Tag Archives: 2008

Oil painting by Eva Sköld, circa 2008

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Anderspe10, CC BY 3.0 <https://creativecommons.org/licenses/by/3.0&gt;, via Wikimedia Commons

“Scary Pumpkin,” André Koehne, 2008

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Image credit: André Koehne, CC BY-SA 3.0 <http://creativecommons.org/licenses/by-sa/3.0/&gt;, via Wikimedia Commons

Cover to “The Joker: The Greatest Stories Ever Told,” Alex Ross, 2008

DC Comics.

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Throwback Thursday: “Indiana Jones and the Kingdom of the Crystal Skull” (2008)!

I think that we can all agree that “Indiana Jones and the Kingdom of the Crystal Skull” (2008) is the least of the film series.  (Some people really despise it.)  And I suppose it’s telling that I’ve only seen it twice.

It isn’t a terrible movie, it just couldn’t match the magic of the original trilogy.  (I was surprised a moment ago when Wikipedia informed me that it was indeed still directed by Steven Spielberg.)  The Russian villains were a little too cartoonish, the chemistry among the leads was a little off, and the whole thing maybe felt a little … rushed.  For some reason, it makes me think of a pretty good made-for-television movie instead of a feature film — sort of an “Indiana Jones Reunion Special.”

Hey, I didn’t hate it.  The artifact they’re chasing is unique and cool, the denouement is inventive, and Shia LaBeouf’s “Mutt” actually didn’t bother me much.  This movie was fun. 



Poster for “The X-Files: I Want to Believe” (2008)

20th Century Fox.

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Cover to “Batman” #678, Alex Ross, 2008

DC Comics.

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A very short review of “The Big Short” (2015)

“The Big Short” (2015) is a superb, stylish docudrama about the housing market bubble that led to the 2008 financial crisis.  It’s smart, funny, informative, and boasts stellar performances from an ensemble cast — including the movie’s supporting actors.

For me, the two standout performances were Christian Bale as an oddball hedge fund manager and Steve Carrell, his counterpart at a different firm.  (I’ve known Carell only from his clownish comedic roles; seeing him shine here as the smartest man in the room was a treat.)  Hamish Linklater, by the way, is one of Carell’ staff — if he looks familiar to you as a horror fan, he was also the troubled priest in Mike Flanagan’s outstanding “Midnight Mass” (2021).  (And he is absolutely an excellent actor.)

This movie goes to great lengths to translate finance jargon into terms that the average viewer can understand.  (Think of what might happen if your favorite high school teacher teamed up with a group of excellent screenwriters to create a “Cliff’s Notes”-style Youtube video about the housing bubble.)

It’s great stuff.  I recommend it.



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Cover to “Joker’s Asylum: Two-Face,” Andy Clarke, 2008

DC Comics.

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Ticking off the Halloween watchlist.

I’m still getting into the spirit of Halloween with my television viewing.  I caught the newest episodes of “The Walking Dead,” and predictably was quite pleased.  (I still maintain that the show has returned to fine form for its final episodes.)

I was somewhat less enthusiastic about Marvel’s new special, “Werewolf By Night,” which was too campy and corny for my taste.  (I don’t think I am this show’s intended audience … I can hardly remember the eponymous 1970’s horror comics to which it is an homage.)

What I absolutely loved was episode one of “Let the Right One In” — which looks like it might even compete with the new “Interview With the Vampire” as the best new show with the fanged baddies.  It’s less like the 2008 Swedish original independent film and more like the 2010 American remake.  It’s a grounded, deliberately paced, atmospheric thriller that manages to be scary right from its opening scene.  I love it.



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Cover to “Batman: Gotham After Midnight” #1, Kelley Jones, 2008

DC Comics.

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