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“Sunrise with Sea Monsters,” J. M. W. Turner, 1845

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Graffiti in Roanoke, Virginia, April 2023

I love this town — even the graffiti is polite and upbeat.  I may never leave.

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Right Now

Reblog: “Right Now,” by Catherine O’Brien at Eunoia Review

perfectsublimemasters's avatarEunoia Review

Right now, an octopus is staring at an abandoned snorkel off the coast of Mozambique. Right now, precedented times are waiting in the wings to make a comeback. Right now, the stars can be forgiven for thinking they’re living in a van Gogh painting. Right now, a woman you used to know is crying in an apartment full of bandaged books. Right now, an astronaut is spinning above his own patch of planet blackness. Right now, calumny is on trend. Right now, grapes ripen on a vine that longs to be juicy and playful. Right now, there are conversations agreeing that hereafter they will be enrobed in silence. Right now, someone somewhere is trying to read another without due respect for the story within the story. Right now, the mass manufacture of excuses threatens to flood the market. Right now, ruddiness in a newborn’s cheeks is such sweet relief.

Catherine O’Brien

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Poster for “Max Headroom: 20 Minutes Into the Future” (1987)

Alright, 80’s pop culture historians, the chronology for the various “Max Headroom” movie and television shows can be a little confusing.  I think I’ve got it down …

The original “Max Headroom: 20 Minutes into the Future” was a 1985 TV movie for Britain’s Channel 4; it was two years later that ABC made it the pilot for an American show that would last for two seasons.  (A sanitized version of the British movie served as the pilot for the series.)

There were also a couple of versions of a “Max Headroom Show” that ran in either Britain or the United States more or less concurrently.  But these simply had the eponymous digital personality hosting … a talk show?  With music videos?  And, at any rate, a  lot of people remember Matt Frewer’s iconic character only from his famous Coca-Cola commercial.

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It’s okay. Jesus forgives *ALL* my bad puns.

Easter — the holy day on which pun lovers everywhere tell the risen Jesus that it’s nice tomb meet him.


Update — someone on Facebook just told me to “Savior the moment!”



“A Happy Easter To You.” Circa 1910

Happy Easter, all!

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“The Southern Diner Short Poem,” by Eric Robert Nolan

How about some mozzarella
for this 50-year-old fella?

Gimme just enough eggs and cheese
to stop my frikkin’ arteries, please.

Share your cheer and take my money.
No, I don’t mind if you call me “Honey.”



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Photo credit: Sarah Stierch (CC BY 4.0)

“Die Hexe,” Henry Fuseli, 1906

“The Witch.”

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A Woman Sits in a Country Graveyard at Night

Reblog: “‘A Woman Sits in a Country Graveyard at Night,’ by Dana Knott”

perfectsublimemasters's avatarEunoia Review

I sit in the moonlit prairie cemetery
and listen to the courtship
of insects. Every creature must pay
for love with a song or a dance
or the entirety of themselves.

I have paid in years for his body
to be next to mine each night in bed.
Even as he sleeps he still waits for me
and the comfort of our togetherness.
Even as he sleeps, I still long for him.

But tonight I feel closer to the almost
forgotten dead at my feet
than the humming life around me.
For a moment I think I hear him
call out to me from the house.

The racket of crickets and field mice,
chirping tree frogs and bats hunting the dark
all pause like a half rest in a nocturne,
and fireflies glow like tiny furnaces
illuminating prairie grass and headstones.

Dana Knott’s writing has recently appeared in The…

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Nurse Your Favorite Heresies in Whispers