Photo by Ian Mcallister, 2008. England.
DC Comics, Vertigo.
20th Century Fox/Fox Atomic.
20th Century Fox/Fox Atomic.
Below are the trailers for all four major film iterations of “Invasion of the Body Snatchers.” Though these movies enjoy varying degrees of fame, they all remain close to my heart. There is just something about Jack Finney’s original paranoia-inducing story idea that’s timeless and frightening. (Finney’s 1955 novel served as the basis for the first film, directed by Don Siegel, a year later.) And I always thought that the identity-stealing, alien body snatchers were an elegant monster concept too, because they can be rendered effectively on film with little or no special effects.
The first trailer is for the original 1956 classic, which still holds up surprisingly well. (If you haven’t seen it, then you might discover that it’s got more urgency and less camp than you’d expect from a typical 1950’s alien invasion flick.) The second trailer is for the genuinely frightening 1978 remake, which is, quite simply, one of the top science-fiction/horror films of all time.
I was introduced to both of these movies by my “movie uncle,” Uncle John. I remember thinking the original was far better than I’d expected for an “old black-and-white.” (I’d had a an adolescent’s predictable skepticism about old movies.) And the dour 1978 masterpiece got under my skin and stayed there forever.
The 1993 installment, simply titled “Body Snatchers,” is probably the least well known — I’ve never heard it mentioned outside of horror fan circles. I myself had never heard of it until I stumbled across it in a video store more than a decade following its release. It had a very limited theatrical release, and it sometimes feels like the most generic of the “Body Snatchers” movies — like maybe a made-for-television movie or an especially good entry for the first revival of “The Twilight Zone” (1985-1989).
I love it. You could tell it was a labor of love for its screenwriters and its director, Abel Ferrara … it was obvious that they truly “got” Finney’s concept, and that they set out to deliver just what genre fans wanted. This “Body Snatchers” was freaky, fast-paced and unsettling, and I still feel it deserves a broader following.
The fourth trailer is for the most maligned and recent adaptation of Finney’s novel, 2007’s “The Invasion.” (My god, was this really made 13 years ago? Tempus fugit.) People really dislike this movie, despite a cast led by Nicole Kidman and Daniel Craig. It was generally panned by both critics and audiences, and I sorta understand why. It’s got its share of flaws — most notably a hasty happy ending that feels tacked on by the studio. I don’t quite love it, but I really like it quite a lot — it’s stylish and ambitious and has a lot of creepy moments. And if you think Nicole Kidman is easy on the eyes, as I do, you’ll see that she looks like a million bucks here.
If you really enjoy these films and are hungry for more, there are two other alien invasion movies that seem to channel the same muse as Finney’s. The first is 1994’s “The Puppet Masters” by Stuart Orme. (It should not be confused with its soundalike contemporary, the “Puppet Master” (singular) horror franchise, which depicts demonic dolls.) “The Puppet Masters” is campy, but still very cool, and it adapts the eponymous 1951 novel by Robert A. Heinlein.
The second recommendation I’d offer is 1998’s “The Faculty.” It’s an even campier horror-comedy aimed more at mainstream audiences, but it’s still a lot if fun.
“Spider-Man: Far From Home” (2019) is a fun enough Marvel movie; based on my own enjoyment, I’d rate it an 8 out of 10. It’s got the same qualities as almost all the other films in the Marvel Cinematic Universe — fun, humor and great special effects housed within a remarkably well constructed shared universe. This mostly standalone adventure is definitely one of the MCU’s campier outings, but I think that most viewers will find it a welcome break after the last two high-stakes, apocalyptic “Avengers” films. (You may have heard of them.)
It’s also a great film to appeal to comic fans who are younger adults. The humor usually works, and the characters are nicely relatable. Peter’s peers and teachers are all engaging enough on their own, and make a good group of supporting characters. I know most fans have commented how much they like Ned, and I do too — but I think the MCU’s biggest improvement in this part of the mythos is the character of M.J. She is vastly different from her comic book progenitor, but in good ways. She’s dry, sardonic and slightly dark, and she’s extremely well played by Zendaya. I don’t imagine that many fans will agree with me here, but I personally find this character to be a lot more likable and compelling than the MCU’s Peter Parker.
And that brings me to my largest concern about the new “Spider-Man” films. Their version of Peter is sometimes frustrating. I don’t think it’s the fault of Tom Holland, who brings a nice amount of energy and personality to the role. I think it’s the fault of the screenwriters, who have made the character so doltish, boyish and eager-to-please that it’s occasionally annoying. He sometimes seems more like a middle school student than an advanced high school student. (Isn’t he supposed to be a senior here?) The writers seem to want to counter-balance the character’s high intelligence with a humanizing flaw, and they seem to want to contrast young Peter with the older, more seasoned Avengers lineup. All of that makes perfect sense, but I do think they go a little overboard.
I’m willing to go on record here and say that I prefer Sam Raimi’s “Spider-Man.” His trilogy between 2002 and 2007 had more heart, more devotion to heroic archetypes, and greater attention character depth and detail. (I still think that 2004’s outstanding “Spider-Man 2” is one of the best comic book movies ever made.) There are advantages, too, to depicting an iconic superhero that doesn’t inhabit a shared universe — you spend more time exploring the character than exploring their context in relation to others.
Still, I’d recommend “Spider-man: Far From Home.” Like I said, it was a fun movie.