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Guys, I have absolutely not joined a modern dance troupe.

That post on Monday about joining the “Apollo Fridays” dance company was absolutely an April Fool’s Day joke.  If the anagram didn’t clue you in, then the villain names from FOX’s “24” probably should have (even if it’s fun to imagine Nina Meyers, Victor Drazen and Stephen Saunders conspiring to produce a national modern dance tour).

I really hope no offense was take by any of the people who believed me?  The wife of one of my college buddies wanted to support me by attending a show in Washington.  And another college friend actually is a modern dancer who really wanted to encourage me.  You guys are all so cool, your support for my faux accomplishment actually was touching!



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“The Heathen” from “Basel’s Dance of Death” by Matthäus Merian, 17th Century

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I’ve been recruited by the Apollo Fridays Dance Company for the “Gray Gardenias” modern dance tour!

I am absolutely honored to share here that my creative life has taken an exciting new direction — and one with a distinction for which I am incredibly grateful.  The Apollo Fridays Dance Company has selected me to train and perform with its “Gray Gardenias” modern dance tour for a period of one year between July 1, 2024 and July 1, 2025.

For those of you outside the theater community, the “gray” movement in today’s modern dance world refers to older performers (generally over age 50) who want to “rejuvenate the culture in a way that incorporates older dancers, to show that dance is an avenue of expression for all ages.”  (And those of you who’ve known me since my Mary Washington College days know that I minored in dance there under the apt tutelage of Professor Nina Meyers.)

Apollo Fridays’ national “Gray Gardenias” tour begins in just three short months.  (Although the tour is nationwide, my segment of the program will take me only throughout the mid-Atlantic states.  I am thrilled that I will appear on the stages of both The Kennedy Center and The Arena Stage in Washington, D.C.!)  I will be traveling to Washington no fewer than three times per week for training, so you will be seeing a lot less of me on social media.

I am incredibly grateful to both both Apollo Fridays Executive Director Victor Drazen and Casting Director Stephen Saunders for this once-in-a-lifetime opportunity.

Remember, guys, DANCE LIKE NOBODY IS WATCHING.  Except … in my case, people WILL be watching, I guess.  Wow.



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Photo credit: By Eli Katz – Photoshoot of JDT Company show The Return of the Unicorn, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=120909482

“Sunrise Over Montalet, Seen From Molières sur Cèze,” Thierry Peseux, 2009

Oil on canvas.

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“I am not one of those weak-spirited, sappy Americans who want to be liked by all the people around them.”

“I am not one of those weak-spirited, sappy Americans who want to be liked by all the people around them. I don’t care if people hate my guts; I assume most of them do. The important question is whether they are in a position to do anything about it. My affections, being concentrated over a few people, are not spread all over Hell in a vile attempt to placate sulky, worthless shits.”

— William S. Burroughs

Source: Addison Stansifer on Facebook



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Photo credit: Christiaan Tonnis, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0&gt;, via Wikimedia Commons

*THIS GILDED AGE.*

Pepper

Happy Easter, All!! :-)

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Photo credit: Magnus Hagdorn from UK, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0&gt;, via Wikimedia Commons

Forest around Charlottesville, Virginia, Diego Tirira, 2005

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Diego Tirira from Quito, Ecuador, CC BY-SA 2.0 <https://creativecommons.org/licenses/by-sa/2.0&gt;, via Wikimedia Commons

Throwback Thursday: this 80’s kid-cave.

This picture inspires pure nostalgia for 1980’s rural suburbia.  I swear there is something so cool about the wood paneling and thick carpet.

Note the game console.  I still remember talking with rapt interest with other kids about which Atari cartridges their family had.



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“Like White Plumeria Petal,” by Eric Robert Nolan

Your face will occasion the spaces
wherever I delay – prosaic places:
the sofa, the hall, the breakfast table
when slow new sun ascends in palette
of light against dark, you are with me,
observing the glowing morning,
sipping and smiling over coffee.
You, My Love, are always near,
for you are ever in reverie here.

Your arrival surprises me
at market among the rows
of pears and bright strawberries,
crates of crimson radiance,
and the hard and fragrant weights of apples,
their round and reddening-ember
emblems of autumn in bins.
You offer to buy some for me.
The curve of your hand falls over one
like white plumeria petal.
Unpredicted you appear,
For you are ever in reverie here.

When I pause at the park’s entrance,
piqued by inscrutable sculpture there,
you are on my arm again,
curious also at its
strange silver spades and towering contour,
the upward angled language of it,
its high iron hieroglyph.
You draw me close and joke
of Freud in girlish murmurs, your
quickened persistence of whimsy.
Your drollery will still adhere
For you are ever in reverie here.

Ever lovely, ever dear,
are ruminations I revere;
senses of you persevere,
for you are ever in reverie here.

© Eric Robert Nolan 2024



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Photo credit: Ashley Campbell, CC BY 2.0 <https://creativecommons.org/licenses/by/2.0&gt;, via Wikimedia Commons