the last time I was this disappointed by a film that my friends insisted was great.  Check out 1983’s “Special Bulletin,” instead.  Or, better yet, hunt down Britain’s superb nuclear war mini-series, “Threads” (1984).

 

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A short review for the pilot of “The Last Ship” (2014)

So I finally got around to checking out “The Last Ship” (2014), and while the pilot didn’t immediately have me hooked, it seems like a decent show.  I’d rate it an 8 out of 10, and I’ll probably continue watching it.

I was surprised I’d heard so little about this program … it’s a big-budget, post-apocalyptic military science fiction series, but none of my fellow horror or sci-fi nerds mentioned having seen it.

The plot setup seems like something that would please horror fans — a virus eradicates 80 percent of the world’s population, and a lone American naval vessel elects to remain at sea.  (They’re fortunate enough to be carrying a civilian virologist who was tasked by the fallen United States government to develop a vaccine.)  And there are hints that the show’s writers would do well scripting a frightening TV series — there are a couple of nice flourishes for a serialized horror show right here in the pilot.

But the story’s horror elements are minimized in favor of a more mainstream, safe-for-general-audiences techno-thriller.  And that’s not a bad thing, because it succeeds as a such.  The show is based on a 1988 novel by William Brinkley, and it’s produced in cooperation with the United States Navy.  (The destroyers U.S.S. Halsey and the U.S.S. Dewey stand in for the fictional U.S.S. Nathan James.)  It seems smartly scripted with respect to both virology and how the military works.  I’m barely literate in either of those subjects, but what I watched seemed coolly authentic, and that entertained me and held my attention. So while I might not recommend this to fellow “The Walking Dead” fans, I’d definitely recommend it to fans of Tom Clancy.

The directing is pretty good, the story moves along quite quickly, and the action scenes in the pilot are surprisingly ambitious and effective for a TV show.

The acting, I suppose, is average — though it’s always fun seeing Adam Baldwin on screen, and the square-jawed Eric Dane seems well cast and shows promise as the ship’s commanding officer.

The dialogue and character interaction are average at best.  This isn’t high art when it comes to human storytelling.  There are some pretty predictable character tropes, and a few exchanges are so cheesily melodramatic that they nearly insult the viewer’s intelligence.  Dane’s commander faces off, for example, against a beautiful, independent, female scientist who doesn’t like following orders … gee, I wonder if we’ll see any romantic tension there?

Still, this looks like a good enough show, if its pilot is any indication.  The good outweighs the bad, and I’m glad I heard about it.

 

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Dennis Villelmi reviews Barbie Wilde’s “Voices of the Damned”

There’s a terrific review over at The Bees Are Dead for Barbie Wilde’s short story anthology, “Voices of the Damned.”  If you’ve been following this blog, then you know that my colleague Dennis Villelmi interviewed Wilde for B.A.D. last Halloween — in addition to being an accomplished author, she is none other than the female Cenobite from 1988’s “Hellbound: Hellraiser II.”

The review is right here: Voices of the Damned.  And while you’re over at B.A.D., be sure to check out some dystopian poetry by Paul Brookes and Robert Alan Rife.

 

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