What are these? Exactly? Grapes?

I know grapes are bigger than these, but … are they still growing?

Nobody trick me into poisoning myself.  Please.  That’s bad netiquette.

All I can think of is that “Simpsons” episode where they lampoon William Golding’s “Lord of the Flies.”  The kids are trapped on an island with no food; Ralph Wiggum eats the local berries and gets sick, helpfully reporting that “they taste like burning.”

These things are growing everywhere in this one patch of woods near me.  I know this sounds nuts, but there also appear to be … raspberries growing in the wild down here in Virginia too.  It’s not far from where I’ve spotted that fox and the occasional deer, as well as geese and goslings.

Virginia people, this kind of thing is totally nuts to a New Yorker.

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“Dante in Exile,” by Domenico Peterlini, circa 1860

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Photo credit: By Domenico Peterlini (o Petarlini o Peterlin) (1822 – 1891, attribuito) (http://www.stelle.com.br/pt/anonimo1.html) [Public domain], via Wikimedia Commons.

“Fear the Walking Dead” has webisodes.

Should you care?  I dunno.

The first webisode is one minute and 25 seconds long.  That seems like minimal entertainment, even for the little effort required to visit a website and click play.

Remember the plane that we saw over a panoramic shot of Los Angeles in one of the later episodes?  It appeared to be stuck in a dive, but then seemed to correct its course.  I’m pretty sure that it’s the subject of the the webisode series, entitled “Fear the Walking Dead: Flight 462.”

It’s embedded below.

Who was your favorite teacher? (Today is World Teachers’ Day.)

It’s World Teacher’s Day.  Or it was, until the clock struck midnight more than an hour ago.  It is sadly ironic that I am late for this, as I was so often late to class.

If you can, please pass this along to give a little recognition to someone in a uniquely demanding profession.

My single favorite teacher in New York’s Longwood Central School District is a little tough to choose.  I believe it would be a tie between two men.

The first was Mr. Greiner, who taught sixth grade at Ridge Elementary School.  He reined in a very strange, hyperactive boy long enough to actually write down his bizarre monster stories — and to do so legibly.  He could be firm, but also kind.  And the encouragement he offered was priceless.  I wrote my first presentable short story in his class, entitled “When A Bear Growls.”  It was about famous hunter Hank Brown’s deadly battle with a legendary grizzly, and it had enough blood and guts in it (and a shotgun!) to please and surprise my classmates.  They ate it up!  It was the first time in my life I’d ever felt “popular” at school, and it reinforced my love of writing.

The second was Mr. Anderson, who taught AP English to 12th graders at Longwood High School.  I remember him as a soft-spoken man, and I believe that he was simply so articulate that he just never needed to raise his voice in order to get his point across.  He had a visible, genuine love of literature that was contagious.  He knew how to push his students enough to prepare them well for college’s vastly greater demands.  But he was also sublimely easygoing and relatable.  So you could confide in him, for example, that you thought that William Faulkner really sucked.

I hope that both Mr. Greiner and Mr. Anderson are now very happy in retirement, and know that their students still hold them in the highest esteem.

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A nice shot of historic Jamestown, Virginia.

I’ve blogged a couple of pictures of historic Jamestown since I arrived in Virginia, simply because it is one of the places here that I’d really like to visit.  (The story of John Smith made a pretty big impression on me long ago as a schoolboy.)

Following my post yesterday, here’s a particularly good photo of the statue of John Smith there, passed along to me today by Mary Washington College Alumnus Nick Miller.  Nick is pictured below with his wife, Robin; they were there in August.  That’s the 1639 Jamestown Church behind them.  (I’m not sure if those crosses are the same one that I posted yesterday.)

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A review of “Fear the Walking Dead,” Season 1 (2015)

I know that love for “Fear the Walking Dead” (2015) is not universal, but I needed to pipe in at least once to say that I thought that “Season 1” was terrific.  (I feel funny calling six episodes a “season,” but I’ve heard that de facto miniseries like this are a new trend in television.)  I’d give this apocalypse story a 9 out of 10.

For me, “Fear the Walking Dead” satisfied a longstanding itch.  If you grow up a fan of post-apocalyptic horror, you are constantly exposed to the aftermath of the end of the world.  In the vast majority of films and fiction, horror fans are treated to flashbacks, at best, of how it all went down.  Here we (partly, at least) get to see it all go down.

I’ll bet that stories so expansive in scope are a little harder to conceive and write convincingly.  Very few writers of prose or screenplays have expertise in disaster management, disease control, mass psychology or homeland security.  How much easier is it to have protagonists roam a landscape of burned out buildings, with only graffiti, snippets of conversation, and occasionally a blown newspaper offering hints of exactly how the end came about?

“Fear” deserves a hell of a lot of credit just for trying (as does “The Strain” over at FX).  It’s also why the globally plotted “Contagion” (2011) was such a frighteningly interesting thriller, and why Max Brooks’ stage-by-stage zombie pandemic easily made “World War Z” the greatest zombie novel ever written.  Through the eyes of an average family, “Fear” at least tries to show us meaningful glimpses into how police, emergency and military authorities would react.  The result is some interesting stories.  A nerdy high school student is the first to prepare, for example, due to his attention to the Internet’s alternative media.  And a doomed compact between a civilian neighborhood and their putative military protectors concludes in a particularly horrifying way.

Soooooo many viewers complained that there were “no zombies.”  Well, there were always a couple, at least — we got a great one in the first episode’s earliest minutes.  But that wasn’t the point.  The creators of “Fear” told us that this would be a different type of show, with a “slow burn” -type horror.  For me, that worked.  Look at it this way — we routinely see “zombie swarms” over at that other show (what was its name again?).  We’ve been seeing them for five whole seasons — the first repelled Rick Grimes’ ill advised solitary horseback exploration of Atlanta.  That’s fun for a zombie horror fan, but it’s nothing new.

“Fear” offers us something much different — a kind of “creeping horror.”  This seemed like the “Psycho” (1960) of onscreen zombie tales.  No, we don’t see zombies everywhere, but watching even one episode of “The Walking Dead” (2010) lets us know that these lackadaisical everyday people are in for a hell of a ride.  We, the viewers, know what they do not.  That’s what our high school English teachers taught us was “dramatic irony,” and it makes this a nice little companion show to “The Walking Dead.”  In fact, ALL the characters we see are probably doomed to die, given what we know of the statistics established by “The Walking Dead.”  That’s pretty dark stuff.

Other viewers complained about the characters being boring or unlikable.  I do get that.  Nobody here, I think, will ever gain the same viewer loyalty as Rick, Michonne or Daryl Dixon.  (If it were put to a vote among the women of the world, I’m pretty sure they’d rename “The Walking Dead” as “The Norman Reedus Show.”)  But “Fear’s” average (and, yes, sometimes boring) people seemed far more “real” to me — I think they functioned better as viewer surrogates, and better allowed me to imagine how I might react in a world like this.  I almost started viewing this as an end-of-the-world docudrama in the same manner as the BBC’s little known “End Day” (2005).

Besides, two characters in particular do show great promise.  I just can’t say who or why without spoiling that they survived.  Yet another character who appears suicidal in the final episode is one that I thought was pretty interesting, and we do not actually see this person’s death.

Sure, I had my own quibbles.  Los Angeles is remarkably empty for a city of nearly 4 million people.  I’m inclined to think that, even after an unlikely evacuation attempt, it would still be swamped either with people who still needed help, or with zombies.

Also … the sparse information we’re given about the zombie phenomenon here seems disappointingly contradictory.  We’ve established that a universal, invisible illness means people will return into undeath, regardless of how they died.  But we also see a flu-like illness affect some people (who are doomed to die shortly thereafter), but not all people.  Are these two different manifestations of the same disease?  Is it even technically a contagion, or is it an environmental illness?  (I know my questions here are absurdly silly, but this is precisely the sort of thing that horror nerds argue about over at the Internet Movie Database.)

Oh, well.  My recommendation here is to give this a chance, with the caveat that it definitely isn’t “The Walking Dead.”  It’s damn good.

Oh!  One more thing!  Keep an eye out for occasional homages to “28 Days Later” (2002).  And watch closely — one such plot arc is devilishly turned on its head in a subtle thematic twist.

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Graveyard at Jamestowne Historic National Park, photo by Sarah Stierch.

Mass grave at Jamestown discovered by archaeologists, beneath the foundations of one of the later capitol buildings. Photo by Sarah Stierch.

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Photo credit: By Sarah Stierch [CC BY-SA 2.0 (http://creativecommons.org/licenses/by-sa/2.0)%5D, via Wikimedia Commons.

A short review of “These Final Hours” (2013)

“These Final Hours” (2013) is an unflinching Australian end-of-the-world movie that views humanity’s last 12 hours through the eyes a flawed, desperate everyman.  It’s outstanding; I’d give it a 9 out of 10.

This movie pulls off a pretty neat trick — it effectively portrays a global catastrophe with zero special effects until its closing set-piece.  (And these visual effects work quite nicely for a low-budget film.)  A meteor has struck the northern Atlantic, and a resultant wave of destruction is enveloping the earth.  Its progress is documented in real time by a sad ham radio operator, wonderfully performed by David Field.

What we see is gut-wrenching.  Some people turn suicidal, a few turn homicidal.  People drink, use drugs and have sex, either privately or not.  Some are depressed, some are too drug-affected to care, and others are in shock.  The rare, vain efforts to survive include the laughable (a tin foil-covered house) to the sadly insufficient (a stocked bunker that nevertheless isn’t deep enough).  One reaction is befuddling; we see a street barricaded with metal shopping carts with a sign cursing at passersby.  This is a fatalistic story premise in which every character on screen is doomed to die within hours.

We follow the surprisingly touching character arc for our troubled everyman.  He’s played by perfectly by Nathan Phillips.  The young Angourie Rice is just as good as an incongruously self-controlled little girl who winds up his charge after being separated from her father.  The cast is uniformly excellent.  Hearing Kathryn Beck wail that she doesn’t want to die is heartbreaking.

For me, there were only a few flaws here.  The pacing seemed … off somehow.  This movie slowed toward the end, the nearer disaster approached.  Phillips’ protagonist seemed thinly scripted for much of the first hour.  He seems like a generic guy, who plans to get drunk before the end of the world, which makes him much like nearly everyone else we see in this movie.  Yes, he intervenes heroically when he first encounters the little girl, but we expect every movie protagonist to do that.

With that said, however, every character did seem “real” to me, thanks to terrific naturalistic dialogue, written by Zak Hilditch.  (He’s also the director.)  It made the drama hit home.

Thanks to blog correspondent Len Ornstein for recommending this movie!  I recommend it too.

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“I met you in the rain on the last day of 1972, the same day I resolved to kill myself.”

Thus begins what might be the most beautiful Craigslist ad ever written — it appeared nine days ago in the Boston area’s “Missed Connections” section.  It is indeed a real ad; you can find it right here:

http://boston.craigslist.org/gbs/mis/5237173491.html

It’s a deeply personal (and apparently nonfictional) account of a brief chance meeting and a life consequently saved.

I am copying it in its entirety here:

*****

[I met you in the rain on the last day of 1972, the same day I resolved to kill myself.

One week prior, at the behest of Richard Nixon and Henry Kissinger, I’d flown four B-52 sorties over Hanoi. I dropped forty-eight bombs. How many homes I destroyed, how many lives I ended, I’ll never know. But in the eyes of my superiors, I had served my country honorably, and I was thusly discharged with such distinction.

And so on the morning of that New Year’s Eve, I found myself in a barren studio apartment on Beacon and Hereford with a fifth of Tennessee rye and the pang of shame permeating the recesses of my soul. When the bottle was empty, I made for the door and vowed, upon returning, that I would retrieve the Smith & Wesson Model 15 from the closet and give myself the discharge I deserved.

I walked for hours. I looped around the Fenway before snaking back past Symphony Hall and up to Trinity Church. Then I roamed through the Common, scaled the hill with its golden dome, and meandered into that charming labyrinth divided by Hanover Street. By the time I reached the waterfront, a charcoal sky had opened and a drizzle became a shower. That shower soon gave way to a deluge. While the other pedestrians darted for awnings and lobbies, I trudged into the rain. I suppose I thought, or rather hoped, that it might wash away the patina of guilt that had coagulated around my heart. It didn’t, of course, so I started back to the apartment.

And then I saw you.

You’d taken shelter under the balcony of the Old State House. You were wearing a teal ball gown, which appeared to me both regal and ridiculous. Your brown hair was matted to the right side of your face, and a galaxy of freckles dusted your shoulders. I’d never seen anything so beautiful.

When I joined you under the balcony, you looked at me with your big green eyes, and I could tell that you’d been crying. I asked if you were okay. You said you’d been better. I asked if you’d like to have a cup of coffee. You said only if I would join you. Before I could smile, you snatched my hand and led me on a dash through Downtown Crossing and into Neisner’s.

We sat at the counter of that five and dime and talked like old friends. We laughed as easily as we lamented, and you confessed over pecan pie that you were engaged to a man you didn’t love, a banker from some line of Boston nobility. A Cabot, or maybe a Chaffee. Either way, his parents were hosting a soirée to ring in the New Year, hence the dress.

For my part, I shared more of myself than I could have imagined possible at that time. I didn’t mention Vietnam, but I got the sense that you could see there was a war waging inside me. Still, your eyes offered no pity, and I loved you for it.

After an hour or so, I excused myself to use the restroom. I remember consulting my reflection in the mirror. Wondering if I should kiss you, if I should tell you what I’d done from the cockpit of that bomber a week before, if I should return to the Smith & Wesson that waited for me. I decided, ultimately, that I was unworthy of the resuscitation this stranger in the teal ball gown had given me, and to turn my back on such sweet serendipity would be the real disgrace.

On the way back to the counter, my heart thumped in my chest like an angry judge’s gavel, and a future — our future — flickered in my mind. But when I reached the stools, you were gone. No phone number. No note. Nothing.

As strangely as our union had begun, so too had it ended. I was devastated. I went back to Neisner’s every day for a year, but I never saw you again. Ironically, the torture of your abandonment seemed to swallow my self-loathing, and the prospect of suicide was suddenly less appealing than the prospect of discovering what had happened in that restaurant. The truth is I never really stopped wondering.

I’m an old man now, and only recently did I recount this story to someone for the first time, a friend from the VFW. He suggested I look for you on Facebook. I told him I didn’t know anything about Facebook, and all I knew about you was your first name and that you had lived in Boston once. And even if by some miracle I happened upon your profile, I’m not sure I would recognize you. Time is cruel that way.

This same friend has a particularly sentimental daughter. She’s the one who led me here to Craigslist and these Missed Connections. But as I cast this virtual coin into the wishing well of the cosmos, it occurs to me, after a million what-ifs and a lifetime of lost sleep, that our connection wasn’t missed at all.

You see, in these intervening forty-two years I’ve lived a good life. I’ve loved a good woman. I’ve raised a good man. I’ve seen the world. And I’ve forgiven myself. And you were the source of all of it. You breathed your spirit into my lungs one rainy afternoon, and you can’t possibly imagine my gratitude.]

I have hard days, too. My wife passed four years ago. My son, the year after. I cry a lot. Sometimes from the loneliness, sometimes I don’t know why. Sometimes I can still smell the smoke over Hanoi. And then, a few dozen times a year, I’ll receive a gift. The sky will glower, and the clouds will hide the sun, and the rain will begin to fall. And I’ll remember.

So wherever you’ve been, wherever you are, and wherever you’re going, know this: you’re with me still.]

Illustration 15 for Edgar Allan Poe’s “The Raven,” by Gustave Dore, 1884

For the line “Perched upon a bust of Pallas.”

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Photo credit: By Gustave Dore (dore.artpassions.net/) [Public domain], via Wikimedia Commons.

Nurse Your Favorite Heresies in Whispers