Tag Archives: poetry

“Not of Byzantium,” by Eric Robert Nolan

“Not of Byzantium”

Awakening at one AM after dreaming
not of Byzantium,
not of Babylon, but better —
Not Shangri-La, but shaded limb —
The pine I climbed when I was nine.

No Acropolis, only
fallow farm and rising sun.
Across, a distant treeline
ascends to render Athens’
Parthenon prosaic.

Exceeding empires, exceeding
even Elysium, is
This slumber’s ordinary boyhood field.

(c) Eric Robert Nolan 2015

Originally published in Dead Snakes.

 

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Photo credit: kallerna [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)%5D, via Wikimedia Commons

My poetry, 2017

Hey, gang.  I hope that you all had a terrific Christmas, and I hope that everyone enjoys a safe and happy New Year’s Eve tonight.

If you’d care to ring in 2018 with a little poetry, here’s where you can find everything I’ve published over the past year:

My poetry, 2017 

 

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“As Silver as the Stars You Tried to Rival,” by Eric Robert Nolan

“As Silver as the Stars You Tried to Rival”

The
world grows
darker in increments,
earlier every evening,
as Autumn’s arcing swallow bends to curve
at long last, rounding down, to the hardening ground, where only brown
leaves outlast November’s burning rug of reds and flaming footprints,
cast-off scarlets,

now giving way
to the gunmetal gray
of winter’s coarse eagle, its ash-gray and annual, slow,
feathered rule of sky ascends hemispheres, its lead belly
groaning for hare or softer birds, its slate eyes searching, yet ridden with hints of silver —

— thin silver threads in the breast of the lead predator,

ascending
screaming “December,”
slow, as slow as frost, as cold as loss,
frigid, frigid like a still photo and its forever frozen face there,
black and white, its timeless smile a lie, exposed by common calendars and your indifference.

If those blacks and whites were shaken up in a glass bottle, the jumbled shades under glass might make
silver:

— thin silver threads out of memory:

— as silver as the slimming minnows that you kicked
out of shallow water onto sand at 9
with the other boys
birthing, then returning swimming platinum
to the warm-womb mine of that black lake, you knew
that summer would never end —

— as silver as your father’s hair, when you were 13, the last time that you thought
your father would never end —

— as silver as the cross you gave to your first love,
kissing you at 16, there in the stairwell at school.
She laughed at your
accidental piety.
You thought it was a curving swallow;
it was a tiny crucifix.
And you told her
love would never end —

–as silver as the stars you tried to rival, drunk at 21, drunk at Cape Hatteras during the storm, drunk at the face of the Universe.
At “Kill Devil Hills” you balked at God.
The stars shouted with light, the violet-sable sky reeled and vaulted purple-black, interminable, drunk in its excess of self, the rhythmic, clutching sea its unforgiving son.

Your friends
warned you away from the sea.
The curving waves would swallow you.
They warned you, “You get dark when you are drunk.”
“And, besides, you’ll die.”
You laughed and stormed the waves against their wishes.
And you were dark. Your violet-sable heart
reeled and vaulted purple-black. You laughed
and shouted back at the stars,
young-mad and piss-drunk,
the freezing forward ramparts stung you but
you stormed in headfirst, headstrong, and interminable:

this night would never end,
and if it never ended, how could you?

(c)  Eric Robert Nolan 2015, originally published by Dead Snakes 2015

 

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Photo credit:  bigwavephoto / Wikimedia Commons

“Darkening Autumn Walkway Haiku,” by Eric Robert Nolan

A coldly burning,

darkening autumn walkway

dims a hidden door.

 

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Site update — My video and audio recordings

Hi, gang.  This is just a quick note to let you know I’ve added a new page here at the site to sort of round up my poetry recordings.  You should be able to find any one of them right here:

My video and audio recordings

The page includes a link to my Youtube channel.  I hope you all had a terrific Thanksgiving yesterday!

 

 

 

“All Our Faults Are Fallen Leaves,” by Eric Robert Nolan

“All Our Faults Are Fallen Leaves”

Again an annual angled auburn hand
announces advancing Autumn —
fingers aflame, the first Fallen leaf,
As slow in its descent, and as red,
as flailing Lucifer.

Hell in our sylvan vision
begins with a single spark.
The sting of the prior winter
subsided in July,
eroded at August.
Now, as at every September,
let new and cooler winds
fan a temperate flame.

May this nascent season only
bring brick-tinted perdition
and carmine Abaddon.
Where flames should burn, may there be
only rose tones on wide wine canvasses,
tormentless florid scarlets,
griefs eased in garnet trees.

What I hold in my heart to be true
is Edict at every Autumn:
Magentas may not make
forgetful a distracted God,
unless we ourselves forget
or burn to overlook.

Auden told us “One Evening”
to “Stand, stand at the window,”
and that we would love our neighbor,
but he didn’t counsel at all
about how we should smolder there.

Outside my window, and yours,
if the Conflagration itself
acquits us all by claiming only
the trees upon the hill,
the Commonwealth a hearth,
Virginia an Inferno,

Then you and I
should burn in our hearts to absolve
ourselves and one another,
standing before the glass,
our curtains catching,
our beds combusting,
our bureaus each a pyre.
Take my hand, my friend, and smile,
there on the scorching floor,
beneath the searing ceiling and
beside the blackening mirror
that troubles us no longer,
for, about it, Auden was wrong.

God’s wrathful eye
will find you and I
incandescent. The damned
are yet consigned to kindness.
All our faults are Fallen leaves.
Forgive where God will not.

Out of our purgatory
of injury’s daily indifference,
let our Lake of Fire
be but blush squadrons of oaks,
cerise seas of cedar, fed
running ruby by sycamore rivers,
their shores reassured
by calm copper sequoias,
all their banks ablaze
in yellowing eucalyptus.

Let the demons we hold
harden into bark
holding up Inferno.
All their hands are branches now;
all their palms are burning.

There, then, softly burning, you and I,
may our Autumn find
judgmentless russets,
vermilion for our sins,
dahlia forgiveness,
a red for every error,
every man a love,
every love infernal,
and friends where devils would reign.

(c) Eric Robert Nolan 2015

— Author’s note: the poem to which I’ve responded above, with its images of standing at the window and the mirror, is W. H. Auden’s “As I Walked Out One Evening.”

 

 

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Photo credit: Steve Jurvetson.

 

“November, Blue Ridge Mountains, 1992,” by Eric Robert Nolan (recited by the author)

This is me reciting a very short love poem that I wrote in college.  “November, Blue Ridge Mountains, 1992” was first published in 2013 by the International Ware Veterans Poetry Archive.

November compelled us to visit the hills
Where ignorant rock and lofty pine
Were witness to our disregard
For strangeness, temptation and time.

But memories are sticky things.
Will any mountain ever let
Me dream again? Can I now
Feel rain without regret?

 

“The Poets’ Residences” (A rhyming couplet)

This was in response to a writing prompt yesterday at the launch event for the Peeking Cat 2017 Anthology.  We had 20 minutes to write a rhyming couplet as part of a contest.  (The instructions were to write a rhyming couplet on the subject of “books.”)

I came up with this in five.  I’d like to think it’s not altogether bad.

“The Poets’ Residences”

Like ordered hearts we line our tomes
Along the walls of lovelorn homes.

 

Oh!  There was another writing prompt with the subject of “cats.”  Here is the untitled couplet I came up with for that:

The finest cats are not all kittens;
Cougars often leave me smitten.

(Yeah, that kinda isn’t high art.)

 

 

 

 

Eric Robert Nolan reads “Roanoke Summer Midnight “

I was especially honored to see one of my recordings featured at today’s launch of the Peeking Cat Anthology 2017.  The poem I’m reading is “Roanoke Summer Midnight,” the same that was selected for the annual collection.

The video is below.  There are five poets featured reading their work; I am the fifth.  Mine is maybe a little harder to hear than the others, although it seems perfectly audible over headphones.  (My recording equipment here at home is truly rudimentary.)

I believe this is the first time I’d recorded myself reading my own work.  I hope that you enjoy it, along with the excellent other poets performing here.

 

Today is the launch day for the Peeking Cat Anthology 2017!

If you are inclined to peruse some of the year’s best indie lit, you can find a link to ordering information here.  (The anthology is available in hardcover and softcover, as well as in Kindle format.)  Be sure to check out my poem, “Roanoke Summer Midnight,” as well as poetry, prose, art and photography from 70 other contributors.

Editor Samantha Rose was also kind enough to interview me; you can find that right here.

Thanks, Sam, for the opportunity to see my work featured in this terrific independent literature anthology!

 

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