All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“I didn’t care if the American troops risking their lives to help save me were gay, straight, transgender, black, white or brown.”

“When I was bleeding to death in my Black Hawk helicopter after I was shot down, I didn’t care if the American troops risking their lives to help save me were gay, straight, transgender, black, white or brown. All that mattered was they didn’t leave me behind. All that mattered was they didn’t leave me behind. If you are willing to risk your life for our country and you can do the job, you should be able to serve—no matter your gender identity or sexual orientation. Anything else is not just discriminatory, it is disruptive to our military and it is counterproductive to our national security. If the President enacts this ban, which would harm our military readiness, the Democratic and Republican Members of Congress who oppose this discrimination must pass legislation that prevents it from taking effect.”

— Tammy Duckworth (D-Illinois)

 

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Throwback Thursday: “Danny Dunn and the Homework Machine,” by Raymond Abrashkin and Jay Williams

Hot damn, did I love this book when I was in grade school.  I’d be surprised if any of my friends remember it, because it was published in 1958 … I’m not sure how it wound up in my hands in the early 1980’s.  The eponymous “homework machine” depicted in the book was a 50’s-era computer owned by Professor Bullfinch, who was Danny’s mentor or father figure or … something.

This was actually the third in a series of “Danny Dunn” books published between 1956 and 1977.   I read one other — “Danny Dunn and the Fossil Cave,” which I also liked a lot.

The authors were Raymond Abrashkin and Jay Williams, and they were quite good at their craft.  Danny, along with his friends Joe and Irene, were pretty relatable characters to a kid in the second grade.

 

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Cover to “Justice League Europe” #19, Bart Sears and Bruce D. Patterson, 1990

DC Comics.

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Thank you to ALL who serve.

I don’t know much about transgender people or issues.  I don’t think that I’ve ever actually known a transgender person outside of social media (unless I was simply unaware of it).  But after reading the below tweet by Twitter user Ryan Knight, I’d like to echo his sentiment.

Right-thinking Americans are grateful for your service in a job that is so difficult and dangerous that we civilians cannot even fully appreciate what you do.  We know that you are the best of our countrymen.  The actions of a puerile and disastrous president cannot change that.

We support you, and not him.

 

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“Winter,” Stepan Fedorovich Kolesnikov

Early 20th Century? Oil on canvas.

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This picture of tonight’s lunar eclipse is kinda terrible.

You probably should have gone outside and viewed it yourself, if you didn’t.

It was also a … Super Blood Wolf Moon, which I am sure is significant somehow.  I could Google it, but it is so damned cold outside that my fingers are partially frozen, and I can hardly type this blog post.

It actually was vaguely creepy to watch; it’s easy to see why medieval folks would have freaked out about this if they didn’t know the cause.

Somebody needs to name their band “Super Blood Wolf Moon.”  (Maybe I could talk those Skybald chaps into renaming themselves.)  Or a child.  A child would be even better.

 

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“Jesieniowisko,” Stanisław Witkiewicz, 1894

Oil on canvas.

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I introduced a pal last night to John Carpenter’s “The Thing” (1982).

And she was predictably impressed.  Here are a few observations that came up for me, about the categorically rewatchable sci-fi/horror movie that keeps on giving.  (Yeah, I know I sound overly preoccupied with this movie, and that’s weird, but I’m just really into movies.  And John Carpenter’s “The Thing” is the same kind of classic for monster movie fans as “It’s a Wonderful Life” or “A Christmas Story” is for people who like Christmas movies.)  [THIS BLOG POST CONTAINS MAJOR SPOILERS.]

1) It was fun watching “The Thing” with someone who was seeing it for the first time.  Not only did I have to stifle a chuckle at her cry of “That poor dog!” during the opening credits, but I also watched while she guessed (incorrectly, as most of us did) at which characters had been assimilated by the shape-shifting monster as the story progressed.  (I noticed something ironic last night that I couldn’t mention.  When MacReady delivers his short “I know I’m human. And if you were all these things, then you’d just attack me” speech, all of the men he’s addressing are also still human … Unless I’m mistaken, Norris and Palmer are elsewhere.

Which brings me to what at first occurred to me as a … remotely possible plot hole in this otherwise perfect masterpiece.  If The Thing truly wants to escape Antarctica and prey upon the rest of the world, it doesn’t need to assimilate (or “Thingify,” as I like to think) everyone in the camp.  It only needs to overtake a single human.  (This would be the silhouetted figure that the dog first approaches; my money’s on Norris.)  Think about it … nobody stationed at Outpost 31 remains at the research station indefinitely.  They’d cycle out at the end of a shift of … six months?  Eight months?  Longer?  (And what about vacations and holidays?)  Sooner or later, they’d fly home.  And, having perfectly replicated a human’s anatomy, The Thing need only sustain itself until that departure by eating the same food the other humans were eating.  Then, as soon as it arrived at any other, warmer location on earth, it could attack life in its abundance.

But this morning I realized that my analysis here is faulty.  First, the humans were already getting wise to The Thing and its means of procreation — thanks to a pre-diabeetus Wilford Brimley wisely intoning, “That ain’t dog.”  Maybe The Thing was smart enough to realize the humans could effectively quarantine it.  Second, I am assuming in my criticism that “The Thing” is acting as a single entity.  Yet it shouldn’t act that way at all; this is the entire point of MacReady’s “blood test.”  While one incarnation of The Thing is safely munching on canned goods disguised as a human, a separate incarnation was sitting in storage, exposed — presumably only until the humans finally realized it needed to be destroyed somehow.  That iteration of The Thing needed to attack and duplicate Redding if it wanted to save itself.

2)  The Thing actually shouldn’t need to reach civilization in order to begin attacking all life on earth; it only needs to reach the Antarctic coast. If it enters the water and begins assimilating sea life (and why shouldn’t it be able to?), then it’s game over.  I said last night that “a fish can travel wherever it wants,” which my friend found pretty funny, but it’s true.  A Thingified fish (or its fish-Thing progeny) could arrive at any continental coastline.

3)  If The Thing replicates a human perfectly on a cellular level, then … might it be reluctant to kill anyone else, because it would basically be a human?  (Obviously, the film’s plot-driving antagonist has no such reluctance, but … still, think about it.)  If it perfectly replicates a human brain, right down to its cellular structures and chemistry, then wouldn’t it have a conscience and experience empathy?  My friend pointed out the reductionist nature of my question, though — it assumes that conscience and empathy can have only physical origins.

4)  The movie’s characters (and most viewers) assume that The Thing is “a lifeform” or an organism.  Is it, or is it simply “live” tissue?  Somebody on the Internet Movie Database message board pointed out long ago that it’s “just cells,” and that’s … literally true; the film even shows this via crude 80’s-era computer graphic.  Is it an “organism” if it is simply tissue that replicates?  Or is it no more a “lifeform” than a cancer, or tissue grown in a lab?

5) I honestly opine that the film is perfect, or very nearly so.  It is the paragon of sci-fi/horror movies.  And I’d put it on par with other films that I hold virtually perfect, like “To Have and Have Not” (1944), “Alien” (1979), “Blade Runner” (1982), “Aliens” (1986), “The Accidental Tourist” (1988), “Alien 3” (1992) and “Vanilla Sky” (2001).

6)  My friend reaaaally likes Kurt Russell’s hair in this film.

Okay, enough.  I’m sorry about this.  Hey, at least I’m not obsessing over comics tonight.

 

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Washington, D.C., January 2019

You can’t shut down my love for you, Washington.

Wisconsin Avenue in Tenleytown.

 

Guerrilla poetry in Tenleytown.

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K Street and 18th Street.

 

K Street and Connecticut Ave NW.

 

Cover to “Daredevil” #160, Frank Miller and Klaus Janson, 1979

Marvel Comics.

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