All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

The “Skyfall” Poem (Alfred Lord Tennyson’s “Ulysses”)

The poem that M recites during 2012’s “Skyfall” is a section of Alfred, Lord Tennyson’s “Ulysses.”  Its full text is below.

Ulysses,” by Alfred, Lord Tennyson

It little profits that an idle king,
By this still hearth, among these barren crags,
Match’d with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel: I will drink
Life to the lees: All times I have enjoy’d
Greatly, have suffer’d greatly, both with those
That loved me, and alone, on shore, and when
Thro’ scudding drifts the rainy Hyades
Vext the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honour’d of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethro’
Gleams that untravell’d world whose margin fades
For ever and forever when I move.
How dull it is to pause, to make an end,
To rust unburnish’d, not to shine in use!
As tho’ to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle,—
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and thro’ soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

There lies the port; the vessel puffs her sail:
There gloom the dark, broad seas. My mariners,
Souls that have toil’d, and wrought, and thought with me—
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age hath yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
‘T is not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Tho’ much is taken, much abides; and tho’
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

 

“The Thaw,” Fyodor Vasiliev, 1871

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GET WHITEY.

Am I nuts if I think Sansa Stark’s outfit on the last episode of “Game of Thrones” looks vaguely reminiscent of the Night King’s armor?

Somebody please tell me this is not foreshadowing her death and reanimation as a wight, or some variation of a White Walker …

What do we call that resurrection process, anyway?  Wighted?  Wightened?  Wightwashed?

 

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“August 1968,” by W. H. Auden

“August 1968,” by W. H. Auden

The Ogre does what ogres can,
Deeds quite impossible for Man,
But one prize is beyond his reach,
The Ogre cannot master Speech:
About a subjugated plain,
Among its desperate and slain,
The Ogre stalks with hands on hips,
While drivel gushes from his lips.

 

“The Temptation of St. Anthony,” Joos van Craesbeeck, 1650

Oil on panel.

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A few quick words on the “Game of Thrones” Season 7 premiere.

The premiere of Season 7 of “Game of Thrones” was damned good … enough for me to give it a 9 out of 10.  (You know you’re enjoying a TV show when you are riveted to the screen.)

The dialogue and character development for this show is always first-rate, and the acting often is.  Last night was no exception — the exchange between Littlefinger (Aidan Gillen) and Sansa Stark (Sophie Turner), for example, was priceless.

The glimpse of The Night King’s wight army, however brief, should please any horror fan.  I watch a lot of horror movies, and I’m a tough fan to please.  Yet I am still surprised at how this fantasy show continues to succeed in scaring me.  It’s impressive.  If the leaked script for Season 7 is accurate, then the bad guys in the final episode ought to be damned frightening.

I will reiterate a very minor longstanding quibble that I have had with “Game of Thrones” as someone who has not read the books.  This story seems to attach tremendous dramatic emphasis to the movement and arrival of groups of people.  I do understand the need for this, and its appeal — the logistics are part of George R.R. Martin’s world-building, and they bring detail and a sense of realism.  There are times, however, when I feel like Daenerys’ defining character trait is that she … goes places.  (Look!  Now her army is here!)

I won’t say much more for fear of spoilers — this is a show where even mentioning a character’s name can suggest a chapter in his or her character arc.  (I will say that I loved the opening segment, even if I was understandably puzzled at first.)

This is great TV.

 

Publication Notice: Quail Bell Magazine features “Graceless Ravens Envy You”

I am honored tonight to share here that Quail Bell Magazine has kindly published a poem of mine, “Graceless Ravens Envy You.”  You can read it here:

“Graceless Ravens Envy You”

Quail Bell Magazine is a Richmond-based multimedia literature and arts journal “that explores the imaginary, the nostalgic, and the otherworldly through the highest quality creative and journalistic content.”   It really is a wonderful and unique online periodical, and I encourage you to check it out.

“Graceless Ravens Envy You” first appeared at Dead Snakes in 2015.

 

It’s Self-Promotion Sunday, an event that I entirely made up ten seconds ago.

If any of you guys enjoyed “Roanoke Summer Midnight” the other day, you can find the handful of other poems I’ve written so far this year right here.

Source: My poetry, 2017

Rest easy, George A. Romero.

Thank you, George A. Romero, for the countless hours of creepy entertainment that you gave us — both through your own movies and the entire horror sub-genre that they created.

I had so much fun I thought the world would end.

Article re: George A Romero’s death in the Los Angeles Times

 

 

Cover to “Robin III: Cry of the Huntress” #2, Mike Zeck, 1993

DC Comics.

 

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