Category Archives: Uncategorized

“Lil’ Red Riding Hood”

A reader of “The Dogs Don’t Bark In Brooklyn Any More” sent me this link.

The name of the group is Sam the Sham & the Pharoahs.

Another Irish Ballad

Chloe Agnew from Celtic Woman sings “Danny Boy.”

I Want This Woman To Be My Writing Tutor

As I have mentioned before, my friend and “poemrade” Stanley Anne Zane Latham is a beautiful writer with an enviable talent for descriptive language. Among other things, I love her ability to employ simple, direct language to master an image, and I love the use of color in her poetry and prose. (Her work is a real treat for any reader who is a visual thinker.)

Below is Chapter 1 of her memoir, “A Feast, A Roadmap and A Tanager.” Read it.

My Interview With Bunbury Magazine

I recently had the honor of being interviewed by Bunbury Magazine, in the United Kingdom, about “The Dogs Don’t Bark In Brooklyn Any More.”  Bunbury is a beautiful online magazine focusing on the arts, with outstanding photography, artwork, poetry, short stories and interviews.

I had great fun with the interview, which included a lot of thoughtful questions, and more than a couple of fun ones.  

As “Dogs” is a post-apocalyptic science fiction story, the editors at Bunbury featured my interview in Issue Four, the Dystopian Special.  I’d like to thank Christopher Moriarty and Keri-Ann Edwards at Bunbury for their kind attention to a new writer, and to Reg Davey at Dagda Publishing for arranging this wonderful opportunity for me.

Enjoy the Dystopian Special here:

http://issuu.com/bunburymagazine/docs/bunbury-issue-four

 

Image

My best friend is a woman; I call her my Girl Friday.

What does that make me? Her Guy Monday? Guy Tuesday?

Nooooo … MISTER SATURDAY NIGHT.

William Butler Yeats’ “The Second Coming”

Happy National Poetry Month — this is the poem that I believe I liked best from among those I was taught at Longwood High School.

While everybody else loves its closing lines, my favorite line is the one about the falcon.

Eagle-eyed horror fans might also recognize this as the poem recited by the doomed general in Stephen King’s “The Stand” — both the book and television miniseries adaptation (though King has the character mispronounce the name as “YEETS”).

Thanks to Poem of the Week for the text:  http://www.potw.org/archive/potw351.html

 

THE SECOND COMING

    Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

    Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: a waste of desert sand;
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Wind shadows of the indignant desert birds.

    The darkness drops again but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

“As I Walked Out One Evening,” by W.H. Auden

Celebrate National Poetry Month — this is probably my second favorite poem of all time, and the very first poem I ever read by W.H. Auden.  For me, it is a thousand times darker than Edgar Allen Poe’s “The Raven.”  (“Oh stand, stand at the window, as the tears scald and start.”)

I first found this piece during my early high school years, after Whitley Strieber’s “Communion” used its “Plunge your hands in water” stanza to preface a chapter.

Thanks to the Academy of American Poets for this link:

 

As I Walked Out One Evening

I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: 'Love has no ending. 'I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, 'I'll love you till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. 'The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world.' But all the clocks in the city Began to whirr and chime: 'O let not Time deceive you, You cannot conquer Time. 'In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. 'In headaches and in worry Vaguely life leaks away, And Time will have his fancy To-morrow or to-day. 'Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. 'O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. 'The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the tea-cup opens A lane to the land of the dead. 'Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. 'O look, look in the mirror, O look in your distress: Life remains a blessing Although you cannot bless. 'O stand, stand at the window As the tears scald and start; You shall love your crooked neighbour With your crooked heart.' It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.

Image

 

“A character is never the author who created him.”

“A character is never the author who created him. It is quite likely, however, that an author may be all his characters simultaneously.”

– Albert Camus

 

I love this quote.  (Thanks, Dagda Publishing Facebook page!)  I need to remember this the next time someone suggests that the main character in my book is an author proxy.

Or, as my Longwood High School pal Tim Gatto so tactfully asked, “Is Rebecca just you in drag?”

I will plead the Fifth, however, on whether or not any Mary Washington College pranks involved me getting into drag.

Just look at that handsome rogue …

This is the nutty friend who went to a party dressed as his favorite character from “The Dogs Don’t Bark In Brooklyn Any More.”

He’s the Army Major and cognitive ethologist at Fort Ronald Reagan who teaches wolf psychology and interrogates wolf prisoners.

And Special Animal Warfare Service Squad Captain Rebecca O’Conner discovers that there’s more to his work than she initially expects …

But that’s cool — because he’d “do anything for a fellow carrot-top.”

Image

“You’re a better man than I am, Gunga Din.”

Celebrate National Poetry Month — here is Rudyard Kipling’s “Gunga Din.”

And if your childhood was anything like mine, you have seen the 1939 film adaptation with Carey Grant more than a few times.

A fictionalized version of Kipling himself is actually a minor character in the film.

(Thanks to Bartelby.com for the text.)

 

Image

Gunga Din

BY RUDYARD KIPLING

You may talk o’ gin and beer   
When you’re quartered safe out ’ere,   
An’ you’re sent to penny-fights an’ Aldershot it;
But when it comes to slaughter   
You will do your work on water,
An’ you’ll lick the bloomin’ boots of ’im that’s got it.   
Now in Injia’s sunny clime,   
Where I used to spend my time   
A-servin’ of ’Er Majesty the Queen,   
Of all them blackfaced crew   
The finest man I knew
Was our regimental bhisti, Gunga Din,   
      He was ‘Din! Din! Din!
   ‘You limpin’ lump o’ brick-dust, Gunga Din!
      ‘Hi! Slippy hitherao
      ‘Water, get it! Panee lao,
   ‘You squidgy-nosed old idol, Gunga Din.’

The uniform ’e wore
Was nothin’ much before,
An’ rather less than ’arf o’ that be’ind,
For a piece o’ twisty rag   
An’ a goatskin water-bag
Was all the field-equipment ’e could find.
When the sweatin’ troop-train lay
In a sidin’ through the day,
Where the ’eat would make your bloomin’ eyebrows crawl,
We shouted ‘Harry By!’
Till our throats were bricky-dry,
Then we wopped ’im ’cause ’e couldn’t serve us all.
      It was ‘Din! Din! Din!
   ‘You ’eathen, where the mischief ’ave you been?   
      ‘You put some juldee in it
      ‘Or I’ll marrow you this minute
   ‘If you don’t fill up my helmet, Gunga Din!’

’E would dot an’ carry one
Till the longest day was done;
An’ ’e didn’t seem to know the use o’ fear.
If we charged or broke or cut,
You could bet your bloomin’ nut,
’E’d be waitin’ fifty paces right flank rear.   
With ’is mussick a on ’is back,
’E would skip with our attack,
An’ watch us till the bugles made ‘Retire,’   
An’ for all ’is dirty ’ide
’E was white, clear white, inside
When ’e went to tend the wounded under fire!   
      It was ‘Din! Din! Din!’
   With the bullets kickin’ dust-spots on the green.   
      When the cartridges ran out,
      You could hear the front-ranks shout,   
   ‘Hi! ammunition-mules an’ Gunga Din!’

I shan’t forgit the night
When I dropped be’ind the fight
With a bullet where my belt-plate should ’a’ been.   
I was chokin’ mad with thirst,
An’ the man that spied me first
Was our good old grinnin’, gruntin’ Gunga Din.   
’E lifted up my ’ead,
An’ he plugged me where I bled,
An’ ’e guv me ’arf-a-pint o’ water green.
It was crawlin’ and it stunk,
But of all the drinks I’ve drunk,
I’m gratefullest to one from Gunga Din.
      It was ‘Din! Din! Din!
   ‘’Ere’s a beggar with a bullet through ’is spleen;   
   ‘’E’s chawin’ up the ground,
      ‘An’ ’e’s kickin’ all around:
   ‘For Gawd’s sake git the water, Gunga Din!’

’E carried me away
To where a dooli lay,
An’ a bullet come an’ drilled the beggar clean.   
’E put me safe inside,
An’ just before ’e died,
‘I ’ope you liked your drink,’ sez Gunga Din.   
So I’ll meet ’im later on
At the place where ’e is gone—
Where it’s always double drill and no canteen.   
’E’ll be squattin’ on the coals
Givin’ drink to poor damned souls,
An’ I’ll get a swig in hell from Gunga Din!   
      Yes, Din! Din! Din!
   You Lazarushian-leather Gunga Din!   
   Though I’ve belted you and flayed you,   
      By the livin’ Gawd that made you,
   You’re a better man than I am, Gunga Din!