Poster for “Final Destination Bloodlines” (2025)

Warner Bros. Pictures.

“Some are born to Sweet Delight,/ Some are born to Endless Night.”

Bulb Culture Collective features my poem “Contagion is a Despot Poet”

I’m so happy today to see my poem “Contagion is a Despot Poet” featured by Bulb Culture Collective!

You can find it right here.

Thank you again, Ms. L. M. Cole and Mr. Jared Povanda, for selecting my work.  🙂



Cover to “Ben Reilly: The Scarlet Spider” #3, Mark Bagley, 2017

Marvel Comics.

Throwback Thursday: “The X-Files: I Want Believe” (2008)

Look — back in 2008, I was as disappointed as any other fan that this second “The X-Files” feature film was unconnected withe the show’s overarching storyline about aliens.  But … this actually was a really decent standalone horror-mystery tale.

It just happens to be well executed.  (The trailer below doesn’t do it justice; it’s a methodically paced, atmospheric and character-driven thriller.)  Chris Carter’s directing is in fine form; the opening sequence, where a kidnapping is juxtaposed with the subsequent arrival at a key piece of evidence is especially good.  So too were the performances of David Duchovny and Gillian Anderson.  (It seems like the older I get, the more I appreciate Anderson’s talent.)

Finally, Amanda Peet’s portrayal of FBI Agent Monica Bannan was excellent;  she seemed like a nuanced, interesting character that would have been a terrific regular on the show.



Advertising art for “Black Doves” Season 1 (2024)

Netlix.

A scary movie double-feature!

Alright, it’s arguable whether either film was actually scary.  I had fun, though.

First up last weekend I watched “Creep” (2014) and then I finally got to see “The Beast From 20,000 Fathoms” (1954).  I’d wanted to see “The Beast” since I was a little kid.  I was a nut for anything created by monster-maker special effects wizard Ray Harryhausen, and I’d seen a clip of the titular dinosaur’s Manhattan rampage in a documentary about movie monsters.  Man, was a mesmerized.  But “The Beast” was one Harryhausen creature that never seemed to make the rounds on 1980’s television.

Anyway, I had a nightcap of two vintage animated shorts — “Skeleton Frolic” (1937) Disney’s The Haunted House (1929).



“Flowers,” Henri Fantin-Latour, 1915

Oil on canvas.

This just in — getting old sucks.

Film at 11.

And tune in tomorrow for a special report on The Existential Vacuum!



“Roses and Delphinium in Blue and White Porcelain Vase,” Hermann Dudley Murphy

Oil on canvas.

Nurse Your Favorite Heresies in Whispers