Tag Archives: Eric Robert Nolan

Ye olde Nolan

I’m becoming concerned …  I keep seeing more troubling signs that I am getting older.

I can’t eat pizza and Ben & Jerry’s ice cream all day without feeling yucky.  And I have gone shopping and DELIBERATELY looked for vegetables.

I bitch inwardly about the quality of America’s public education system all the time.  (Don’t even get me started.)  I actually begin some of my (admittedly peculiar) inner monologues with the words, “There was a time in this country when …”  I have also lamented that “things were different 20 years ago.”

It recently dawned on me that my longstanding idolization of Kevin Smith may be waning …  last year’s “Tusk” just didn’t do it for me, and his recent appearance on “The Talking Dead” just seemed to feature too much childish sex humor.  I cringed.  (Lengthy analogies about oral sex aren’t THAT hilarious, people.  I suggest they have a 10-second half life.)  I still think that Smith is brilliant; I just think maybe his particular style of humor might better appeal to a guy in his 20’s.

In the Marvel movies’ upcoming “Civil War” storyline entries, I’m firmly on the side of Captain America, and not Iron Man.  Yeah, Tony Stark has the wit and the charm and the girls and the cash.  But Cap has character and good American values, with an emphasis on civil liberties.  Cap would never subject black people to an unreasonable search and seizure.  He wouldn’t enter a private home without a warrant.  And he would uphold a legal wall of separation between church and state.  Dunno about Tony.

Tori Amos is still cool, but she sounds NUTS in her interviews.

I played with a friend’s little girl on the swings the other day … and I actually got DIZZY after donning a swing myself, and trying to swing as high as her.  THAT was disconcerting.

My doctor told me to knock off all the sugar, and I am totally taking her seriously.

My buddy shared a picture today of the original Star Wars cast in 1977.  When I was a tot, I looked up to Luke Skywalker, Han Solo, and Princess Leia.  When I was in fifth grade, “Return of the Jedi” Leia was my heart’s desire.  (I need not even mention in which outfit.)  Today, 1977 Carrie Fisher looks like a sweet girl who could be my college sophomore daughter.  (Seriously, she looks YOUNG, people.)  Harrison Ford looks like that older kid in our hometown with the camaro, who I need to keep away from her.  Mark Hamill looks like that sweet kid down the block who wants a date with her, but won’t get one.

My friends from Longwood High School are now teachers at Longwood High School.  The cognitive dissonance connected with that is significant.

And tonight it has dawned on me that (I can’t believe I am saying this) Depeche Mode is getting maybe a little played out for me.  Oh God, I can’t believe I just typed that.  I still love MODE, I swear it!  I just think that after “Violator” has been in my playlist for two decades, it’s maybe time to retire the lesser songs like “World In My Eyes” and find some more new music.

But not “Policy of Truth.”  THAT SONG WILL LIVE FOREVER.  (And never again is what you swore the time before.)

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“Within, the wealthy lament/ The traffic at the Whitestone Bridge.”

Here’s a particularly nice shot of the Whitestone Bridge, connecting Queens, New York, with the Bronx (and Connecticut beyond).  My Longwood High School Alumnus James Dentel shot this recently, and he was kind enough to let me use it.

This is the bridge referenced in my poem, “Amanda,” which was featured by Dagda Publishing and by Dead Snakes.

I used live not far from here.  Yes, New York can be a rough place, but Whitestone, Queens and adjacent Beechurst were two of the greatest neighborhoods I ever inhabited.

 

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Here, Kitty, Kitty.

It’s the quick November dark that descends annually, silently on us like a vast black cat – just after we turn our clocks back for daylight savings time.

I’ll be greeting the newly early dark tonight by relaxing with Issue 8 of Peeking Cat Poetry Magazine.  I’m going to revisit two poems that I especially like: Scott Thomas Outlar’s “Sucking Vapors” and Erren Geraud Kelly’s “Coffeehouse Poem #43.”

 

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The gardens at Dumbarton Oaks, Georgetown

I visited the gardens at Dumbarton Oaks in Georgetown the other day — after a cruise down Wisconsin Avenue past a couple of old haunts I frequented in my 20’s with characters like Nickolai Butkevich and Rhett Carlson.

The gardens were beautiful, and a sharp fir smell greets entrants like a rarefied, ethereal, quiet host.  It reminded me of Brooklyn Botanical Gardens, another quiet place to which I’d like to return one day.

If you’re in the Washington area, and you’d like to see for yourself, check out Dumbarton Oaks’ website here:

http://www.doaks.org/

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Producto maldita bien. (Damn fine product.)

La Fe Pulpo es deliciosos, en cualquiera marinara o aceite vegetal.

Octopus is a little harder to find in Virginia, but you can find it in specialty supermarkets.  Le Fe is a brand I haven’t seen in New York, but it’s damn good.

Anyway, what’s up with the weird rumor going around word nerd circles?  Turns out the correct plural for “octopus” actually IS “octopuses,” and not the Latin-sounding “octopi?”

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Halloween Eagle!!!

What is the definition of serendipity?

You JUST finish figuring out how to operate your new digital camera that arrived in the mail, you lie back on your bed, and, right at the very moment, AN EAGLE SOARS PAST YOUR WINDOW.

I was so thrilled when I snapped this yesterday.  Yeah, I know that you kind of have to squint to see the eagle here.  (You can click twice to really enlarge the photo — then you can see it better.)

My Virginia friends probably think I’m nuts for getting so excited about this.  But this kind of thing just doesn’t happen every day to a New Yorker.

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A review of “Fretensis: In the Image of a Blind God, volume 1,” by Dennis Villelmi

With “Fretensis: In the Image of a Blind God, volume 1” Dennis Villelmi expertly enmeshes the reader in a twisting, troubling narrative that is both mythic and tragically personal for the poem’s speaker. It’s a unique work, employing both arcane myth and personal impressions in equal measure. And it’s a hell of a ride.

“Fretensis” is a 56-page book of dark, modernist poetry divided into three parts and baroquely illustrated with medieval woodcuts and other images of the monstrous and the grotesque. The narrative it presents is like nothing else I’ve discovered reading poetry. Its protagonist is a rich intellect and a troubled soul. The mood of “Fretensis” throughout is striking; the overall work expertly conveys sadness, desperation and an enervating sense of struggle. (In the interest of full disclosure here, Villelmi is a valued friend and a poet whose work I have long admired.)

“Fretensis” might be challenging for the average reader. It might take a seasoned academic to understand all of its references and allusions while also understanding their significance within the poem. Villelmi draws on what appears to be an encyclopedic knowledge of ancient history, myth and religion. (He studied philosophy at Old Dominion University, but his expertise is visibly far more expansive in all of his work.) The title of this story, “Fretensis,” is the name of the Tenth Roman Legion, employed at the start of the Fall of the Roman Empire. As with Villelmi’s other published poetry, this debut book is linked intricately to those myths and symbols from which he draws inspiration.

But this is a good thing. Villelmi’s dark and antiquated iconography makes his work unique and unusually rich. This is a poem that begs for rereading and further scrutiny. I myself gleaned so much more from my second reading.

If I could name one thing about Villelmi’s style that makes his work distinctive to me, it would be how he meaningfully interweaves his esoteric symbols and references with the narrator’s personal experience. That duplexity characterizes the entire book, and it makes “Fretensis” remind me of a personal favorite, W.H. Auden’s “September 1, 1939.” That famous poem and its “accurate scholarship” also uses classical references to frame the narrator’s personal experience in context. (In Auden’s case, he called upon Thucydides, Luther and others to frame his own reaction to the 1939 German invasion of Poland.)

Villelmi’s resulting juxtaposition, which is consistent throughout the book, makes for an excellent poetic device. Memphis, Egypt, is made interchangeable with Memphis, Tennessee. References to Jeudayn are used to provide context for the death of a prostitute. A small boy plays “Deity” in “a grey dirt patch behind [a] garage.”

Consider the context that he employs to describe ravens feeding upon a dog’s carcass:

“Driving, I find it ironic, even inappropriate, that as the roadside augur is a dog on which the forest ravens have come to feast on the meat pulled out from under the fur, courtesy of other scavengers, the convent isn’t named after St. Paul. Paul and ravens both know how to seize an opportunity. Rather, it’s named for Fiacre, an old Irish woman-hater of the woods. I once read there were other Fiacres predating Christ’s arrival on Irish soil; they were warlords, predators by serendipity, much like those ravens chowing down on the mutt.”

And Villelmi’s mastery of the language is truly enviable. I found myself most immersed in “Fretensis’” prose-poetry sections. I’m not sure why, but here is where I best felt that I could identify with the narrator. These seemed the most personal to me. They’re so beautifully illustrated by the narrator’s sad, resigned voice that they have the feel of a genuine vignette spoken by a real person.

Consider the opening of “Part II: The Whore’s Afternoon.”

“On my ongoing canvas, there’s only been caricatures and carcasses, with a highway torture dividing the two. Somewhere, I took a detour of forgeries and virgins, and lost the rest of the America I was meant to see …

“Every time I try to measure the time I get a case of dry mouth. That’s how I met Ettey, Ettey Roth. She, too, had a memoir, not unlike mine, and it was over slugs in Seire’s Tavern time and again that we found the mutual souring of our lives to have been rooted in the hems of our birthplaces.”

All in all, “Fretensis” depicts a universe that is both twisting and twisted – a byzantine existence where an eloquent narrator’s darkness is informed by far greater forces that are divine, demonic or both. It’s an accomplished book of poetry that deserves not only to be read, but reread and reconsidered … assuming that you are willing to take that winding, redoubtable journey more than once.

Bravo.

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Publication Notice: Dead Snakes features “Not of Byzantium”

Dead Snakes has featured another one of my recent poems; click the link to read “Not of Byzantium.”

As always, thanks to Editor Stephen Jarrell Williams for allowing me to share my voice with the readers of Dead Snakes!

http://deadsnakes.blogspot.com/2015/10/eric-robert-nolan-poem_30.html

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Photo credit: “Field Hamois Belgium Luc Viatour” by I, Luc Viatour. Licensed under CC BY-SA 3.0 via Wikimedia Commons.

Longwood High School alumna Sue Anderson publishes “Kick Save and a Beauty!”

Hey Longwood High School folks!  Our alumna Sue Anderson has published a novella!  Its title is “Kick Save and a Beauty,” and its Kindle price over at Amazon is just 99 cents!  (Sue’s nom de plume here is S. C. Ryan.)

Give it a look!  And please pass the link along to anyone else who might be interested, to help support an alum and a new independent author!  🙂

http://www.amazon.com/Kick-Save-Beauty-Cougar-Chronicles-ebook/dp/B017AI7C8W/ref=sr_1_2?ie=UTF8&qid=1446170597&sr=8-2&keywords=s.c.+ryan

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Throwback Thursday: the Halloween “treats” you never wanted.

Let’s begin with a little contrast — any kid knows the gold standard for Halloween candy — chocolate bars.  The households that gave away Snickers, Nestle Crunch, Three Musketeers and Butterfingers were the most revered.

If you were a little bastard, as I was, you exploited such generosity.  I learned early on to carry an extra mask or even a full costume in my trick-or-treat bag, so that I could visit any particular house on Halloween twice.  I got called on it once, by a patient woman in my neighborhood who was giving away Three Musketeers; she asked me to take off my reserve mask and suggested that we had spoken only minutes before.  My lust for free candy was so strong that I actually pretended to be my own twin brother.  At the age of eight, I was the grade-school moral equivalent of a Wall Street banker before the 2008 housing crash.  I think the only thing that redeemed my greedy soul every year was the fact that I absolutely did not throw eggs or toilet paper or shoot shaving cream at houses.  (We really didn’t resent any neighbors.)  I’d like to think that my temperance redeemed my avarice.

I knew all the ins and outs of trick-or-treating.  Halloween only arrived once a year.  I planned that event with all the resolve and forethought of Rommel, even before I knew who Rommel was.  Instead of a store-bought plastic bag, I carried a sturdy pillowcase every year, as it was less likely to stretch or break under the weight of my annual bounty.  (It’s all about the tensile strength, you see.)

My carefully selected partners and I would meticulously plan which streets to invade, when to leave, and how to defend ourselves against the older kids’ pranks.  (Our own shaving cream arsenals were only for self-defense purposes, but they were well stocked and always within reach.)  We were set upon one year by some older kids at the top of my street who were wielding slings made out of socks filled with flour.  When you were whipped with them, they left long, white powdery stripes down your costume.

I absolutely was not a tough kid.  But Halloween brought something out in me that day, and I retaliated like a goddam enraged Israeli during the Six Day War, or maybe one of the infected from “28 Days Later.”  Maybe it was the rush from eating sugar all day.  Maybe it was the spirit of Samhain.  Maybe it was some deep-seated primal nature evoked into actuality by the wearing of a mask for eight hours.  But I nearly took an older boy DOWN after he got my costume all flour-striped.  He laughed and actually congratulated me after our melee for being the only younger kid who fought back.  He said that made it more fun.

But I’m getting off topic — this is a blog post about sucky Halloween treats.  My friends are all adults now, and I am arguably one.  So this is an important public service announcement about what NOT to hand out to trick-or-treaters.

There are three things that you need to avoid to prevent severely disappointing a child.  Think of them as the Trio of Terrible Treats.

First, “Candy Corn.”  The very design of this candy boggles the mind in its stupidity.  Candy Corn?  What person, not under the influence of bath salts, has ever looked at corn and opined, “You know, this corn is delicious, but would taste even better if it were made of sugary cream?”  This bizarre foodstuff manages to be both … sickly sweet and blandly creamy, with the added sensory discomfort of being hard and chewy.  Why does such a product even exist?  Why is it perennial?  Did somebody actually patent this abomination, or is it a generic and strangely cruel tradition — like some weird, timeless holdover from a medieval age the Catholic Church employed candy to punish pagans and heretics?

Second, those little boxes of “Good-n-Plenty.”  The boxes were tiny, the candy sucked; I complained loudly as a boy that they were “neither good nor plenty.”  They tasted like black licorice that was fermented in ostrich piss.  The marketing was strange too.  The boxes were … kinda fluorescent burgundy, and the candy itself looked like … pills.  Seriously, they looked like pills — check out the photos below.  As though homeowners were offering children PCP or “uppers,” because the annual Autumn de facto overdose of pure sugar wasn’t enough.  Every 80’s kid knew that “Good-n-Plenty” totally contradicted what we’d learned from the anti-drug PSA’s that were ubiquitous on television back in the day.

Third is a “treat” that wasn’t even candy at all.  No, it isn’t apples; people were paranoid enough by the 80’s so that everyone eschewed handing out anything that wasn’t wrapped.  I’m talking about toothbrushes and tooth capsules.  Handing out toothbrushes on Halloween is the equivalent of handing out copies of Richard Dawkins’ “The God Delusion” at the local church on Christmas morning.  The … tooth capsules were downright bizarre.  The Internet tonight informs me that they are called “plaque disclosing tablets.”  And, though they looked like they could be candy, their flavorless function was merely to stain your teeth in order to show you where you needed to brush more often.  I was always unfailingly polite to adults who handed these out (the result of a Catholic upbringing), and I always said “Thank you.”  What we all always wanted to ask, however, was, “If I cared about my teeth, why would I be carrying around a 20-pound bag of candy, mother@#$%er?!”

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Photo credit: “Candy-Corn” by Evan-Amos – Own work. Licensed under Public Domain via Commons.

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Photo credit: “Good-&-Plenty-Box-Small” by Source. Licensed under Fair use via Wikipedia.

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Photo credit: “Good & Plenty licorice candy” by Glane23 – Own work. Licensed under CC BY-SA 3.0 via Commons .

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