Tag Archives: Eric Robert Nolan

To all of my Mommy friends!

Wishing you a happy Mother’s Day!  I am always amazed at what you gals are able to accomplish.  I sure as heck could never do it — and a lot of you give yourselves way too little credit.  You put so much time, skill and patience into raising the little ones, all the while managing careers, studies, friends, finances, community commitments and (hopefully!) a little down time.  You set a great example to your guy friends!!  I hope your special day today was terrific!!

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“Peasant Mother,” Fritz von Unde, 1894

Mother’s Day should be renamed.

After I was born, they should have called it Martyr’s Day.

I was a difficult child to raise, and I am quite grateful to my sainted mother for succeeding (and surviving) that Herculean task.  You guys think I am weird guy now?  Imagine me as a child and then a teenager.

A favorite childhood hobby, for example, was building weapons, including a quite functional crossbow, of which she wisely deprived me after we successfully tested it.  Broom handles met the saw in the garage and were linked by chain to become nun-chucks.  (I owed the 1980’s “Ninjamania” magazine for the inspiration here.)

I took up another favorite childhood hobby, after seeing “Raiders of the Lost Ark” in 1981.  I donned a brown cowboy hat to dig holes in the backyard, explaining to anyone who would listen that I was an ARCHEOLOGIST, and that I was “on a dig.”  Shawn Degnan, the kid next door and the greatest best friend ever, would help.  When my poor mother made me stop, Shawn and I simply took to the woods and held our digs there.  Because I was a child both stupid AND dedicated.  The rare passerby through the woods would be curtly informed that we were ARCHEOLOGISTS looking for dinosaur bones.  (Yes … Shawn and I were slightly confused about what an archeologist actually looks for.)

I took my first sip of beer when I was … around six or seven?  David Darling and I swiped it from a less-than-vigilant uncle who got up from the front porch to go to the bathroom; we sat cross-legged in the front yard and took turns taking sips.  I didn’t smoke when I was a child, but I … once ATE a piece of pipe tobacco, left behind by a dinner guest.  It looked like chocolate, Dammit!

I fared poorly in grade school.  I understood about as much mathematics then as I understand Attic Greek today.  I was far more interested in the classroom in pondering questions arising from “Sgt. Rock” comic books.  (Does he ever get to go home?  Or change out of that ripped up shirt?  Does he ever meet G.I. Joe, or was that guy fighting in the Pacific?  Is his brother really dead?  Will he survive the madness of World War II?  And what about Bulldozer?  Four Eyes?  What about Little Sure Shot?!  WON’T SOMEBODY PLEASE THINK OF LITTLE SURE SHOT!?!)

Math remained the bane of me, despite my mother’s best efforts.  The poor woman eventually hired a tutor for me.  But by then I was 14, and the patient blonde high school girl who came to our home was really, REALLY pretty.  Her smile distracted me even more than Sergeant Rock did, and my math skills worsened.  I might have needed “special help” in middle school for math, but I already knew who I intended to marry, so I figured I was a step ahead of the other kids.

At the age of 15, I disavowed the Roman Catholic Church (y’know … the kind of thing that goes over really well in a conservative, working class Irish Catholic family).

At the age of 17, I asked a science teacher (Mr. Ignolia, who hated me), if I could try to build a functional model of an atomic bomb for the required science project.  (I was too dumb to realize either the political sensitivities here or the scarcity of the necessary plutonium.)  After it was suggested I pursue a different project; I began to lose interest in science.  i was thrown out of class a week later for NOT PAYING ATTENTION.  (Ingo always was a Draconian jerk.)  And, yes, my mother was called.

I was occasionally punished or grounded.  Sometimes it left me bitter.  In a ruse straight out of a goddam Batman comic book, I aspired to a villainy worthy of The Joker.  Once or twice when I was 11 or 12, I sprinkled ammonia in her houseplants upstairs; they then had a 48-hour life expectancy, at best.  She never guessed I was the culprit — I still remember the image of her in the upstairs bathroom, perplexedly examining an overhanging spider fern which had suddenly turned the color of breakfast toast.  [Mom — if you are reading this right now … I’M SORRY!!  I WAS A KID!!!  There … is some sort of statute of limitations for this kind of thing, right??]

Anyway, the point of all of this is that my mother was faced with an extraordinary task.  And I’d like to think that she succeeded.  She kept me safe, housed and well fed, and then financed and supported a wonderful college education.  I was raised with what I still think of as Irish American values … hard work, humility, independence, respect for others, patriotism, and a love for poetry and prose both.

I am the kind of man who tries to respect the elderly, our nation’s veterans, and an old fashioned work ethic, and who always has worn paperbacks lying around the floor.  They are beside me now, as I write this.  And, as I have gradually approached my own middle age, my mother has always been a true friend to me when I have felt the most alone.

Mom, thank you for these things.  I love you.

Happy Mother’s Day.

A very short review of “Trespass” (2011).

I am blogging my past movie reviews from Facebook; this was my quick take on “Trespass.”

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“Trespass” (2011) isn’t a bad movie – it’s competently made. There’s good acting all around, especially from the incomparable Nicole Kidman.

It’s just too goddam sad and depressing at times (with little emotional payoff afterward) to be extremely enjoyable. The pacing also seems way off. There are several times you think the movie is over, and then more emotionally draining violence against unarmed victims ensues. That’s kinda not a good thing here. The film also suffers a little in comparison with the terrifying recent horror film, “The Strangers” (2008).

I’d give “Trespass” a 6 out of 10.

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RUN, children!! RUN FROM THE HIDDEN RAINBOW-FACED GAY NINJA!!!

Even putting aside the obvious equality issues, you have to wonder about the mindset of those who try so hard to determine what is NOT a right.

Like people who like to examine the Constitution only to point out what is NOT explicitly included (such as the right of privacy, for example). What kind of instincts motivate them? They seem to painfully misunderstand the very purpose of the Bill of Rights. I’m paraphrasing the wonderful writer Peter David here — one of his columns excellently explained that the Constitution is meant to preserve and expand rights, and not to limit them.

Isn’t the Ninth Amendment supposed to confer all reasonably expected rights that are not included elsewhere in the document? It is there because the Founding Fathers knew that other fundamental rights, not explicitly spelled out in the Bill of Rights, could come under attack.

This ad is logically rickety, as well. Voting or publishing a newspaper are also “behaviors.” They are also rights, aren’t they? And … isn’t heterosexuality also a “behavior?”

Anyway, look at the half-concealed, squirrelly-looking man depicting a gay person. This is cheap, ugly, obvious propaganda targeting a harmless minority. This isn’t something we should expect to see in 21st century America.

It carries the stink of mid-twentieth century Berlin.

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Can a zombie movie be an Oscar contender? (A review of “Maggie.”)

I’m not even sure how to describe what I just saw.

It was a zombie movie.  It starred Arnold Schwarzenegger as a gentle, mild mannered father.  There is virtually no action.  It’s actually slow.  We see precisely three zombies, by my count, and one of those appears only in quick flashbacks.  Schwarzenegger doesn’t even raise his voice, much less raise hell.  Where I come from, that’s what we call “ALL OF THE INGREDIENTS FOR A BAD MOVIE.”

But “Maggie” (2015) was simply FANTASTIC.  It’s expertly made, and is like no other “zombie movie” I’ve ever seen before.  I’d give it a 9 out of 10.  It … actually isn’t really a horror movie, but rather a very, very dark family drama, cleverly housed inside a horror sub-genre. The movie is about terminal illness, and not monsters.

Schwarzenegger hands in a nuanced, understated but still quite touching performance.  He was perfect — I never knew he had it in him.  I KNOW he is the actor here; I recognize his face and read his name in the credits.  But I still have a hard time believing that this is the same man that starred in “The Running Man” (1987).  (Okay, cheap shot.)  Abigail Breslin was also perfect as the afflicted daughter.  And Bryce Romero was terrific in a supporting role.  They’re great young actors; Hollywood seems to be producing more of them these days.

Wait … is that kid’s last name actually “Romero?”  That’s SO meta.

The actor portraying Maggie’s primary care physician (is it Wayne Pere?) gave a great performance — he’s right on par with Schwarzenegger here.

And John Scott’s script is superb.  I love the way he crafts characters against stereotype — we have doctors who are neither omnipotent saints nor detached jerks.  The popular kids at school sweetly welcome their infected friends along on a night out, instead of ostracizing them.  An overzealous Jerk Cop character wants to round up all the infected without prejudice and quarantine them right away.  But, by the end of the movie, moral ambiguity suggests that he’s … probably right.

This movie falls just short of perfection with a few forgivable flaws:

1)  Its plot setup is ridiculous.  The government institutes quarantines for infected people, yet … politely allows people to return home for a few weeks until they are definitely dangerous?  And they then return voluntarily to quarantine after a phone call, even after it becomes well known that the quarantines are hellish places to die?  I’m … pretty sure no quarantine in history has ever worked like that.  Consider the recent Ebola outbreak, and how the quite healthy and asymptomatic Doctors Without Borders’ volunteers were sequestered immediately.  Maggie’s release to her home was quite obviously an overly convenient plot device.

2)  Whoever performed the radio voiceover in the opening scene really dropped the ball.  They needed a reshoot or a better actor.

3)  I honestly think a lot of horror fans will be disappointed with this.  Was it really necessary to include almost no action?  I personally feel that “28 Days Later” (2002) was a moving, touching, richly thematic film.  (It’s a favorite.)  Yet it still served up some racing, screaming hordes of “infected” that were goddam terrifying.  If “Maggie” had just one action set piece, it would have broader appeal.  And it would break up the movie’s slow pace.  A movie like this doesn’t have to be ABOUT exploding zombie heads, but … it wouldn’t hurt to include just one, just for fun.

4)  By the end, it is possible that the film pushes the drama just a little too far, depending on your taste.  By the time the “Mama’s garden” scene occurs toward the end, you might begin to wish the movie just reaches its conclusion.

Still, this is a great flick.  See it.  Tonight.

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A quick review of “Total Recall” (2012)

I am blogging some of my past movie reviews from Facebook; this was my take on the “Total Recall” remake.

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“Total Recall” (2012) was a fun, slick update of the 1990 classic; I’d give it an 8 out of 10. It can’t match the magic of the original (especially with the abandonment of one particular twist near the end), but it was still fun enough. Plus, any fast-paced, CGI-heavy, sci-fi action movie with both Jessica Biel and Kate Beckinsale really is just pure nerd fun.

Beckinsale grows on me. She’s a great actress, especially in roles that require her to be powerful or angry, and she does physical stunt-work superbly. She deserves to carry her own franchise, and I mean something better and more mainstream than the “Underworld” films.

Anyway … I’m pretty sure I have a good answer to this movie’s central mystery (as well as that of its predecessor). This is the question of whether or not everything Quaid witnesses is real. (Is he a secret agent, or is this all a fantasy generated by “Rekall?”)

It is real, and here’s why. In both movies, the viewer witnesses events that are outside of Quaid’s experience. For example, we see the police plotting to capture him and interviewing witnesses. Quaid is nowhere near these events when they occur, and does not see or hear them; therefore they cannot be part of his virtual reality fantasy. Yet you and I see them up on the screen. So they are real, within the story, and not imagined by Quaid. To me, it all seems pretty straightforward.

All in all, this was a fun ride. I recommend it.

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“It Follows.” (It’s great!!)

[WARNING: THIS REVIEW CONTAINS MILD SPOILERS FOR “IT FOLLOWS” (2014).]

A smaller budget doesn’t hurt this great indie horror film; I’d give “It Follows” a 9 out of 10.

It’s smart, surreal, creepy and atmospheric, and it’s beautifully shot.  Maybe it has some similarities with “The Ring” series, and also the little known excellent horror film, “From Within” (2008), but it’s still darkly creative and original.

It’s damn scary too — it’s terrific what this film accomplished with what looks like minimal CGI.  For some reason, a certain shot of a rooftop really got under my skin.  So, too, did a sequence depicting friends unable to warn a major character, because they’re unable to see “It” approach.

I have always had a weird thing about dopplegangers.  Other people hate clowns; I get creeped out by shapeshifters.  I’m frightened by any monster that can masquerade as allies or loved ones.  It’s part of the reason that the Alien Bounty Hunter worked so well for me as an antagonist on “The X Files” (1993), and why the T-1000 scared me in “Terminator 2: Judgement Day” (1991).  Even Mystique, “The X-Men” franchise’s anti-hero, could be a little unsettling every once in a while.  (An attack on Wolverine BY Wolverine?  Leaving his confused teammates unable to help?  That’s a little creepy.)

There are a bunch of themes served up by “It Follows” that you could walk away discussing with your friends; online critics are quick to point out sexually transmitted disease.  (A little on the nose, don’t you think?)  They also pointed out mortality — this was something that I actually missed, despite the fact that it was helpfully hinted at by one character who periodically reads Dostoyevsky aloud.

I personally thought the film tapped into a bunch of sexual taboos and anxieties — especially incest.  Consider the conversation about one character kissing a sibling, a face we see in a framed photograph toward the end, and the way “It” attacks another major character.  I also saw victimization — as with “The Ring,” the victims of the monster here are presented  with a tremendous moral quandary about how they might save themselves or at least forestall an attack.

Is water a motif?  Much screen time is devoted to characters entering pools or the ocean; one person also begs for water during an attack.

And what about wealth?  Much seems to be suggested by characters traveling from an affluent neighborhood to a poor one.  And all those sweeping shots (and excellent long tracking shots) of the protagonists’ beautiful neighborhood really stayed with me.  I kept thinking about how much I’d like to live there.

I’d love to know more about the origin and modus operandi of “It.”  There is a sequel planned, according to Wikipedia; that’s one of its possible plots.

This is a terrific scary movie!  Watch it tonight!

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A short review of “Insidious: Chapter 2” (2013).

It’s garish, it’s over the top, and it’s muddled — the kind of film that begs to be lampooned by “South Park” or “Family Guy.”  For much of its running length, it’s largely a retread of its predecessor.  Yet “Insidious: Chapter 2” (2013) still manages to be a good horror movie.  I’d give it an 8 out of 10.

It’s pretty damn scary.  Its saving graces, I think, are slick directing, a fast pace, and an effective horde of screaming, shrieking ghosties.  (White-faced Screaming Abusive Mama Ghost needs to CHILLAX.)  If a fright flick makes you jump a bunch of times (and during the daytime!), then you know it’s a decent fright flick, right?

Patrick Wilson shines.  But the talented Rose Byrne does little in this film beyond running around with a terrified expression on her face.  (It’s the screenwriter’s fault, not hers.)  You see that face she’s making in the movie poster?  That’s her performance throughout almost the whole movie.

Did anyone notice that “Specs” is Leigh Whannell, one of the initial two unfortunates in “SAW” (2004)?  (He’s also the screenwriter for both films.)

This was a good horror movie.  If you want a scare before bedtime, see it.

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A review of “Tomorrow When the War Began” (2012)

Sigh. “Tomorrow When the War Began” (2012) looked SO promising – like an Australian version of “Red Dawn” (1984). Is there any movie more badass than “Red Dawn?” Is there any nation more badass than Australia?

Instead, this was like “Red Dawn Lite.” Should we call it “Pink Dawn?” No … that sounds like Gay rights activists invading the Bible Belt. Not that there’s anything wrong with that.  They’d get their First and Ninth Amendment Rights, along with the equal protection under the law that they deserve under the 14th Amendment.

Okay, I’m meandering. That’s because this film was so lackluster, it’s not even terribly fun to write about. Don’t get me wrong – this wasn’t a poorly made film. It was well written and directed, with promising young actors. It had great characters too – particularly the goofy guy who becomes a responsible leader. Parts of it were quite funny and it usually held my interest.

But this just wasn’t what I was hoping for – a visceral foreign invasion thriller. It’s obviously a tween movie – like “Red Dawn” given “The Hunger Games” treatment. Most of this film’s screen time is devoted to character development, including (of course) at least one unlikely teen romance. The nameless invaders seem to get less screen time (or attention from the characters) than a fun overnight camping trip that the teen heroes undertake.

Seriously. More script and plotting are devoted to their camping trip than to the armies invading their country. The (presumably North Korean) invaders must be the shyest opposing force ever – for much of the movie, we hardly see them. Are they embarrassed because their helmets make them look like those guys who fire the Death Star superweapon?

I’d give this movie a 6 out of 10.

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This poem is NOT about Baltimore.

Or the events that preceded the demonstrations.  Seriously, it isn’t — I helped with this many years ago; it was meant to lampoon the bread-and-circuses fare of the FOX Network’s “COPS” reality show.  It was never published and only inhabits a couple of poetry websites.

It is the only poem I ever collaborated on — my co-authors here were Nick Mirren and Asia Carpenter.  It started out as a joke, but turned dark early on.  The shoehorned classical references are mine.  Because that’s one particular well to which a pseudo-intellectual can’t help but return.

“COPS — the Television Show” (A collaborative poem among Nick Mirren, Asia Carpenter and Eric Robert Nolan):

All those felonious freaks
Running around shirtless,
Weaving through drug induced hazes
“Forgotten’ items, identities.
A siren sounds, though not Homer’s
It is man’s, it is The Man’s –
Pursuit and not seduction, the sound
Of uniforms and their quarry.

(c) Eric Robert Nolan 2015