“God Jul,” Jenny Nystrom

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FAIR VIEW CEMETERY, ROANOKE, VIRGINIA (3)

December 2019.

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“The Sunday,” Alexey Korzukhin, 1884

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“Time is the fire in which we burn.”

Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.

— from “Calmly We Walk through This April’s Day,” by Delmore Schwartz

 

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FAIR VIEW CEMETERY, ROANOKE, VIRGINIA (2)

December 2019.

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“Frühling,” Franz von Stuck, circa 1902

“Spring.”  Oil on panel.

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Fair View Cemetery, Roanoke, Virginia

December 2019.

I toured Fair View Cemetery by my friend’s house in northwest Roanoke just around twilight, which made for a couple of interesting shots.  The cemetery occupies a sweeping, broad hill.  It was established in 1890 and actually includes the grave of Confederate States of America Congressman (Waller Redd Staples).

 

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“Tilla Durieux as Circe,” Franz von Stuck, circa 1913

Oil on wood.

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“Someone once told me that time was a predator that stalked us all our lives.”

Someone once told me that time was a predator that stalked us all our lives.  But I rather believe than time is a companion who goes with us on the journey, and reminds us to cherish every moment because they’ll never come again.  What we leave behind is not as important as how we lived. 

—  from “Star Trek: Generations” (1994), screenplay by Ronald D. Moore and Brannon Braga

 

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Throwback Thursday: “War of the Worlds” (2005)!

As I’ve mentioned before on this blog,  I will never stop loving Steven Spielberg’s 2005 take on H.G. Wells’ “War of the Worlds.”  It was a damned decent science fiction epic, the special effects were fabulous, and it’s actually pretty scary upon its first viewing.  The movie successfully channeled post-9/11 anxieties without exploiting them, and Spielberg characteristically humanized the story’s apocalypse by framing it through the eyes of a realistic, relatable modern family.  (The terror of the genocidal monsters is a little ironic, too … when I was a kid, Spielberg was known for the wondrous aliens of 1977’s “Close Encounters of the Third Kind” and 1982’s “E.T. — The Extra Terrestrial.”)

Say what you want about Tom Cruise … I think he’s a decent actor, and he’s led some really terrific science fiction films.  Dakota Fanning was fantastic child actor here, and Tim Robbins was predictably brilliant (even if his story arc, in my opinion, was largely unnecessary and too depressing).

This was a great flick.

 

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