Cover to “Marvel Comics Presents” #112, Steve Lightle, 1992

Wolverine and Typhoid Mary.

 

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A short review of “War for the Planet of the Apes” (2017)

Like the two films preceding it, “War for the Planet of the Apes” (2017) is an intelligent, well rounded science fiction thriller.  The newest “Apes” series has been leagues ahead of the campy late-1960’s original films, and of course Tim Burton’s bizarre 2001 remake.

There is more going on here than a simple “apes vs. humans” tale.  Nor does it engage in simplistic moralizing, in which the innocent animals must escape from their human oppressors.  There’s a hell of a lot of moral complexity — something noted by the many positive reviews for the film.  One of the things that I liked the most was a compelling new surprise plot element, even though it approaches deus ex machina territory.  I won’t spoil it here, but it’s bleak, it’s frightening, and it makes you think.  Given the new information one character explains to another … it’s hard to say who is the bad guy, isn’t it?  How this plot element plays out is damned effective too.

This movie also superbly renders non-human characters — both in terms of its smart script and its special effects (a combination of both CGI and human actors).  I was greatly impressed at the detailed and lifelike facial expressions.

The action sequences were well executed, too, and the film had an epic feel.  (Although this would be a decent conclusion to a trilogy, filmmakers Matt Reeves and Martin Bomback have gone on record stating they wouldn’t be averse to future sequels.)

Still, I must confess that my attention sometimes wandered.  I think the pacing was a bit off.  It also didn’t help much that the conclusion of the final action set piece was spoiled by one of the film’s trailers.  (What the hell were they thinking?  Who makes these decisions?  Was there any backlash from fans who didn’t want advance knowledge of the film’s ending?)

Although this was an exceptionally well developed film, I just can’t give an unusually high rating to a movie that didn’t always hold my interest.  I believe, therefore, that I’d rate this an 8 out of 10.

 

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I found these near a stream.

They’re some kind of wetlands vegetation, obviously.  They remind me a little of the “cat tails” that grew in a marshy section of the woods near my childhood home.  (Bizarrely enough, that was in central Long Island, where you kinda don’t expect to find wetlands.)

The stream below these stalked sentinels was teeming with quick minnows today, along with metallic blue dragonflies above them.  I wanted to explore it pretty badly, but the vegetation is so thick that it’s waist-high.  I was issued some pretty dire warnings upon my arrival in Virginia about poisonous snakes, especially near the water, and I take those warnings pretty seriously.

 

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“Dress Rehearsal for the Ballet(?),” Edgar Degas, circa 1873

I am a little unsure of the title for this fairly typical painting by Edgar Degas; I can’t find it featured on any English-language sites.  It is named in German as “Generalprobe des Balletts auf der Bühne.”  (The title above is the same when plugged into Google Translate.)

 

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Homeland Insecurity.

I was never anything resembling Eagle Scout material.  But I was a Cub Scout since I was old enough, and I was a Boy Scout for a year.

I never heard an adult connected with the organization even mention politics once.

I just can’t believe the extent to which Trump seems to constantly betray his own insecurities. Everything he says seems intended to show us that he is somehow better than Obama or Hillary. He’s like a child who repeatedly proclaims that he is smarter or tougher than the next kid. If Trump has so much confidence in his superiority, then why should he feel the need to endlessly remind the rest of us?

They say that imitation is the sincerest form of flattery, but maybe needful competition is even more sincere.

 

 

 

“A Rye Field,” Ivan Shishkin, 1878

Oil on canvas.

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“Road in the Rye,” Ivan Shishkin, 1866

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Ki: Theory’s “Stand By Me” video is brutal.

Below is one of the most powerful music videos I’ve ever seen, and I’ve seen a lot of music videos.  (80’s kid here.)  It’s Ki: Theory’s cover of Ben E. King’s 1968 “Stand By Me.”

Not only is it a terrific cover, but the video combined with the music make it an intense, atmospheric short film.  It’s surprising how much storytelling and emotion the actors and director convey — and all in under three and a half minutes.

Be warned — it’s pretty dark stuff, and a little graphic.

 

176 Literary Magazines Accepting Reprints

This is a terrific resource.  A big thanks to author Erica Verrillo for putting all together.

Source: 176 Literary Magazines Accepting Reprints

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