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“As Zion’s Drawn,” by Dennis Villelmi

There is a dichotomy to Dennis Villelmi’s poetic voice.  His work is at once grotesque and baroquely alluring; his poems are beautifully crafted to describe appalling subjects.  I think that this is what makes me envy and return to his work, time and again — in addition to the facts that Dennis is a valued friend and that I enjoy dark poetry.  I think that if I had to sum up what attracts me to his poetry, it would be his apparently effortless mastery of juxtaposing elegant language with horrifying subjects.

His newly published “As Zion’s Drawn” is an excellent example.  (You can find it here over at The Bees Are Dead.)

This is the second in Dennis’ series of poems inspired by the research and writing of Richard Patterson, who has traveled the world gathering historical evidence that Jack the Ripper was actually former medical student Francis J. Thompson.  (Mr. Patterson has graciously given his approval to Dennis and B.A.D. for this literary homage.)  For more information about Patterson’s startling body of work, visit his website here at http://www.francisjthompson.com/.

For the first installment in this series of poems, please see “The Hidden Player” at The Bees Are Dead.

 

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Grandin Village, Virginia, March 2017 (2)

Grace’s Pizzeria is damn good, and inexpensive too.  You can get a small pizza with two toppings for just under $10.  It’s occasionally extra greasy, though.  (At one point, I tilted the pie sideways and it started just sliding off.)

 

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Herbert Cole’s illustration in “A Child’s Book of Warriors,” 1912

“A book illustration of an angel shows a model of Hagia Sofia to Justinian in a vision. The cathedral had burnt down during a riot; now Justinian would build an even more beautiful one.”  (Wikimedia Commons)

 

A Pretty Peach Ford (photo)

Seen at an antique shop on West Main Street in Salem, Virginia.

 

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Georg Macco’s “Frühlingsmorgen” (“Spring Morning,”) early 20th Century

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A few quick words on “Kong: Skull Island” (2017)

“Kong: Skull Island” doesn’t have the charm and sense of fun of Peter Jackson’s version, but it’s still a first-rate monster movie that I highly recommend.  It’s got a good script, likable characters and terrific special effects.

Parts of it were actually scary.  The first action set-piece is unexpectedly brutal, and there’s a sequence with a giant spider that was a little unnerving, too.  I was surprised at how the filmmakers here so heavily emphasized the story’s action-horror elements.

I had a blast with this, and I’d give it a 9 out of 10.

I have a question — did anyone else notice a reference to “Jurassic Park” (1993)?  At one point, Samuel Jackson’s character tells his companions to “Hang on to your butts.”  Isn’t that his character’s line in “Jurassic Park” when he restores power to the facility, shortly before he gets killed?

 

Fugly Fortysomething Elmo.

My new haircut makes me look like a pipe cleaner.

Or an unusually tall, fugly muppet.

 

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“Live our lives so well that Death will tremble to take us.”

“For those who believe in God, most of the big questions are answered. But for those of us who can’t readily accept the God formula, the big answers don’t remain stone-written. We adjust to new conditions and discoveries. We are pliable. Love need not be a command nor faith a dictum. I am my own god. We are here to unlearn the teachings of the church, state, and our educational system. We are here to drink beer. We are here to kill war. We are here to laugh at the odds and live our lives so well that Death will tremble to take us.”

— Charles Bukowski

 

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Detail of flayed tiger skin from “Attributes of the Six-handed Yeshe Gonpo”

Detail of the flayed skin of a tiger from Attributes of the Six-handed Yeshe Gonpo (Mahakala) (Jnananatha ‘Lord of the Pristine Cognition) in a Tibetan “rgyan tshogs” banner.

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Nurse Your Favorite Heresies in Whispers