Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations.
Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.
I won’t lie to you — not all of the sci-fi short films that Oats Studios produces are fantastic. Writer-Director Neill Blomkamp’s cutting-edge online creative project does produce its share of duds. But when it’s good, it’s very, very good, and “Adam” is proof of that.
Like Blomkamp’s “Rakka” and “Firebase” before it, “Adam” is an unfinished serialized tale that mixes raw emotion and disturbing imagery with hints of brilliance — all set within a detailed and truly creative sci-fi universe. I highly recommend it.
I bought this pumpkin a week before Halloween. It is now January 5. It’s as firm as the day I bought it, without a hint of rot. That’s got to be some kind of record, right?
I’m tempted to think it was chemically treated somehow by the seller. But I bought another pumpkin from the same batch that soured pretty predictably. It had to go out on the porch after a couple of weeks. (Come to think of it … I don’t actually remember putting that one in the garbage pails. Did a raccoon carry it off?)
I’m having a little trouble verifying that this comic cover is actually real. But I believe it is, and I believe it was published in the early 1950’s. I have no information about the artist.
[Update: Blog Correspondent Pete Harrison informed me immediately after I posted this that the “cover” indeed appears to be a fake. The GCD (Grand Comics Database) contains no record of this title, and it looks like a gag constructed by the “Atomic Romance” website. (I was confused because I had actually seen it at several other websites too.)]
NBC’s “Knight Rider” might be the granddaddy of all 1980’s high-tech super-vehicle shows — if I had to guess which one was the most popular or most fondly remembered, this would be it. (I suppose the other leading contender would be “Airwolf,” which we talked about a couple of months ago — but that was aimed at an older audience.)
“Knight Rider” was cheesy. But most 80’s action shows were cheesy, and I still remember it as being decent enough. Lord knows I and Mikey Wagner, the kid on the next block, were fascinated by it.
As anyone who remembers this show can attest, there is a key character that isn’t even hinted at in the intro below. The car was sentient. His name was K.I.T.T. (Knight Industries Two Thousand), and he was an artificial intelligence who actually who had a hell of a lot of personality. K.I.T.T. was a super-intelligent, talking, futuristic, sleek, black sportscar, and he was an incongruous damned hero to us kids.
The other star was Davis Hasselhoff as Michael Knight. We looked up to him too. Hasselhoff, of course, is now better known for his subsequent starring role as a moronic lifeguard on the categorically awful “Baywatch” (1989 – 2001). I remember seeing snippets of “Baywatch” in the 1990’s — it was constantly playing in the newsroom at my first job as a cub reporter. (The guys there loved it.) I remember being disappointed that one of my childhood heroes had somehow morphed into a male bimbo on the most saccharine and brainless TV show I had ever seen. Hey, “Knight Rider” was a show for kids … but it was goddam “Masterpiece Theater” when compared with “Baywatch.”
Weird trivia — the voice actor for K.I.T.T. was none other than William Daniels, who also gave a stellar performance as John Adams in 1972’s film adaptation of Broadway’s “1776.” It’s so weird seeing that movie and hearing the voice of K.I.T.T. come out of Adams’ mouth.
Guys, if you have a moment, I really recommend that you stop by the Jenny S. Poetry channel on Youtube and listen to her reading of her short poem, “Happy Smiley People.” As you may know from reading this blog, the channel is where Jenny reads the work submitted to her by indie poets — in addition to some of her own work.
“Happy Smiley People” is a stark, superb piece. As I told Jenny, it’s brutally honest and bluntly perfect. And it’s got a great closing line.
The chief beauty about time
is that you cannot waste it in advance.
The next year, the next day, the next hour are lying ready for you,
as perfect, as unspoiled,
as if you had never wasted or misapplied
a single moment in all your life.
You can turn over a new leaf every hour
if you choose.”
Eric Robert Nolan, Author 