All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“It is a peculiar sensation, this double-consciousness …”

“It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity. One ever feels his two-ness,—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.

“The history of the American Negro is the history of this strife – this longing to attain self-conscious manhood, to merge his double self into a better and truer self. In this merging he wishes neither of the older selves to be lost. He does not wish to Africanize America, for America has too much to teach the world and Africa. He wouldn’t bleach his Negro blood in a flood of white Americanism, for he knows that Negro blood has a message for the world. He simply wishes to make it possible for a man to be both a Negro and an American without being cursed and spit upon by his fellows, without having the doors of opportunity closed roughly in his face.”

— W.E.B. Du Bois, “Of Our Spiritual Strivings,” 1903

 

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Cover to “Creepy” #92, Frank Frazetta, 1969

Warren Publishing Company.

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“The world breaks everyone …”

“The world breaks everyone and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you too but there will be no special hurry.”

— Ernest Hemingway, “A Farewell to Arms,” 1929

 

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Cover to “Where Monsters Dwell” #12 (UK Variant), Jack Kirby, 1971

Marvel Comics.

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“Pearl Fog,” by Carl Sandburg

Open the door now.
Go roll up the collar of your coat
To walk in the changing scarf of mist.

Tell your sins here to the pearl fog
And know for once a deepening night
Strange as the half-meanings
Alurk in a wise woman’s mousey eyes.

Yes, tell your sins
And know how careless a pearl fog is
Of the laws you have broken.

— Carl Sandburg

 

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Photo credit: I, Jonathan Zander [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY-SA 2.5 (https://creativecommons.org/licenses/by-sa/2.5)%5D, from Wikimedia Commons

Don’t forget the Supreme Chord 10th Aca-versay Concert on October 20th!

If you’re in the DC/Maryland area, then don’t forget Supreme Chord’s 10th Aca-versary Concert on October 20th at the Church in Bethesda.

These folks have truly amazing voices and they include a dear friend of mine for many years. The proceeds will benefit local music-based organizations.

Have fun!

 

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Advertisement for “Deutsche-Kunst und Dekoration,” circa 1899

The artist here is a little tough to nail down.  Most websites attribute it to Alfons Mucha, but a few attribute it to German graphic designer Joseph Rudolf Witzel.

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“Gonzalo,” by W. H. Auden (recited by Eric Robert Nolan)

“Gonzalo”

— from W. H. Auden’s “The Sea and the Mirror”

Evening, grave, immense, and clear,
Overlooks our ship whose wake
Lingers undistorted on
Sea and silence; I look back
For the last time as the sun
Sets behind that island where
All our loves were altered: yes,
My prediction came to pass,
Yet I am not justified,
And I weep but not with pride.
Not in me the credit for
Words I uttered long ago
Whose glad meaning I betrayed;
Truths to-day admitted, owe
Nothing to the councilor
In whose booming eloquence
Honesty became untrue.
Am I not Gonzalo who
By his self-reflection made
Consolation an offence?

There was nothing to explain:
Had I trusted the Absurd
And straightforward note by note
Sung exactly what I heard,
Such immediate delight
Would have taken there and then
Our common welkin by surprise,
All would have begun to dance
Jigs of self-deliverance.
It was I prevented this,
Jealous of my native ear,
Mine the art which made the song
Sound ridiculous and wrong,
I whose interference broke
The gallop into jog-trot prose
And by speculation froze
Vision into an idea,
Irony into a joke,
Till I stood convicted of
Doubt and insufficient love.

Farewell, dear island of our wreck:
All have been restored to health,
All have seen the Commonwealth,
There is nothing to forgive.
Since a storm’s decision gave
His subjective passion back
To a meditative man,
Even reminiscence can
Comfort ambient troubles like
Some ruined tower by the sea
Whence boyhoods growing and afraid
Learn a formula they need
In solving their mortality,
Even rusting flesh can be
A simple locus now, a bell
The Already There can lay
Hands on if at any time
It should feel inclined to say
To the lonely – “Here I am,”
To the anxious – “All is well.”

 

 

Another comic cover by the late, great Norm Breyfogle.

This is for 1991’s “Batman: Holy Terror.”  It was one of the first graphic novels  I ever read, and it was one of the books that got me hooked on comics.

 

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Meet the new moth. Same as the old moth.

The first two photos are before and after applying filters.

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