Dennis Villelmi published an outstanding piece last night for his own third entry into the 5-Day Poetry Challenge.
You can find it over at his blog, “a death’s head in green light,” right here:
Dennis Villelmi published an outstanding piece last night for his own third entry into the 5-Day Poetry Challenge.
You can find it over at his blog, “a death’s head in green light,” right here:
I wrote this a few months back; today it is my third entry for the 5-Day Poetry Challenge. [EDIT: the formatting is fixed!!]
“hens staring upward,” by Eric Robert Nolan
Please
stop
fleeing me so frequently at Atlantic City.
It happens every night now.
I
look
over at the slot machine you occupied and only see
some strange man, finer than I am, and industrious.
All the ringing bells announce
his inauguration.
All the flashing lights
strobe his sharper features.
It makes me wake and makes me
artlessly craft a
hard discordant poetry.
Remember Atlantic City?
We took a flight despite its easy drive.
It’s a funny word, “flight.”
It can mean
to seize the sky as the cardinal might
and the hen cannot –
the conquest, the flashing red ascent to sky and space.
Or it can mean departure,
as one escapes from another.
Just
about
three times a week
I am at that strange and nameless airport in my sleep
where the planes will not take flight.
High white walls vault up.
The hangars all are locked and vacant.
Clocks speed backward.
Incoherent porters
clutch and curse at suitcases.
The bathrooms smell like beer.
Other would-be passengers
harbor nascent aneuryisms.
Children chatter like hectic apes.
Their fathers all are drunk, their mothers
suffer black and scandalous sudden miracles in the airport lounge,
each reaching orgasm
at the taste of stale sandwiches.
Convulsing, their eyes roll back
Their slow moans hasten into screams,
Their slim arms raised, but
Indolent husbands with rictus grins
will only clutch at their jackets,
at hidden iron flasks.
All the long lines lead
only to exits.
All the flight announcements
are harshly lit in dead and inscrutable languages:
strange Aramaic,
or Latin’s various precursors:
embittered early Germanic and
jumbled Etruscan.
Only two words are clear:
“DEPARTURES HERE.”
I need to fly to you.
I need to see you in person but
the attendants in my nightmare all
are comatose at the counters.
Sleeping pilots sag in chairs.
In an airport bar,
the dead slouch over snifters.
A bartender is bones.
Down a white corridor
A stewardess in sing-song voice
will wrongly remember a verse and reduce
Dante to gibberish.
Shakespeare is made as profane
as a syphilitic kiss.
On her lips, Eliot
becomes a barking dog.
My ticket is illegible –
its scrawled words
read like the bray of an ass,
or my own words.
You left me once.
Now stay
in the various safe and certain places free of sadness found
in the attention of better men.
Please, Audrey.
Please.
It was human for you to leave me once
But cruel for you to do so
over and over and over in my dreams.
Upon waking I can only console
myself with stilted meter
and the misspelled names of cities.
I
am
unsaved by my similes,
mere alliteration and unmeasured verse in an amateur’s awkward
clutch of unkempt metaphors,
the thinly veiled and even conscious
failed emulation of Auden,
the maudlin, the guttural hen
aspiring to such song as only the cardinal is capable.
Your
last
words to me are now familiar nocturnes.
Stars will nightly light your verbs.
Every waning moon will arc
over your exact nouns and careful platitudes,
Your eloquence in leaving me,
The precision in “goodbye.”
The flashing rebuke in the narrowing blue
of your eyes is concise.
The blue-black and deepening, freezing dark violet
of heaven will always observe your departure,
your ordered logic.
Its witness is the vacuum.
Its witness is the endless expanse of space.
I
write
but my words
are only hens with dull black eyes –
hens staring upward –
beholding the sky and its occasional
darting scarlet of cardinals in flight.
I
love
but my words
are only untidy, unmannered motifs –
as devoid of hope or order as
feral children in the snow, starving in a March forest.
(c) Eric Robert Nolan 2015
Photo credit: “Helsinki-Vantaa Airport departure hall 2, international terminal,” self-published work by Antti Havukainen, via Wikimedia Commons
**********
Let’s try this again … after wrestling with formatting issues, I have somewhat better presented my first entry into the 5-Day Poetry Challenge:
“You’re a Broken Phonograph,” by Eric Robert Nolan
You’re baggage.
You’re a scratched penny on a gravel street.
Your memory is a cheap souvenir from an ill-advised journey that is wished forgotten. You were purchased drunk on a mercilessly hot noon at a roadside stand. The vendor resembled Browning’s “hoary cripple” — all eager eyes and veiled laughter. His smile is frequented by gold teeth — intermittent shining sentries on a rampart grin. His front pockets are stuffed with bills, like twin plump denim ticks; their fangs are dollars’ corners. Your overpriced bauble shines at midday, but every additional dusk renders it lower into dulling shades of deep sepia. The paint flakes off — it falls to the windowsill now like the dead wings of moths. The wise advise its removal; the paint is toxic.
Your image is the aged face of a staid statesman on a stamp, an unremembered lawmaker.
You’re a broken phonograph.
You’re a photo of a burned out building.
Your presence is a preening blackbird at the lawn.
You’re quick to open your legs, but slow to close your mouth.
You’re easy sex, but difficult company.
You’re a cheap date, but a costly acquaintance.
No matter where and when another man will lie beside you, you’re alone.
Your future is all awkward mornings, sunsets that are calls to arms, disenchanted midnights, men misunderstood,
“friends of friends,” “friends” instead of lovers, men recommended, men paid for,
their loins emptied first, their hearts emptied after, both by your mouth,
men slipping out, at sunrise, stealthily before you wake, like cats smelling better breakfast elsewhere.
(c) Eric Robert Nolan 2015
Photo credit: “Musee Baud,” 2015, by Rama, via Wikimedia Commons
I’m quite happy to say that the good folks over at Aphelion Webzine today featured my poem, “Iphigenia’s Womb,” in their wonderful free online magazine for fantasy and science fiction fans. The poem can be found here:
http://www.aphelion-webzine.com/poetry/2015/06/IphigeniasWomb.html
“Iphigenia’s Womb” was first published over in Dead Snakes in January 2014. I am grateful to Poetry and Filk Editor Iain Muir for allowing me to share it today in Aphelion, as it might now be enjoyed greater numbers of fans of Greek mythology.
The piece is an allegory to the death by burning of Iphigenia, daughter of Agamemnon. He sacrificed her to the Gods to appease them after an offense, as the deities had sent strong winds to beach the Greek warships ready to set sail against Troy. (Of course, the poem is also about other things.)
If the imagery of the burning girl bothers you, then consider this — there are various versions of the story. In one, a giant bird appears from the heavens to dive down and rescue young Iphigenia clean away. It’s the kind of deus ex machina we occasionally see from winged saviors in fantasy; think of both the eagles in J.R.R. Tolkien’s “The Lord of the Rings,” as well as the wayward seagull in Richard Adams’ “Watership Down.” (“WHERE’S YOUR WHITE BIRD, *NOW*, BIGWIG?!?!”)
Thanks again to Mr. Muir and the Aphelion community! 🙂
The good folks over at Aphelion Webzine informed me today that my poem, “Iphigenia’s Womb,” will appear soon in its upcoming June issue.
Thanks to Poetry and Filk Editor Iain Muir for another great opportunity to share my writing with fans of fantasy and mythology!
I’ll post a link when the piece appears.
“March Midnight Window,” by Eric Robert Nolan
Cold glass.
One white palm against
A March midnight window.
The hour is struck.
In blackness an indistinct
Day is made another.
Clouds seclude the moon.
To those outside,
The lithe, pale “L” of my hand may be
An alabaster letter,
A sign to other sleepless.
Each, in eisegesis,
Divines its meaning in
Their own midnight hearts —
Whether love or loss I do not know.
(c) 2015 Eric Robert Nolan
“Feast”
Originally published on October 16, 2013, by Every Day Poets.