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“Nymphes et Satyre,” William-Adolphe Bouguereau, 1873

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“hens staring upward” published in Down in the Dirt magazine!

Hey, gang.  I am honored to share here that my poem “hens staring upward” was published today in the March-April 2019 issue of Down in the Dirt magazine.  You can find it online right here.  The theme of this issue is “Parallel Universe.”

Volume 163 will also be available in print over at Amazon.  (Print editions of Down in the Dirt run as 100+ page 6″x 9″ perfect-bound books.)  Issues are typically published simultaneously in print and online format, but Scars Publications explained that there was a delay with the printing; I’ll give you a heads up when ordering information becomes available.

Scars Publications also releases an annual collection of writings selected from both Down in the Dirt and its sister publication, cc&d magazine.  If I’m fortunate enough to see “hens staring upward” selected for the annual volume as well, I’ll be certain to let you know.

 

 

Cover to “Amazing Stories,” Leo Morey, November 1934

Teck Publishing.

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Yes, I am indeed an extra in “Avengers: Endgame” (2019).

And I’m damned excited about it too — maybe a little too excited, as the role is so small that you’ll miss it if you blink.  It’s a walk-on part during the scene in which Tom Hiddleston is talking to Chris Hemsworth and Chris Evans on South Preston Avenue in Charlottesville.  (I walk past them in the background when Loki is touching Thor’s shoulder.)

I actually don’t know anything about the scene being filmed outside the three principal actors above — and I didn’t even know that until the day of filming.  (That didn’t stop the studio from making us all sign so many non-disclosure agreements that it took up a full twenty minutes on a very hot day in August.)  But I know it was a busy street full of pedestrians (many of whom were extras like I was), and that they were also shooting along Crispell Drive beside the University of Virginia.

I didn’t get to meet the actors … none of us did.  But I’ll definitely be in the movie; I’m excited about that.  Anyway, I’m wearing blue cyclist shorts, a blue top, and a bike helmet.  Don’t kid me, please, about the tight fit.  I’m nervous enough about appearing onscreen.

[Update:] Also … I have a love scene with Scarlett Johansson.

[Update:] Scarlet Johansson and Sebastian Stan. We joked around during the filming and called it a menage-a-Barnes.

[Update:] And Rocket Raccoon is real and still writes me letters.

[Update:] And this was a prank. Happy April Fool’s Day!!!

 

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Poster for “Dawn of the Dead” (1978)

Laurel Group, Inc.

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““The ghostly winter silence had given way …”

“The ghostly winter silence had given way to the great spring murmur of awakening life.”

― Jack London, The Call of the Wild

 

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In my day, THIS was our Captain Marvel.

She faced the worst monsters imaginable with no superpowers whatsoever — outside of earnestness, good old American pluck, and the uncanny ability to stop lambs from screaming. Pretty sure she’s like four feet tall, too.

AND WE WERE THANKFUL FOR WHAT WE HAD.

 

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Cover, “Two Complete Science-Adventure Books,” Allen Anderson, 1952

Wings Publishing.

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“The White Silence,” by Jack London

Carmen won’t last more than a couple of days.” Mason spat out a chunk of ice and surveyed the poor animal ruefully, then put her foot in his mouth and proceeded to bite out the ice which clustered cruelly between the toes.
“I never saw a dog with a highfalutin’ name that ever was worth a rap,” he said, as he concluded his task and shoved her aside. “They just fade away and die under the responsibility. Did ye ever see one go wrong with a sensible name like Cassiar, Siwash, or Husky? No, sir! Take a look at Shookum here, he ‘s — ”

Snap! The lean brute flashed up, the white teeth just missing Mason’s throat.

“Ye will, will ye?” A shrewd clout behind the ear with the butt of the dogwhip stretched the animal in the snow, quivering softly, a yellow slaver dripping from its fangs.

“As I was saying, just look at Shookum, here — he ‘s got the spirit. Bet ye he eats Carmen before the week ‘s out.”

“I ‘ll bank another proposition against that,” replied Malemute Kid, reversing the frozen bread placed before the fire to thaw. “We ‘ll eat Shookum before the trip is over. What d’ ye say, Ruth?”

The Indian woman settled the coffee with a piece of ice, glanced from Malemute Kid to her husband, then at the dogs, but vouchsafed no reply. It was such a palpable truism that none was necessary. Two hundred miles of unbroken trail in prospect, with a scant six days’ grub for themselves and none for the dogs, could admit no other alternative. The two men and the woman grouped about the fire and began their meagre meal. The dogs lay in their harnesses, for it was a midday halt, and watched each mouthful enviously.

“No more lunches after to-day,” said Malemute Kid. “And we ‘ve got to keep a close eye on the dogs, — they ‘re getting vicious. They ‘d just as soon pull a fellow down as not, if they get a chance.”

“And I was president of an Epworth once, and taught in the Sunday school.” Having irrelevantly delivered himself of this, Mason fell into a dreamy contemplation of his steaming moccasins, but was aroused by Ruth filling his cup. “Thank God, we ‘ve got slathers of tea! I ‘ve seen it growing, down in Tennessee. What wouldn’t I give for a hot corn pone just now! Never mind, Ruth; you won’t starve much longer, nor wear moccasins either.”

The woman threw off her gloom at this, and in her eyes welled up a great love for her white lord, — the first white man she had ever seen, — the first man whom she had known to treat a woman as something better than a mere animal or beast of burden.

Continue reading “The White Silence,” by Jack London

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