All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

I found these near a stream.

They’re some kind of wetlands vegetation, obviously.  They remind me a little of the “cat tails” that grew in a marshy section of the woods near my childhood home.  (Bizarrely enough, that was in central Long Island, where you kinda don’t expect to find wetlands.)

The stream below these stalked sentinels was teeming with quick minnows today, along with metallic blue dragonflies above them.  I wanted to explore it pretty badly, but the vegetation is so thick that it’s waist-high.  I was issued some pretty dire warnings upon my arrival in Virginia about poisonous snakes, especially near the water, and I take those warnings pretty seriously.

 

20170725_195438

20170725_195434

“Dress Rehearsal for the Ballet(?),” Edgar Degas, circa 1873

I am a little unsure of the title for this fairly typical painting by Edgar Degas; I can’t find it featured on any English-language sites.  It is named in German as “Generalprobe des Balletts auf der Bühne.”  (The title above is the same when plugged into Google Translate.)

 

800px-Edgar_Germain_Hilaire_Degas_033

Homeland Insecurity.

I was never anything resembling Eagle Scout material.  But I was a Cub Scout since I was old enough, and I was a Boy Scout for a year.

I never heard an adult connected with the organization even mention politics once.

I just can’t believe the extent to which Trump seems to constantly betray his own insecurities. Everything he says seems intended to show us that he is somehow better than Obama or Hillary. He’s like a child who repeatedly proclaims that he is smarter or tougher than the next kid. If Trump has so much confidence in his superiority, then why should he feel the need to endlessly remind the rest of us?

They say that imitation is the sincerest form of flattery, but maybe needful competition is even more sincere.

 

 

 

“A Rye Field,” Ivan Shishkin, 1878

Oil on canvas.

Ivan_Shishkin_-_Рожь_-_Google_Art_Project

20170724_101134

20170724_101204 (2)

“Road in the Rye,” Ivan Shishkin, 1866

tumblr_static_ivan_shishkin_-_road_in_the_rye__1866_

Ki: Theory’s “Stand By Me” video is brutal.

Below is one of the most powerful music videos I’ve ever seen, and I’ve seen a lot of music videos.  (80’s kid here.)  It’s Ki: Theory’s cover of Ben E. King’s 1968 “Stand By Me.”

Not only is it a terrific cover, but the video combined with the music make it an intense, atmospheric short film.  It’s surprising how much storytelling and emotion the actors and director convey — and all in under three and a half minutes.

Be warned — it’s pretty dark stuff, and a little graphic.

 

176 Literary Magazines Accepting Reprints

This is a terrific resource.  A big thanks to author Erica Verrillo for putting all together.

Source: 176 Literary Magazines Accepting Reprints

Poster art for George A. Romero’s “Night of the Living Dead,” 1968

Night_of_the_Living_Dead_(1968)_theatrical_poster

A short review of the Season 4 premiere of “The Strain”

[THIS REVIEW CONTAINS SPOILERS FOR PAST SEASONS OF “THE STRAIN.”]  I love “The Strain.”  It’s weird, it’s wacky, it’s usually creepy, and the screenwriters seem to want to throw in everything but the kitchen sink in order to please horror fans.  It’s also the most ambitious horror show on television — it endeavors to depict nothing short of an entire vampire apocalypse, from its inception back in Season 1 to what appears to be a complete victory by the monsters at the start of its fourth (and apparently final) season.  Only the outstanding “Fear the Walking Dead” has attempted something like that.  And although “Fear” is the better show, it can’t match “The Strain’s” epic storytelling goals and its level of detail.

The writers’ energetic efforts almost always pay off.  Part of “The Strain’s” appeal is that you never know how far they’ll go.  And they do push the envelope so creatively that they sometimes hit upon ideas and story points that are grotesque and darkly creative.  I’m still enjoying this show even after I predicted back in Season 1 that the plot-driving creatures themselves would grow boring after our repeated exposure to them.  (I’m happy to be proven wrong.)

Regrettably, the Season 4 premiere suggests that the writers are now reaching too far, too fast.  It continued the show’s pattern of brave creative choices, but it was sloppy.  There were enormous changes in story and setting with insufficient exposition.  We jump nine months forward from the close of last season, when a nuclear explosion devastates New York, and our heroes are scattered.  We’re offered little information about how our protagonists arrived at their respective new junctures, and that is forgivable.  (It’s a convention of serialized storytelling like this that things can be explained in subsequent episodes.)  But the enormous changes in the overall milieu left me a little confused.

Following the nuclear conquest of New York last season, why would Philadelphia and other cities also be ruled by the vampires?  I understand that the nuclear winter is to blame for this, because the bad guys can move about by day.  But would a single bomb cause a sufficient nuclear winter to affect the entire Eastern Seaboard?  (Yes, I am aware that I am illustrating my ignorance of this subject.)

Or … is it the entire continent that’s affected, or the entire northern hemisphere?  Have other cities been bombed or not?  Why are the vampires seeking out more nuclear devices?  (We are given confusing information about these things through new story elements and dialogue.)  Furthermore, why is Vasiliy Fet (the likable Kevin Durand) trying get his hands on a nuke on behalf of the human resistance?  Is he planning on nuking an entire city, with both vampires and their human slaves?  If he neutralizes “The Master” in the remains of New York City, will it be worth it?

These are important plot and story elements that left me scratching my head.  What’s more, the season opener was further marred by some pretty spotty scripting and direction.  (The action sequence at the end was poorly done.)

The episode was still fun enough.  I’d rate it a 7 out of 10.  I’m just surprised that an episode that seems so hastily developed served as the season’s opener.