All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

Louis Gallait’s “Power of Music,” 1851

Cover to “Robin,” Brian Bolland, 1991

DC Comics, limited series, 1 of 5.

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Cover to “Silverback” #1, Matt Wagner, 1989

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“These are a few of my favorite things.”

I am now the proud owner of … a goodly portion of all the “Grendel” comics Matt Wagner ever wrote.  What you see in the top row are “Grendel Omnibus” Volumes 1, 2 and 3.  (I believe I actually shared my review of Volume 1 on this site a while ago.)  These would comprise a nearly inclusive history of Hunter Rose, Christine Spar, Brian Li Sung, Orion Assante and Eppy Thatcher.  All that remains for me to collect is the fourth Omnibus trade-paperback, chronicling the possibly immortal Grendel Prime and his imperiled charge, Jupiter Assante.

The Omnibus editions do not include crossovers with heroes such as Batman and The Shadow, as those characters are obviously owned by other companies.  Nor do they include the diverse dystopian future tales depicted by various artists in the 1990’s “Grendel Tales.”  But I am in heaven with what you see below — or maybe hell, considering these books’ central motif.

To top it all off, that hefty tome beneath the comics is W. H. Auden’s “Collected Poems,” edited by Edward Mendelson, with the poet’s work between 1927 and his death in 1973.  It’s 927 pages.  It weighs 30 pounds, probably.  And it is indexed by both the poem’s titles and their first lines.  That is what you call a lifetime investment.

The comics will be excellent summer reading; as will Auden.  But I’ll focus more on the Briton when fall arrives.  Like his countryman, Doyle, he might be best enjoyed outdoors on a gray and increasingly brisk Autumn day.

I need to buy books more often.

 

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Charles Copeland West’s “News From Sebastapol,” 1875

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“It’s the end of the world as we know it, and I feel fine.”

If your idea of a decent bedtime story is a tale of a terrible future, then stop on over at The Bees Are Dead.  We’ve got some wonderful dystopian poetry, prose and photography, thanks to a diverse group of truly talented contributors.  There are some unsettling visions, but you won’t be sorry you visited.

Today’s feature was “The Red Dream” (“красная мечта,”)  a haunting photographic composition by Ekaterine Dovzhenko depicting former Soviet states.  Be sure also to read “Homeland,” Robert Borski’s superb, psychedelic riff of L. Frank Baum’s “The Wizard of Oz.”

 

Photo credit: Albert Goodwin’s “Apocalypse,” 1903

Max Braun’s “Universal Declaration of Human Rights” (Photo)

Braun: “Why the title?  Because both realities are sad.”

 

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Photo credit: By Max Braun – 60 Jahre Allgemeine Erklärung der Menschenrechte, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=37203687

“Odd Rant Lump” is most apropos, I think.

Rearrange the letters of Donald Trump’s name and you get “Tan Dump Lord.”

Not to mention “Damp Old Runt,” “Dolt and Rump,” and “Odd Rant Lump.”

M’jus’ sayin’.

Manoel Lopes Rodrigues’ “Dois Véus”

“Two Veils.”  Oil on canvas.

 

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Wakicha-wakicha!

Just one more road trip pic from last week — I can’t believe I forgot to post this!

This ad campaign sounds like the most poorly conceived porn film ever.

 

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