I am thinking of renaming this website. Whaddya think of these?

1)  Portrait of the Artist as a Jung Man

2)  The Po’ Man’s Poe

3)  Pay No Attention to the Nerd Behind the Curtain

4)  All Auden, All the Time

5)  Eric Robert Nolan: Sleep With Me and I’ll Write a Poem About It

6)  The Boy Who Cried Wolf

7)   Eric Robert Nolan: Slow In Writing Sequels

8)  The Poetry of Andy Kaufman (I’m Still Alive and This Is My Nom de Plume)

9)  Nolan Country For Old Men

10)  Nolan Ventured, Nolan Gained

11)   Eric Nolan: Preternaturally Garrulous (I’ve been told that I overuse both words.)

12)  The Writing of Eric Nolan: More Wolves and Birds than a God Damn National Forest

13)  Wait … That Guy Who’s Always On Facebook ALSO HAS A BLOG?!

14)  Just Say Nolan

15)  That 90’s Guy

16)  British People Are Mean To Me

17)  Nerdiopathy

18)  I Know Why The Caged Nerd Sings

 

 

The “Under the Dome” tv show is in its second season?

And we’ve yet to see a feature film or television series for Stephen King’s stunning, seminal “The Dark Tower” series?

“Under the Dome” is precisely my least favorite Stephen King novel.  And I have read “Dreamcatcher” (which was quite good in places) and the somewhat-too-disturbing novella, “Rage.”

What’s next?  A TV series based on Tom Clancy’s “Teeth of the Tiger?”

Sorry for being cranky today — this cold is kicking my @$$.

They need to make a “Gunslinger” film, at the very least, and have it star Clint Eastwood.  I don’t care about his age, and we’ll forgive his chiding of invisible presidents.  He simply IS Roland Deschain.

“The Lass of Cessnock Banks,” by Robert Burns

“The Lass Of Cessnock Banks”

On Cessnock banks a lassie dwells;

Could I describe her shape and mein;
Our lasses a’ she far excels,
An’ she has twa sparkling roguish een.

She’s sweeter than the morning dawn,
When rising Phoebus first is seen,
And dew-drops twinkle o’er the lawn;
An’ she has twa sparkling roguish een.

She’s stately like yon youthful ash,
That grows the cowslip braes between,
And drinks the stream with vigour fresh;
An’ she has twa sparkling roguish een.

She’s spotless like the flow’ring thorn,
With flow’rs so white and leaves so green,
When purest in the dewy morn;
An’ she has twa sparkling roguish een.

Her looks are like the vernal May,
When ev’ning Phoebus shines serene,
While birds rejoice on every spray;
An’ she has twa sparkling roguish een.

Her hair is like the curling mist,
That climbs the mountain-sides at e’en,
When flow’r-reviving rains are past;
An’ she has twa sparkling roguish een.

Her forehead’s like the show’ry bow,
When gleaming sunbeams intervene
And gild the distant mountain’s brow;
An’ she has twa sparkling roguish een.

Her cheeks are like yon crimson gem,
The pride of all the flowery scene,
Just opening on its thorny stem;
An’ she has twa sparkling roguish een.

Her bosom’s like the nightly snow,
When pale the morning rises keen,
While hid the murm’ring streamlets flow;
An’ she has twa sparkling roguish een.

Her lips are like yon cherries ripe,
That sunny walls from Boreas screen;
They tempt the taste and charm the sight;
An’ she has twa sparkling roguish een.

Her teeth are like a flock of sheep,
With fleeces newly washen clean,
That slowly mount the rising steep;
An’ she has twa sparkling roguish een.

Her breath is like the fragrant breeze,
That gently stirs the blossom’d bean,
When Phoebus sinks behind the seas;
An’ she has twa sparkling roguish een.

Her voice is like the ev’ning thrush,
That sings on Cessnock banks unseen,
While his mate sits nestling in the bush;
An’ she has twa sparkling roguish een.

But it’s not her air, her form, her face,
Tho’ matching beauty’s fabled queen;
‘Tis the mind that shines in ev’ry grace,
An’ chiefly in her roguish een.

1780

Thanks to Burns Country for the text:  http://www.robertburns.org/works/12.shtml

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“That gap is the grave where the tall return.” (W.H. Auden does Ray Bradbury.)

Auden would have made a fine horror writer.  He would have.

Enjoy the frightening imagery of “O Where Are You Going?”

I am not sure, but I believe that this is part of a set of poems entitled “The Adventurers?”

 

O Where Are You Going?

“O where are you going?” said reader to rider, 
“That valley is fatal when furnaces burn, 
Yonder’s the midden whose odors will madden, 
That gap is the grave where the tall return.” 

“O do you imagine,” said fearer to farer, 
“That dusk will delay on your path to the pass, 
Your diligent looking discover the lacking 
Your footsteps feel from granite to grass?” 

“O what was that bird,” said horror to hearer, 
“Did you see that shape in the twisted trees? 
Behind you swiftly the figure comes softly, 
The spot on your skin is a shocking disease?” 

“Out of this house” ‚ said rider to reader, 
“Yours never will” ‚ said farer to fearer, 
“They’re looking for you” ‚ said hearer to horror, 
As he left them there, as he left them there.

 

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This!! THIS!! THIS is what made me fall in love with science fiction as a boy!!!!

It wasn’t “Star Wars” (which I still consider fantasy) and it wasn’t “Alien,” which I wasn’t allowed to see in 1979.

It wasn’t even the various “Planet of the Apes” films, the Godzilla films, or the original “War of the Worlds” movie.

This comic book, which I somehow got a hold of at around age eight or nine, contained a story called “I’ll Remember You Yesterday.”  It was a time travel story in which an explorer visits the future to find humanity destroyed and the planet colonized by aliens.  Using clues from the future, he returns to the present to find and destroy the original alien colony, thus eliminating their beachhead and saving the human race.  He died a heroic death, causing an avalanche that buried both him and the alien vanguard.

Ignore the content on the cover, even if it is quite well drawn.  That story was “Alligator Alley,” and it was the lead story in the issue.  It was about … hippies, and … sex, and people turning into alligators.

Despite those rather intriguing plot elements, it totally fell flat with this nine-year-old.  It was too chatty, and it had a confusing climax with some sort of humanoid … alligator king.  Breasts were everywhere.  At least every other panel featured breasts.  I’m pretty sure it should have been entitled “Breast Alley.”  But I was nine, so … heroically machine-gunning aliens was far more entertaining for me.  “You’ll never conquer Earth!!  NEVER!!!”

Despite the loads of comics that I still own, this one has been lost to the years.

Someday when I am wealthy, I will have a framed copy of the story panels in my parlor.  (I will have a parlor, people.)

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I have lousy reading retention.

[This post contains major spoilers after the jump for all of the Thomas Harris books and films, as well as NBC’s “Hannibal.”]

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After Hannibal Lecter’s bloody victory over … hell, EVERYONE at the end of the tv’s show’s second season, I keep telling people that I can’t wait for Clarice Starling to show up and kick his ass.  (It is rumored that she will eventually appear, probably in seasons 4 or 5.)

Except … Starling never vanquished Lecter.  She enlisted his help in “The Silence of the Lambs” to catch Jame Gumb, then actually rescued him from Mason Verger in “Hannibal.”

And let’s not even talk about what actually transpired in the closing pages of Harris’ novel, “Hannibal.”  I was as happy as the other fans when they changed that for 2000 film adaptation.  In fact, those pages in my copy of the book are torn out.

 

“The face of a lover is an unknown …”

“The face of a lover is an unknown, precisely because it is invested with so much of oneself. It is a mystery containing, like all mysteries, the possibility of torment.”

James Baldwin, “Another Country,” 1962

I recited countless prayers in Catholic school.

And do you want to know which words make this empiricist come closest to feeling “spiritual?”

W.H. Auden’s “September 1, 1939.”  Auden’s work reassures the heart and tempts the intellect.   He was the very “affirming flame” he described so capably, as others doubtlessly are who were inspired by the piece.

If God exists, then evidence for Him might best be found in poetry: mankind’s capacity for depth and language’s capacity for beauty.

Just a few quick thoughts about “X-Men: Days of Future Past.”

And, no, that is not a lame attempt at a “Quicksilver” pun.   Honestly.

I really, really liked it.  It isn’t my favorite “X-Men” movie — those will always be what is arguably the darkest of the franchise (“X2: X-Men United”) and the lightest (“X-Men: First Class”).  But it’s definitely a nice addition to the series.

Here are a few reactions, with minimal spoilers, in no particular order:

  • What a radical shift in tone from “First Class.”  Way to bring the pathos, Bryan Singer.  The opening scenes are brutal, and there are many major character deaths.  Some of them occur off screen; others do not.  Some are violent.  I do believe this is the first superhero movie I have ever seen in which a major character and fan favorite has his or her head crushed, in close-up, during the opening action set piece.
  • Speaking of the opening segment, will somebody please validate my uber-nerd-dom and tell me that they saw what I saw?!  I KNEW that the overflying airships that are dropping The Sentinels looked familiar.  Am I nuts, or are those none other than facsimiles of the lone “Valhalla” airship depicted in the woefully underappreciated “Marvel 2099” universe from the mid-1990’s?!  If Singer intended that, it’s a terrificly obscure and fun shout-out to 40-year-old comic book fans.  (Ahem.)
  • There isn’t any unnecessary exposition to bore us.  This is a major issue in comic book movies.  We can forgive the Christopher Nolan films for revisiting Bruce Wayne’s metamorphosis, because those films were exceptionally well made.  The new Spider-Man films?  Not so much.  In “Future Past,” we have thankfully no flashbacks for every single character.  We’re briefly told that there is a global pogrom waged by The Sentinels against mutants and innocent humans, and that Xavier and Magneto have joined forces to fight the good fight.  Then we’re shown various heroes with various superpowers fighting.  We don’t need to know all of their backstories.
  • The action scenes were very well directed.  Nice work, Mr. Singer.
  • The special effects were top notch.  What great fun it was seeing Blink, Iceman, Quicksilver and Bishop do their thing.
  • Given the movie’s central plot device … why on earth are we concerned with Mystique, and not Rogue, given their respective powers?  There are a few obvious guesses … One, Mystique is a more popular character.  Two, Jennifer Lawrence has more star power than Anna Paquin.  Still, this bugged me throughout the film.
  • I personally hate the plot device itself, in which various characters can steal or borrow others’ powers.
  • Time travel is also a frequently unwieldy plot device, but I think it was capably handled here, thanks to careful writing and a little restraint.
  • It would also be just great if somebody could explain to me how Mystique apparently alters her body mass.
  • I love how this movie and “First Class” integrate the comic book mythology with real world events.  It’s pure fun, especially the nod at JFK.
  • Sigh.  I lied about my age above.  I’m almost 42.
  • Once again, we have an “X-Men” movie in which the darker characters are less predictable and more fun to follow.  A better adjusted and more grounded Wolverine makes perfect sense.  (We don’t need to endlessly revisit the same character arc.)  But he actually is less interesting when he becomes more stable.  And characters like Beast are flat out boring.  I’m happy that we spent a nice amount of time with Magneto, Mystique, and the human antagonists.
  • Speaking of which, Peter Dinklage was perfect as Bolivar Trask.  What a performance — especially with respect to making weighty dialogue sound natural — look again at his reaction to the suggestion that he hates mutants.  Incredibly good line work.  Is this the same guy as in “Games of Thrones?” I refuse to watch that show simply because I am tired of hearing about it.  But the “X-Men” movies seem to do a great job providing us with human adversaries that are threatening despite an absence of super-powers.
  • Michael Fassbender is simply a wonderful actor, and he is perfectly cast as Youngneto.  He vocalizes and emotes just like a raging, charismatic ideologue.
  • If I said that Patrick Stewart’s and Ian McKellan were fantastic, that would just be belaboring the obvious.
  • I like Jennifer Lawrence.  I do.  She was great as a strong, sympathetic protagonist in “The Hunger Games.”  And she deserves her fanbase.  But here, she just doesn’t demonstrate range enough to play a vengeful, homicidal woman. Rebecca Romjin did a better job of giving us a good, scary, bogeyman to make us think that humans needed protection by Xavier’s kids.  Or, for an amazing example of a young actress portraying anger and vengeance, look no further than co-star Ellen Page’s amazing performance in the brutal, incredible movie, “Hard Candy” (2005).  Furthermore, Mystique, as written here and in “First Class,” just isn’t as much fun.  No, she wasn’t really an identifiable character in the previous movies, but she was a great bad guy — something that a doe-eyed, redeemed Mystique just isn’t.
  • Quicksilver steals the show.  Evan Peters was awesome. Unsupervised teenagers with superpowers are always fun.  This movie takes a lighter look at what transpired in the extremely enjoyable “Chronicle” (2012).  What would happen if this kid met those kids?
  • It’s rather nice seeing how this movie placates fan complaints with “X-Men 3: The Last Stand.”
  • If you’re the kind of flick nut who enjoys movie marathons, good luck figuring out where this film fits chronologically with the other movies!  😀
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Cover revealed for J.S. Collyer’s “Zero.”

Wow.  Dagda Publishing has released the cover for J.S. Collyer’s upcoming “Zero,” and it’s just beautiful.

From Dagda:

“So… we knew we said it would be next week, but why wait? Here is the cover reveal for Zero, the next novel we are publishing in August. Designed by Matt Davis, you can check out his other work on http://greydevil13.deviantart.com/ – he’s also available for commissions, and we highly recommend him. A really strong cover, we think you’ll agree.”

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