All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

Cover to “Detective Comics” #691, Scott McDaniel & Bob LeRose, 1995

DC Comics.

691

Keep ’em separate.

I’ve said it before, and I’ll say it again …

Church and State are like chocolate and tuna fish.  Either one of those things can be just fine on their own — but not when they’re combined together.



Nolan’s Insomnia Theater Presents: “Frankenstein” (1931)

I watched “Frankenstein” (1931) last night, as it was one of those immeasurably frustrating nights when I couldn’t sleep.  No, this movie obviously can’t be considered frightening by modern standards — but I still had fun finally seeing a Universal Pictures monster movie I’ve heard about all my life.

Here are a few fun Frankenfacts, courtesy of Wikipedia:

  1. If the story here feels static and dialogue heavy, there’s a reason for that.  Like “Dracula” (which Universal Pictures released the same year), “Frankenstein” was adapted from a stage play, which itself had been adapted from its classic novel source material.
  2. The makeup effects for Boris Karloff’s monster might seem simple by today’s standards, but people went nuts for them in 1931.  I can’t imagine what a Depression-era filmgoer might think of a modern tv  show like “The Walking Dead.”
  3. If you think Hollywood relies too heavily on cheesy sequels today, take a look at the B-list stuff that followed this classic movie: “Bride of Frankenstein” (1935), “Son of Frankenstein” (1939), “The Ghost of Frankenstein” (1942), “Frankenstein Meets the Wolf Man” in 1943 (which was also a sequel to 1941’s “The Wolf Man”), “House of Frankenstein” (1944), and “Abbott and Costello Meet Frankenstein” (1948).  Dr. Frankenstein’s monster also showed up in “House of Dracula” (1945).
  4. “Frankenstein” has something else in common with “Dracula” — the talented, hyperactive character actor, Dwight Frye.  Here he is the scene-stealing assistant to the doctor — he is Dracula’s minion, Renfield, in the other film.
  5. Frye’s character is not named “Igor,” as countless homages and references to this movie might lead you to believe.  His name is “Fritz.”  There is a deformed, graverobbing henchman named “Ygor” in the later “Son of Frankenstein,” and I am guessing the two movies are just easily conflated in popular memory.  Also … the mob of townspeople never storm Frankenstein’s castle with torches and pitchforks.  They instead chase the monster to an abandoned windmill at the top of a mountain, and destroy him there.  (I am guessing that the denouement I thought I’d see also comes from a sequel.)
  6. I … might have noticed a major plot hole for the movie.  (Yes, I realize that it is almost certainly absent from Mary Shelley’s 1918 novel, which I have not read).  The townspeople want to hunt down the monster for his accidental drowning of  little girl.  But … how did they know the monster was even involved?  We are shown nobody witnessing the tragedy.  In fact, how do the townspeople even know that the monster exists — and that it was loose from the laboratory if its birth?  Granted, I might have missed something — it was a sleepless night for me, after all.

Let me close with two observations:

  1.  The castle housing Frankenstein’s laboratory would be a wicked cool place to live if it were properly renovated.  Think about it.  You’d need to wire it everywhere with reliable heat and electricity, and then somehow keep it dry — no small feat for an abandoned castle.   But could you imagine how amazing it would be to have a home office there?  A library?  A home theater?  A dining room?  You could have a whole Victor von Doom thing going on.
  2. I really want to see “Abbott and Costello Meet Frankenstein.”  I think that will be next for a sleepless night.


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Variant Cover to “Doctor Fate” #1, Ibrahim Moustafa, 2015

DC Comics.

Fate

“The line dividing good and evil cuts through the heart of every human being.”

“If only it were all so simple!  If only there were evil people somewhere insidiously committing evil deeds, and it were necessary only to separate them from the rest of us and destroy them.  But the line dividing good and evil cuts through the heart of every human being.  And who is willing to destroy a piece of his own heart?”

Aleksandr Solzhenitsyn, The Gulag Archipelago 1918 – 1956



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A monument dedicated to Solzhenitsyn in Brodnica in Poland.  Photo credit: Czonek, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

The Salem Times-Register prints my letter about the defenders of Ukraine.

I learned a little while ago that the Salem Times-Register printed my recent letter about the courage of the Ukrainian people protecting their homeland.  You can find it right here.

Thank you, Editor Shawn Nowlin, for allowing me to share my thoughts with my neighbors in Southwest Virginia.



“people are not good to each other”

we forget the terror of one person
aching in one room
alone
unkissed
untouched
cut off
watering a plant alone
without a telephone that would never
ring
anyway.

people are not good to each other
people are not good to each other
people are not good to each other

and the beads swing and the clouds obscure
and dogs piss upon rose bushes
the killer beheads the child like taking a bite
out of an ice cream cone
while the ocean comes in and goes out
in and out
in the thrall of a senseless moon.

and people are not good to each other.

— excerpt from Charles Bukowski’s “the crunch”

* There are multiple different versions of this poem in which the text varies.


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Rogers Street Bridge Railing Shadow..  Photo credit: Larry D. Moore, CC BY-SA 4.0 <https://creativecommons.org/licenses/by-sa/4.0&gt;, via Wikimedia Commons

Cover to “Two-Face: Year One” #1, Mark Chiarello, 2008

DC Comics.

tf

“In the prison of his days /Teach the free man how to praise.”

Earth, receive an honoured guest:
William Yeats is laid to rest.
Let the Irish vessel lie
Emptied of its poetry.

In the nightmare of the dark
All the dogs of Europe bark,
And the living nations wait,
Each sequestered in its hate;

Intellectual disgrace
Stares from every human face,
And the seas of pity lie
Locked and frozen in each eye.

Follow, poet, follow right
To the bottom of the night,
With your unconstraining voice
Still persuade us to rejoice;

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.

— from W. H. Auden’s “In Memory of W. B. Yeats”



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“The Master-piece,” Anne Brigman, circa 1930

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