All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“A story is a letter that the author writes to himself …”

“A story is a letter that the author writes to himself, to tell himself things that he would be unable to discover otherwise.”

–Carlos Ruiz Zafón

 

 

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Cover to “Heavy Metal” #5, Esteban Maroto, 1981

HM Communications.

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“The Writer” appears in Down in the Dirt magazine’s newest anthology!

I got a really nice surprise today — Down in the Dirt magazine has included a poem of mine in its latest poetry collection, entitled Outside the Box.  The poem is “The Writer,” and it was selected for the anthology following its appearance in Down in the Dirt’s May 2020 issue.

You can order Outside the Box right here over at Amazon.

Thank you, Editor Janet Kuypers, for allowing me to share my voice in this collection!

 

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Cover to “Batman: Year One” Part 2, David Mazzucchelli, 1987

DC Comics.

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The Roanoke Times features “Friends, Americans, Countrymen.”

I’m happy to share here that The Roanoke Times published “Friends, Americans, Countrymen — Lend Me Your Fears.”  If you follow this blog, you’ll recall that this was my satirical piece aimed at Donald Trump (riffing on Marc Antony’s speech in William Shakespeare’s Julius Caesar).

You can read it online right here.

 

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Poster for “Ghost in the Shell” (2017)

Paramount Pictures.

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“For there is none of you so mean and base/ That hath not noble lustre in your eyes.”

Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there’s nothing so becomes a man
As modest stillness and humility:
But when the blast of war blows in our ears,
Then imitate the action of the tiger;
Stiffen the sinews, summon up the blood,
Disguise fair nature with hard-favour’d rage;
Then lend the eye a terrible aspect;
Let pry through the portage of the head
Like the brass cannon; let the brow o’erwhelm it
As fearfully as doth a galled rock
O’erhang and jutty his confounded base,
Swill’d with the wild and wasteful ocean.
Now set the teeth and stretch the nostril wide,
Hold hard the breath and bend up every spirit
To his full height. On, on, you noblest English.
Whose blood is fet from fathers of war-proof!
Fathers that, like so many Alexanders,
Have in these parts from morn till even fought
And sheathed their swords for lack of argument:
Dishonour not your mothers; now attest
That those whom you call’d fathers did beget you.
Be copy now to men of grosser blood,
And teach them how to war. And you, good yeoman,
Whose limbs were made in England, show us here
The mettle of your pasture; let us swear
That you are worth your breeding; which I doubt not;
For there is none of you so mean and base,
That hath not noble lustre in your eyes.
I see you stand like greyhounds in the slips,
Straining upon the start. The game’s afoot:
Follow your spirit, and upon this charge
Cry ‘God for Harry, England, and Saint George!’

—  from William Shakespeare’s Henry V

 

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Photo credit: I, Jonathan Zander / CC BY-SA (http://creativecommons.org/licenses/by-sa/3.0/)

Cover to “Year of the Villain” #1, Greg Capullo, 2019

DC Comics.

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“All art is a kind of confession, more or less oblique.”

“All art is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up.”

— from James Baldwin’s “The Precarious Vogue of Ingmar Bergman” in Esquire, April 1960

 

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