A few quick words on the premiere of “The Twilight Zone” (2019)

If the premiere is any indication, then Jordan Peele’s relaunch of “The Twilight Zone” (2019) looks to be quite decent.  It’s got Peele’s fingerprints all over it (he even serves as the narrator here), and that’s a very good thing.  I’d rate it an 8 out of 10.

This first episode, written by Alex Rubens and directed by Owen Harris, channels the same muse as Peele did with his outstanding “Get Out” (2017) — it’s got clever characters, snappy dialogue and gravely dark humor.  I suppose it’s impossible to gauge the quality of an anthology show by its initial episode, but I’m on board.

And one of the upcoming episodes is penned by Glen Morgan, of “The X-Files” fame.  I’d say that’s an auspicious sign too.

 

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Poster for George A. Romero’s “Survival of the Dead” (2009)

SOTD Poster

In the Game of Nolans, predictions are lies.

I’ll say it again.  Sansa’s outfit on “Game of Thrones” is absolutely reminiscent of the Night King’s armor.

Is this a thematic clue?

I keep hearing from fans of the books that there was a “Night Queen” or “Lady of the Night” who figured prominently in the source material.  A few people thought Catelyn Stark would become this figure following the events of the Red Wedding.

I am usually wrong about these kinds of things.  Seriously, all of my predictions about what will happen on popular TV shows inevitably turn to to be false.  But still.

 

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DVD Cover for “1984” (Criterion Collection), 1984

20th Century Fox.

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“The devil pales beside the man who owns a truth …”

Scaffolds, dungeons, jails flourish only in the shadow of a faith — of that need to believe which has infested the mind forever. The devil pales beside the man who owns a truth, his truth. We are unfair to a Nero, a Tiberius: it was not they who invented the concept heretic: they were only degenerate dreamers who happened to be entertained by massacres.

The real criminals are men who establish an orthodoxy on the religious or political level, men who distinguish between the faithful and the schismatic.

—  Emil Cioran

 

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Cover to “Scary Tales” #13, 1975

Charleton Comics Group.  I can’t ascertain the cover artist here.

[Update: Blog Correspondent Pete Harrison has just informed us that the artist is Enrique Nieto.  Thanks, Pete!]

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“Knowledge is the plague of life …”

“Knowledge is the plague of life, and consciousness, an open wound in its heart.”

—  Emil Cioran

 

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Cover to “Authentic Police Cases” #14, Matt Baker, 1951

St. John Publishing Company.

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Throwback Thursday: The Johnson Smith Company Catalog!

Ah, The Johnson Smith Company Catalog — the Holy Bible for little boy pranksters, magicians, spies, collectors and monster lovers everywhere.  The goofy novelties I’ve written about here at the blog could all be found among its fabled pages — even if they frequently lay outside the limits of what my boyhood allowance could buy.  (Note the “Greedy Fingers Bank” top left in the third picture below, for example.  This is the same wind-up toy that was occasionally advertised as the “Novelty Coffin Bank.”)

As the pages below show, you could buy anything from “X-Rays Specs” to smoke grenades to itching powder to Halloween masks to “Whoopee Cushions” to “Joy Buzzers.”   There were dozens of dubious “how-to” books as well, for would-be practitioners of such arcane pursuits as Kung-Fu or hypnosis.  And there were some risque items aimed clearly at adults — primarily decals and clothing.  (Does anyone under 40 remember “iron-ons” for t-shirts?  That was actually more of a 1970’s thing than a 1980’s thing.)  The Halloween masks, especially, were the stuff of legend among me and my friends.  But the “deluxe” masks cost $25, if memory serves, which was well outside my grade-school price range.

Goddam, but this catalog stimulated a kid’s imagination.  When it arrived in my mailbox, it seemed like a magical, exotic tome from some parallel universe where everything was made up exclusively of monsters and ninjas and gadgets.  Adding to its mystique was the fact that I never actually sent away for it — I wound up on the company’s mailing list around 1979 after buying something from the back of a comic book.  I forget what that fateful inaugural purchase was.  It might have been the “Sea Monkeys” that I wrote about two weeks ago, but I have a feeling it might have been stamps.  (I fetishized stamp collecting for a lengthy period of my early childhood, and was elated by those 500-stamps-for-$5-type offers that you sometimes found in comics.)

The scans below were downloaded from Pinterest; it looks like the first two are from the 70’s and the third one is from the 80’s.  But they’re both representative of any catalog that I received from 1979 through the early part of the next decade.  The small pages were crowded with random ads, mostly in little black-and-white boxes.  The pictures of the products were frequently just drawings, and often did not convey the real value of what you were buying.  (Remember, this was a vendor that sold “X Ray Specs.”)

The Johnson Smith Company is still around, too.  (They’ve been a thing since 1914 … I have no idea how the modern Internet marketplace either helps or hurts a company like this.)  But you can find them online right here.  I just ordered a catalog.

 

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Cover to “Planet of the Apes: Ursus” #2, Paolo Rivera, 2018

Boom! Studios.

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Nurse Your Favorite Heresies in Whispers