All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

That wicked cool moment when “The Gunslinger” reminds you of W. H. Auden.

The following is from Auden’s “The Third Temptation,” part of “The Quest.”

He watched with all his organs of concern
How princes walk, what wives and children say,
Re-opened old graves in his heart to learn
What laws the dead had died to disobey,

And came reluctantly to his conclusion:
“All the arm-chair philosophies are false;
To love another adds to the confusion;
The song of mercy is the Devil’s Waltz.”

And the quote below is from Stephen King’s “The Gunslinger.”

12003155_10203925409334735_8322614684030940377_n

“The Quest” actually contains a bunch of key images reminiscent of King’s series.  We can easily conclude that these are coincidental, as they serve different thematic purposes.  But it’s still fun to spot the common images.

You can find the entirety of “The Quest” right here:

http://www.poemhunter.com/best-poems/wh-auden/the-quest-5/

Visit the Bill of Rights Institute.

Blog correspondent Len Ornstein can always be relied upon for an understanding of constitutional principles, as well as a little historical context for a lot of the debates we see in the headlines and in our Facebook feeds.

He’s advised me more than once to peruse the website of the Bill of Rights Institute.  I’m glad he did. It’s an outstanding resource for all things constitutional — divided into online and downloadable resources for students and teachers.  To me, it seems like a great educational resource for anybody, though — not just those in a school setting.  If nothing else, it will inform your position the next time you are arguing with that darn liberal or that darn conservative.

Visit the Bill of Rights Institute right here:

http://www.billofrightsinstitute.org/

“A Sonnet is a moment’s monument …”

“A Sonnet”

by Dante Gabriel Rossetti

A Sonnet is a moment’s monument,
Memorial from the Soul’s eternity
To one dead deathless hour. Look that it be,
Whether for lustral rite or dire portent,
Of its own arduous fulness reverent:
Carve it in ivory or in ebony,
As Day or Night may rule; and let Time see
Its flowering crest impearled and orient.

A Sonnet is a coin: its face reveals
The soul,–its converse, to what Power ’tis due:–
Whether for tribute to the august appeals
Of Life, or dower in Love’s high retinue,
It serve, or, ‘mid the dark wharf’s cavernous breath,
In Charon’s palm it pay the toll to Death.

s438

Petition: Stop the Rape of Two Sisters in India (Amnesty International)

This petition literally takes less than a minute to complete.

From Amnesty International: “An unelected, all-male village council has ordered 23-year-old Meenakshi Kumari and her 15-year-old sister to be raped and paraded naked as punishment for their brother’s elopement with a married woman from a dominant caste. Meenakshi has since filed a petition to India’s Supreme Court seeking protection for her family but she and her sister are still at urgent risk.

“Please act now to ensure the safety of Meenakshi and her family as well as a swift, full and impartial investigation into the horrific rape order made by the village council.”

Click here:

Online petition

Memories! :-)

20698_902158986509880_4457311705806089337_n

As of today, this blog has 100 followers!!!

Yeah, okay, that pales in comparison to my friends who have 400 or more.  But I feel like David Koresh!  Except … nonviolent.  And nonreligious.  And I’m only a BORDERLINE sociopath instead of the full shebang.  Whenever I feel my worse half coming on, I warn those near me with the Taco Bell slogan, lest they be affected when I MAKE A RUN FOR THE BORDER.

Seriously, though, THANKS for reading, guys!  Given that at least 100 people are now “following,” I feel like I should express some sort of coherent ideology here, instead of just horror movie reviews, tips on which comics to read, and my own misguided attempts at portraying myself as among the literati.

So I have resolved to produce a manifesto.  Don’t hold your breath; it might take a while.  But I’ll write it and place it here.  I promise.

“As I Walked Out One Evening,” by W. H. Auden

I posted a new poem of mine a little while ago; this is the poem that it makes reference to — W. H. Auden’s “As I Walked Out One Evening.”

This was the first of Auden’s poems that I’d ever read, maybe 25 years ago.  I believe it is his most popular.

“As I Walked Out One Evening,” by W. H. Auden

As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
“Love has no ending.

“I’ll love you, dear, I’ll love you
Till China and Africa meet
And the river jumps over the mountain
And the salmon sing in the street.

“I’ll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

“The years shall run like rabbits
For in my arms I hold
The Flower of the Ages
And the first love of the world.”

But all the clocks in the city
Began to whirr and chime:
“O let not Time deceive you,
You cannot conquer Time.

“In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

“In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.

“Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver’s brilliant bow.

“O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you’ve missed.

“The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

“Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer
And Jill goes down on her back.

“O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.

“O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart.”

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming
And the deep river ran on.

51ZZNADNKKL._SX306_BO1,204,203,200_

“All Our Faults Are Fallen Leaves,” by Eric Robert Nolan

You guys know I struggle with writing “happy poems.”  When I sat down to write this, I intended it as a kind of “Happy Autumn” poem to all my friends.

I wound up using the fires of Hell as its central motif.  Oh well.  It actually does have a positive message.  Really!  Give it a glance!  So, Happy Autumn, guys!!  And … y’know … go to hell?

“All Our Faults Are Fallen Leaves”

Again an annual angled auburn hand
announces advancing Autumn —
fingers aflame, the first Fallen leaf,
As slow in its descent, and as red,
as flailing Lucifer.

Hell in our sylvan vision
begins with a single spark.
The sting of the prior winter
subsided in July,
eroded at August.
Now, as at every September,
let new and cooler winds
fan a temperate flame.

May this nascent season only
bring brick-tinted perdition
and carmine Abaddon.
Where flames should burn, may there be
only rose tones on wide wine canvasses,
tormentless florid scarlets,
griefs eased in garnet trees.

What I hold in my heart to be true
is Edict at every Autumn:
Magentas may not make
forgetful a distracted God,
unless we ourselves forget
or burn to overlook.

Auden told us “One Evening”
to “Stand, stand at the window,”
and that we would love our neighbor,
but he didn’t counsel at all
about how we should smolder there.

Outside my window, and yours,
if the Conflagration itself
acquits us all by claiming only
the trees upon the hill,
the Commonwealth a hearth,
Virginia an Inferno,

Then you and I
should burn in our hearts to absolve
ourselves and one another,
standing before the glass,
our curtains catching,
our beds combusting,
our bureaus each a pyre.
Take my hand, my friend, and smile,
there on the scorching floor,
beneath the searing ceiling and
beside the blackening mirror
that troubles us no longer,
for, about it, Auden was wrong.
God’s wrathful eye
will find you and I
incandescent.  The damned
are yet consigned to kindness.
All our faults are Fallen leaves.
Forgive where God will not.

Out of our purgatory
of injury’s daily indifference,
let our Lake of Fire
be but blush squadrons of oaks,
cerise seas of cedar, fed
running ruby by sycamore rivers,
their shores reassured
by calm copper sequoias,
all their banks ablaze
in yellowing eucalyptus.

Let the demons we hold
harden into bark
holding up Inferno.
All their hands are branches now;
all their palms are burning.

There, then, softly burning, you and I,
may our Autumn find
judgmentless russets,
vermilion for our sins,
dahlia forgiveness,
a red for every error,
every man a love,
every love infernal,
and friends where devils would reign.

(c) Eric Robert Nolan 2015

— Author’s note: the poem to which I’ve responded above, with its images of standing at the window and the mirror, is W. H. Auden’s “As I Walked Out One Evening.”

Orange_in_Middletown
Photo credit:  “Orange in Middletown,” by AgnosticPreachersKid (Own work) [CC BY-SA 4.0 (http://creativecommons.org/licenses/by-sa/4.0)%5D, via Wikimedia Commons.

A very short review of “Anchorman 2: The Legend Continues” (2013)

“Anchorman 2: The Legend Continues” (2013) might not match the magic of the original, but it was still damn funny; I’d give it a 9 out of 10.

Occasionally a major gag was so bizarre that it was more perplexing than funny (Dobie the shark, the RV accident, the ghost of Stonewall Jackson).  But this movie is mostly a great and nicely quotable farce, as the first one was.  Predictably, the biggest laughs result from Ron Burgundy (Will Ferrell) and Brick Tamland (Steve Carell).  But Paul Rudd and David Koechner both are still perfect as Brian Fantana and Champ Kind, and they add a lot.

I think movies like this tend to work best when farcical, over-the-top characters are played against “straight men” characters; here, Ron’s dinner with his girlfriend’s family is a perfect example.

Weird world — I thought that the guy in Marvel’s “Ant Man” posters looked familiar.  That’s Rudd.

MV5BMjE5ODk0NjQzNV5BMl5BanBnXkFtZTgwODk4MDA1MDE@._V1_SX640_SY720_

AND CHEESEBURGERS on sandwich bread.

But I had New York Irish parents who worked their asses off to make me dinner every night, give me lots of other stuff (including a big yard with a fort and two imbecile dogs), and then pay for most of my college education.  Not too shabby for a couple of kids from Queens.  I had it a hell of a lot better than a lot of kids I see on the news today.

The only “struggle” we endured was when one particularly dark soul gave my mom “The Casserole Cookbook” one Christmas, and our fare, for a while, took a turn to the Lovecraftian.  But that didn’t last.

11222524_10154082728454867_536909693715657268_n