All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“Seated Nude With Sculpture,” William McGregor Paxton, 1941

Tempura on panel.

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34 Calls for Submissions in August 2017 – Paying markets

This looks like another good list from Erica Verrillo’s blog:

The Public Library of Cincinnati and Hamilton County fountain There are nearly three dozen calls for submissions in August. Every genr…

Source: 34 Calls for Submissions in August 2017 – Paying markets

 

 

 

 

“Morning Light,” William McGregor Paxton

Date unknown.  Am I nuts if this piece reminds me a little of Matt Wagner’s work?

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“The Figurine,” William McGregor Paxton, 1921

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Black humor.

I was at Starbucks today, and I waited a full 23 minutes in line. There were still four people ahead of me. I was late for an appointment, and I needed coffee. I just … grabbed a tall coffee that had been laid out for a customer ahead of me. I didn’t pay for it. Just walked out the door.

In the parking lot, I sipped it to discover it was a delectable CAFE MOCHA.

Are you judging me? Don’t.

DON’T JUDGE ANY MAN UNTIL YOU WALK A MILE IN HIS MOCHA SINS.

 

 

“The Escape,” William McGregor Paxton

Oil on canvas.  Date unknown.

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“Phoenix Forgotten” (2017) is a found-footage horror film that didn’t pan out.

“Phoenix Forgotten” (2017) has a couple of things going for it.  The first is its use of real events as the MacGuffin for its found-footage horror story — the 1997 mass UFO sighting in Arizona known as “The Phoenix Lights.”  The second is the young Chelsea Lopez in a lead role.  She appears to be a gifted young actress, and she’s … astonishingly good here.  (The script, too, does succeed in painting her adolescent protagonist as likable and identifiable.)

Those two things, however, do not save “Phoenix Forgotten” from being a mediocre movie.  It’s sometimes slow and occasionally even boring, despite the fact that it picks up quite a bit in its closing minutes.

It also feels far too much like a beat-for-beat remake of 1999’s “The Blair Witch Project.”  Yes, it’s a different sub-genre, with a science fiction plot device instead of a supernatural threat, and a desert setting instead of the Maryland forest.  But its story, its conclusion and even its closing shots parallel that superior film very closely.

I’d rate this a 4 out f 10.

 

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“Psyche Opening the Door Into Cupid’s Garden,” John William Waterhouse, 1904

Oil on canvas.

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Throwback Thursday: skipping church!

Here’s a vivid summer memory — and it comes to me courtesy of my dear old friend Sarah in New York, who posted this picture on Facebook not too long ago.  Below is the very beach on Long Island where my older brother and I would park in the early 1980’s when we were supposed to be at church on Sunday morning.

We would eat Entenmann’s donuts and we would listen to WBLI on the radio.  (If you are from Suffolk County, you can’t not hear the chipper WBLI jingle every time you read those four letters.)  If memory serves, the station played Casey Kasem’s countdown on Sunday mornings.

I was pretty young, and I was awed that my brother deemed me cool enough and trustworthy enough to conspire with him in playing hooky from the service.  I was fully complicit, too.  It was my job to run in and out of the church quickly before the service started, in order to grab the Sunday bulletin, with which my mother had instructed us to return every week.

The first time I colluded with my brother this way, I overdid it a little.  Upon our return and gave my mom a lot of unrequested detail about the priest’s sermon, and what it had meant to be.  My brother later pulled me aside in the room we shared, and gave me some sage coaching: “You don’t need to make up a whole big story.”  That was the first time in my life that I learned not to over-embellish a lie.

You see that?  You can learn a lot from a religious upbringing.

 

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Cover to “Daredevil” #328, Scott McDaniel, 1994

“Tree of Knowledge” storyline.  Marvel Comics.

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