“Her Smile Was Silver Jupiter,” by Eric Robert Nolan

It was a mad and spinning world in which you met her, but she was a mad and spinning girl — so brightly and resolutely burning that she herself was celestial.  There was starshine bottled up in her heart, solar winds charged the particles of her thoughts, ions in the atmosphere ignited her impulses.  Her willful joy was her own burning sun.

When she was sly, her eyes were hasty comets.  Her passion amassed from Saturnal storms.  Her smile was silver Jupiter– you wanted to repose over its white sands, beside the stained and rose-metal lakes of smoldering, darkening copper.

Between the spaces of her words, chasms of cosmos would occasionally open.  You could stare into those depths for indifferent and measureless distances of light years — the sublime nightmare-nothingness that Providence had made, the Forever-of-Empty-Dark.  But before you could be afraid, her own gravity drew you in.

And you were glad.  That such loveliness could exist in a single soul was reassurance.  (The Forever-of-Empty-Dark wasn’t entirely empty, after all.)  And you were grateful — grateful for her rejoinders, for the taste of her mouth on your own, for her girlish laugh, for the way that she regularly lighted a murky Earth with the moonbeams of her quiet kindnesses.

She was unstoppable.  Ultraviolet rode the coronal shades of her irises, and flared in her contemplation.  She blazed.  Magnetic radiation murmured in her poetry.  You loved her for her uniqueness in a universe of cold space, for the way that she burned and turned and burned and turned without ever slowing or expiring.  When her light fell across you, you could almost believe that you, too, were spinning and illuminated.  You loved her enough for the illusion alone.

You loved her more for her gravity that drew you in and held you, and for her arms that did the same.

(c) Eric Robert Nolan 2022



Hubble's_View_of_Jupiter_and_Europa_in_August_2020
This image of Jupiter and Europa, taken by the NASA/ESA Hubble Space Telescope on 25 August 2020, was captured when the planet was 653 million kilometres from Earth. The full view of this Hubble image can be viewed here.

Variant Cover to “Justice League” #23, Jerome Opena, 2019

DC Comics.

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“When I have found a way to express the inexpressible …”

“When I have found a way to express the inexpressible, I will tell you how I love you.”

— Edna St. Vincent Millay, diary entry circa 1911



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Photo: Edna St. Vincent Millay in Mamaroneck,[4] New York, 1914, by Arnold Genthe.

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No debate about it.

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“Romeo and Juliet,” Frank Bernard Dicksee, 1884

Oil on canvas.

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I’m Dunn here.

NAILED IT.

Update — you people just know that when I realized I needed a raincoat, I went looking specifically for the “Unbreakable” look. I don’t do cosplay, but if regular clothes can match a character? I’m there. You should have seen me shopping for suits in the heyday of “The X-Files.”

Update 2 — A Longwood High School pal just told me I look like the Gorton’s Fisherman.  Hey, at least you know you can trust me.

“The Piker Press” features my poem “When I Meet the Devil”

I’m so glad today to see The Piker Press publish another poem of mine — “When I Meet the Devil.”  You can find it right here.

Thanks, as always, to Managing Editor Sand Pilarski for allowing me to share my voice at The Piker Press!



“La Penseur,” Auguste Rodin

“The Thinker.”  Musée Rodin, Paris.

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“Go forth, under the open sky, and list/ To Nature’s teachings …”

To him who in the love of Nature holds
Communion with her visible forms, she speaks
A various language; for his gayer hours
She has a voice of gladness, and a smile
And eloquence of beauty, and she glides
Into his darker musings, with a mild
And healing sympathy, that steals away
Their sharpness, ere he is aware. When thoughts
Of the last bitter hour come like a blight
Over thy spirit, and sad images
Of the stern agony, and shroud, and pall,
And breathless darkness, and the narrow house,
Make thee to shudder, and grow sick at heart;—
Go forth, under the open sky, and list
To Nature’s teachings …

— from William Cullen Bryant’s “Thanatopsis”



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“Kindred Spirits,” Asher Durand, 1849, depicting William Cullen Bryant with Thomas Cole

Nurse Your Favorite Heresies in Whispers