Category Archives: Uncategorized

“Vampire,” Jaroslav Panuska, 1900

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“Ah, distinctly I remember …”

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Source: The Poe Museum

Intersection of Church Avenue and Market Street, December 2023

“Visul lui Ulise,” Nicolae Vermont, 1893

“Ulysses’ Dream.”  Oil on canvas.

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A very short review of “The Exorcist: Believer” (2023)

I’m sorry to report here that “The Exorcist: Believer” (2023) is indeed a bit lackluster.  (The buzz online was pretty critical of the this latest entry in the franchise.)

It starts off strongly enough.  The story’s setup is methodical and well paced, that characters feel real, and the movie does a good job building tension.  It’s in the latter half that the movie falls short — it slides into a chaotic jumble of characters and story elements.  There is one major story development that arrives as a welcome reference to the classic 1973 original film … but it’s written off in an unsatisfying way that has little effect on the plot as a whole.  (I am being intentionally vague here to avoid spoilers.)

There are a few things to like here … it is definitely a little scary in a couple of places.  And the two girls playing the afflicted teenagers (Lidyah Jewett and Olivia O’Neill) are superb.

“The Exorcist: Believer” isn’t a bad horror movie, exactly.  It’s really just average — and it has the misfortune of being compared to the original.



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“The Shepherd’s Dream,” John Henry Fuseli, 1786

Drawing.

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“I Heard a Bird Sing,” by Oliver Herford

I heard a bird sing
In the dark of December.
A magical thing
And sweet to remember.

“We are nearer to Spring
Than we were in September,”
I heard a bird sing
In the dark of December.



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Winter Woods, Charles Warren Eaton, circa 1900

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The Piker Press publishes “Three Dreamers”

I am so pleased to see a trio of my poems appear today over in the pages of The Piker Press.  The set of three is entitled “Three Dreamers,” and the poems are as follows: “The Writer,” “The Secretary” and “The Bureaucrat.”

You can find them right here.

I wrote “Three Dreamers” very early in my career as a poet, and they were meant as a sort of creative experiment.  I wanted to see whether I could characterize three different fictional characters who have relationships with one another.  (The people portrayed here were imagined as office co-workers.)

Thanks once again to Managing Editor Sand Pilarski for allowing me to share my voice at The Piker Press!



“Le Port de Trieste,” Egon Schiele, 1907

Oil and pencil on card.

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