Tag Archives: Avengers: Age of Ultron

A review of “X-Men: Apocalypse” (2016)

At the start of “X-Men: Apocalypse” (2016) I was worried that I was finally beginning to experience a degree of “viewer fatigue” in connection with the beloved franchise.  This would be the ninth film since the X-Men first hit the big screen in 2000, if you count this year’s “Deadpool,” and its somewhat formulaic setup felt by-the-numbers.  Once again, a diverse, earnest, international group of young people unite under Charles Xavier’s leadership to combat an even greater threat than the one presented by the last film.  (This time it’s “Apocalypse,” a Big Bad with truly godlike powers.)  And they save the day despite their youth, their inexperience, their self-doubt or the suspicions of a prejudiced humanity.)  How exciting can the arrival of Angel (Ben Hardy) and Nightcrawler (Kodi Smit-McPhee) be if these were already key reveals in past movies?  And … the cameo?

There are script problems.  The whole thing is cluttered with too many major characters.  Many are thinly drawn; a few make inexplicable, major decisions that affect the plot.  Fan favorites like Mystique (Jennifer Lawrence) and Magneto (Michael Fassbender) get too little attention to make their ardent fanbases happy, I think.  The villain looks like a middle-aged and particularly grumpy member of Blue Man Group.

And, yet … I still frikkin’ loved this.  I’d grudgingly give it a 9 out of 10, simply because I enjoyed it so much.  It’s the X-Men.  It’s a big-budget, globally staged smackdown with great special effects, and it was obviously made by people who love the source material and tried to stay true to it, despite its inevitably campy nature and its implausibility.  Characters like Havoc (Lucas Till) and Psylocke (Olivia Munn) are fun to watch.  (Am I the only one who nostalgically remembers the latter character from the 90’s comic books?)  There is even a really nice stab at self-referential humor poking fun at the earlier films.

This movie had two things going for it that really made me want to see it a second time around.  The first is Quicksilver.  The X-Men movies will probably never equal the skillfully made blockbusters of that other Marvel universe, but I’ll be damned if the franchise doesn’t totally beat them out in rendering this character.  (Yes, this is indeed the same character in the comics who inspired Scarlet Witch’s brother in “Avengers: Age of Ultron” (2015).)  Evan Peters brings great charisma to the role; the special effects connected with his action sequences are beautiful and goddam perfect.  He’s easily cooler and more likable than any other teen superhero I can remember — and that includes Tom Holland’s excellent new Spider-Man.

The second thing that make me want to watch it again is the action sequences.  The finale is damn fun.  I think it must be difficult to write, stage, direct and physically perform a melee among a group of combatants with various superhuman abilities and varying degrees of power.  But the climax here works.  It’s an entertaining battle that feels like it was lifted perfectly from the comics, and it ought to please fans of the genre.

Anyway, I obviously do recommend this.  Check it out.

 

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Avengers Assemble … Again!!! (SPOILERS!)

[WARNING: THIS POST CONTAINS SPOILERS FOR “THE AVENGERS: AGE OF ULTRON.”]  Fun, fun, fun!  Earth’s Mightiest Heroes roar back onto the screen with nearly all of the action, humor and spectacle of the wonderful original — I would give “The Avengers: Age of Ultron” (2015) a 9 out of 10.

It’s got everything that you could ask for in a superhero movie, including another great villain in the form of James Spader’s “Ultron,” beautifully animated by CGI.  A surprise standout was Elizabeth Olsen as the Scarlet Witch.  She’s a great young actress whose work I really liked in 2011’s terribly under-appreciated horror-thriller, “Silent House.”  She’s got perfect line delivery.  I’d love to see future Avengers films include her in the lineup, so that she can trade quips with Tony Stark.

There’s some great writing — the backstory for the twins was suitably dark, and was a perfect motive for a hatred of Stark.  The banter might not be as funny as the first film, but was still quite good.  And there’s some nice thematic continuity with Marvel’s planned “Civil War” storyline.

The movie falls short of perfection with the occasional misstep.  For example, the flashbacks/hallucinations that various characters suffer were clumsy, overdone, and sometimes befuddling.  Compare them with similar scenes in movies like “12 Monkeys” (1995) or “Donnie Darko” (2001), or well made television shows like “LOST.”  Captain America’s worst fear is some lame “The war is over” existential bullshit?  No.  Cap is supposed to be the personification of freedom and democracy — his worst nightmare would be a totalitarian state.  Or an undead Bucky.  Or better yet, being a man out of time, it would be the loss of his friends, his family and his true love.

A key conversation between two key characters at the end about mankind’s future is just a little too depressing for an Avengers movie.  Also a little sad?  The suggestion that the team’s lineup would change.  Our existing roster is terrific — the fan’s love ’em and I believe all the actors are under contract.  If it ain’t broke, don’t fix it.

Postscript: this movie is interesting because it shows the same superhero starring in competing film franchises.  Aaron Taylor-Johnson’s “Quicksilver” is the very same Marvel Comics’ speedster we saw played (and scripted with much more fun) last year by Evan Peters in “X-Men: Days of Future Past.”  (There, he’s simply referred to as “a guy” or “Maximoff,” for copyright considerations, I guess.)

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