Tag Archives: Eric Robert Nolan

My review of “Friday the 13th: Part 2” (1981)

It’s my considered opinion that a lot of classic horror movies simply do not stand the test of time.  “Friday the 13th: Part 2” (1981) wasn’t great, but it was okay.  I’d give it a 6 out of 10.

A psychopath kills teens one by one in a remote setting.  Don’t most modern videogames have more of a story than that?  Sure, there’s an effective urban legend-style motive – he witnessed his mother’s beheading in the original film, and has since lived ferally in the woods.  But does that make sense?  If Jason was alive, why did his mother seek revenge for his drowning?  Was she unaware he was there?

Still, this movie deserves some credit.  It makes an honest effort to build distinct characters and tension.   It doesn’t exactly work.  These people don’t act like any teenagers I’ve ever known, even if I was a nerd in high school.

There are a few nice “jump moments,” especially when one character sits up in bed.  But the director used way too many close-ups and slow-mo.

I’m left with a couple of questions.  In the later movies, Jason is basically an undead Superman.  He can’t even be hurt.  He’s a zombie kryptonian.  Here, he appears quite human.  Did they make changes to the character in the later films?

Also, the goofy redheaded guy stays out drinking all night and never returns to the camp, sparing him from the carnage.  Why?  What purpose did this character serve in the story?  Did the screenwriter just forget about him? Or is this a moral?  If you party all night, will you live longer?

All in all, this was strictly an average film.

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Microfiction Monday Magazine to feature more of my flash fiction tomorrow!

I got some very nice news myself today from Editor Gayle Towell at Microfiction Monday Magazine — they will be publishing another piece of my flash fiction in tomorrow’s edition.  Its title is “I bring her diamonds.  My hands are full of them.”

MMM’s challenge to writers this October was to tell a horror story in 100 words or less.  This is the second entry of mine to be selected; MMM featured “Girl’s Best Friend” last week.

When my second piece appears tomorrow, I’ll be sure to post a link!

A quick review of “Family Guy: It’s A Trap!”

I’m blogging some of my earlier reviews from Facebook:

*****

“Family Guy: It’s a Trap” (2010) is funny as hell and lampoons “Return of the Jedi” (1983) perfectly; I’d give it a 9 out of 10.  This is right up there with a decent episode of Mystery Science Theater 3000 in terms of how much it made me laugh.  As with the other “Family Guy” satires of “Star Wars,” I was also impressed with how it used conventional animation and CGI to seemingly reproduce scenes shot for shot.

The only thing the detracted from this was the consistent potty humor (not really my thing) and one apparent joke that is too tasteless even to describe.

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“Girl’s Best Friend” appears at Microfiction Monday Magazine!

My flash fiction horror story, “Girl’s Best Friend,” appeared today at Microfiction Monday Magazine!

The challenge was to write a horror story in 100 words or less.  I had great fun with this, and I am grateful to Editor Gayle Towell for allowing my work to appear in this really cool online magazine!

Check it out here:

Microfiction Monday – Twenty-first Edition

This movie was possessed by the demon of bad film-making.

I am blogging some of my past movie reviews from Facebook.

*****

Allow me to summarize those portions of “The Exorcist II: The Heretic” that I was able to watch before needing to turn it off:

  • A still-too-young Linda Blair tap-dances braless on stage, with short-shorts that are nearly illegal.
  • Louise Fletcher is a therapist who treats patients with a machine that actually allows people to literally enter the subconscious minds of others. Nevermind that a technology like this could revolutionize the human experience, especially with respect to psychology, art, literature and religion.  It is quietly tucked away in a treatment center for children with autism (where, for some reason, a psychological trauma victim is also being treated).
  • A giant , sentient, demonic locust chases wildebeests across the African veldt. James Earl Jones gets pissed andmagically turns into a leopard.    This was a thing.  This happened in the movie.

WHY did I not just turn it off?!  WHY DID I NOT JUST TURN THE MOVIE OFF?!?!

(Perhaps I was possessed.)

Exorcist II The Heretic (1977)

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Publication Notice: Dagda Publishing Features “A Muted Iris”

I am honored to have my latest poem published by Dagda Publishing!

Enjoy “A Muted Iris.”

http://dagdapublishing.co.uk/2014/10/15/muted-iris-2/

Publication Notice: Microfiction Monday Magazine to feature “Girl’s Best Friend”

I received some great news today from Editor Gayle Towell over at the online Microfiction Monday Magazine — they will be publishing my flash fiction horror story, “Girl’s Best Friend,” on October 20th.

In advance of Halloween, the magazine was seeking horror stories of 100 words or less.  It sounded like a fun challenge, so I gave it a shot.

Microfiction Monday Magazine is a great online publication that specializes in bringing busy readers brief narratives that nevertheless tell a compelling story.

Check it out here:

http://microfictionmondaymagazine.com/

My review of “Exit Humanity” (2011)

I am blogging some of my past film reviews from Facebook.  Bill Mosely is a damn good actor who needs his own major feature film to star as the bad guy; I am also becoming a Stephen McHattie fan.

*****

“Exit Humanity” (2011) might not have been as great as I’d hoped.  (The trailer made it look amazing.)  But it was still a good and creative independent zombie film; I’d give it an 8 out of 10.

It’s a genre-buster that posits a zombie epidemic just after the Civil War, but that isn’t a gimmick.  There’s a complete absence of camp that makes this a “straight horror movie” and a hell of a lot more fun.  It’s got a great script, beautiful locations, two great leads, and a couple of great “that guy” actors in supporting roles — the incredibly underrated Bill Mosely (Otis Driftwood in “House of 1000 Corpses”) and the also-underrated Stephen McHattie.

The directing is very spotty, the pacing is way off, and the “book chapter” structure makes this feel less like a movie and more like a series of well-made webisodes.  (I’m starting to understand why many movies adhere to that “three-act” structure that critics refer to.)  The limited budget also shows — there’s a dearth off special effects and some of the zombies look remarkably like actors in white facepaint.  (Is this a kabuki zombie epidemic?)

One of the things that surprised me about this movie is how terrific Brian Cox’ voice is.  He narrates the entire tale retrospectively as an older version of the main protagonist.  I can’t believe I never noticed this before.  I think he’s better than Morgan Freeman or David Prowse.  Check him out in the trailer.

All in all, this was a good movie.  I’d recommend it to any zombie horror fan.

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Gross. (I never really liked the stuff.)

Although they were never as bad as those abhorrent “Good’n’Plenty” candies, which to me tasted as bitter as cold medicine and came in tiny boxes.  As a child I opined that they were neither good nor plenty.

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“The Walking Dead” Season 5 Premiere Was Just Perfect.

[This post contains mild, general spoilers for seasons 3 through 5.]

The zombies might shamble along slowly, but the Season 5 Premiere of “The Walking Dead” roared along at a breakneck pace last night with an action-packed spectacle that I would rate at a perfect 10.  This was a fantastic episode, even by the show’s standards.

There isn’t a hell of a lot I can say without spoilers, except it had all of the scares, gore, horror and action that a viewer could ask for — not to mention a tour de force by possibly my favorite character.  (And I just KNEW this person would shine in this episode!)

And in its fifth season, it still manages to be an effective horror show.  My stomach dropped when one defenseless character was imperiled and another extorted.  (“Go outside!”)  Yeesh.

The inhabitants of Terminus, I think, are the scariest group of human adversaries the show has developed.  The dialogue, detail and even the set design, showing how organized and methodical they were in their wrongdoing, was incredibly creepy and unsettling.

I honestly think I would have fallen for their trap.  I don’t think I’m giving myself too much credit if I say I would never have been taken in by a charismatic opportunist like the Governor –he was an obvious politician, and in the corporate world, guys like him are a dime a dozen.  I’d also like to think that I would be too shrewd to trust a guy like Shane, and that I’d be vigilant or lucky enough to stay a step ahead of “the Claimers.”

But I don’t know about the “Termites.”  I think I might have taken the bait.  They seemed so … normal, and easygoing and … safe.  Gareth and his second in command seemed like precisely the sort of people I would trust — affable, disarming, articulate grad-student types, just maybe a little worse for wear during the apocalypse.

In fact, do you know what I suspected the twist for the end of Season 4 would be?  That the Terminus residents would be harmless, and that a paranoid Rick and company would accidentally attack and kill a group of innocent people.  (This show is just dark enough to do that.)

That’s not quite how things worked out, of course.  Wow, what a great opener, and what a nice little event for the Halloween season.  🙂

Nice job, AMC.

Final fan theory observation … is it possible that one character was bitten and is concealing the wound?  A key melee does take place offscreen, doesn’t it?  (Caveat — I am almost always wrong on predictions like these.)

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