“Smiling Among Inert Shipwrecks” selected for the upcoming Gathering Poetry Anthology

I received some really nice news this morning — my poem “Smiling Among Inert Shipwrecks” has been selected for the upcoming Gathering Poetry Anthology.  The anthology is being developed by Local Gems Press (which I was surprised to realize today is actually based on my native Long Island, New York.)  Gathering is also being created by Poets Anonymous, which has provided a venue for poets since 1991.

This is a wonderful opportunity to share my voice; I am grateful to James P. Wagner, Publisher of  Local Gems Press, along with Lesley Tyson and Megan McDonald at Poets Anonymous.



poets-anonymous-gathering-cover_orig

Throwback Thursday: “Indiana Jones and the Last Crusade” (1989)!

I remember seeing “Indiana Jones and the Last Crusade” in the theater with my 11th grade girlfriend.  When it was released, we thought this third entry in the film series would be the last.  (Blockbusters tended to run in trilogies back then.)  And what a great ostensible send-off it was!  Indy was back, in fine form, doing what he did best — punching Nazis.  Casting Sean Connery as his father was a stroke of genius, and the chemistry between him and Harrison Ford was priceless.

A couple of astute film fans on Facebook pointed out that 1989 was a great year for movies.  This was the summer when Tim Burton’s “Batman” came out, along with “The Abyss,” “Lethal Weapon 2,” “Pet Sematary” and “Dead Poets Society.”  Seriously, look at this list.  It’s insane.



Cover to “Batman/Superman/Wonder Woman: Trinity” Hardcover, Matt Wagner, 2004

DC Comics.

bats

“TIGER SHARKS AT THE WATER PARK!”

snakes

Poster for “Contagion” (2011)

Warner Bros., 20th Century Studios, New Line Cinema.

cont

I love my little valley town.

I think it gets prettier the longer I stay here.

IMG_20230711_211613329

“Threads.”

Why would they name a social media platform after a HORRIFYING 1984 British miniseries?

80’s kids want to know.



th

“A flask of wine, a book of verse — and thou.”

— excerpt from Edward FitzGerald’s  Rubáiyát of Omar Khayyám.



360036195_810383610595637_5498778517940346090_n

“Winter Scene With a Hunter Watching Two Deer,” Frederik Niels Martin Rohde, 1873

Oil on canvas.

winter

“A mouth with which to give shouts of joy to the moth and the wren …”

My work is loving the world.

Here the sunflowers, there the hummingbird — equal seekers of sweetness. Here the quickening yeast; there the blue plums.
Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn? Am I no longer young and still not half-perfect? Let me keep my mind on what matters, which is my work,
which is mostly standing still and learning to be astonished.

The phoebe, the delphinium.

The sheep in the pasture, and the pasture. Which is mostly rejoicing, since all ingredients are here,

which is gratitude, to be given a mind and a heart and these body-clothes, a mouth with which to give shouts of joy to the moth and the wren, to the sleepy dug-up clam,

telling them all, over and over, how it is that we live forever.

— Mary Oliver, Thirst: Poems



51HxvA7ggDL._SX377_BO1,204,203,200_

Nurse Your Favorite Heresies in Whispers