It is currently circulating on Facebook. (No pun intended.)
I actually met Maya Angelou (or attended one of her readings, really) when I was a student at Longwood High School. Our English class took a field trip to Suffolk Community College in New York in … 1988 or 1989, I think. One of my alums piped in on Facebook to say he remembers too.
Pal of mine got me these bat Halloween decorations; they’re all over my house. Here’s the thing, though — they look so much like Batman’s bat symbol that I might leave them affixed at key locations in my home after the holiday, the better to confer superhero lair status. The second picture below is my bedroom door, for example.
I could go nuts. I could have a bat-lamp. A bat-coffeemaker. A bat-dishwasher. A bat-garbage can. Can’t afford the butler, though.
My Dad took me to see “The Dark Crystal” when it came out in 1982. I remember looking it up in the newspaper’s movie listings — and deciding on it even without knowing much about it. (That was just how we did it in those days — we used “the phone book” and TV Guide as well.)
Hot damn, did I love this movie. If you’re familiar with the 1980’s at all, then you know that “The Dark Crystal” was a surprisingly dark tour de force for Jim Henson, showcasing his ability to create a detailed and truly immersive alternate world. (Modern CGI just wasn’t a thing yet — it arguably made its first appearance in 1989’s “The Abyss.”) And you can’t really grasp the sheer spectacle of Henson’s world designs without seeing this movie on the big screen.
DC Comics. McKean’s art illustrated the seminal 1989 graphic novel written by Grant Morrison (republished here five years ago in a deluxe edition). The modern video game, “Batman: Arkham Asylum,” is only loosely based on the book. It is easy to confuse the two because the original graphic novel is also alternately called “Batman: Arkham Asylum.”