Advertisement for “Deutsche-Kunst und Dekoration,” circa 1899

The artist here is a little tough to nail down.  Most websites attribute it to Alfons Mucha, but a few attribute it to German graphic designer Joseph Rudolf Witzel.

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“Gonzalo,” by W. H. Auden (recited by Eric Robert Nolan)

“Gonzalo”

— from W. H. Auden’s “The Sea and the Mirror”

Evening, grave, immense, and clear,
Overlooks our ship whose wake
Lingers undistorted on
Sea and silence; I look back
For the last time as the sun
Sets behind that island where
All our loves were altered: yes,
My prediction came to pass,
Yet I am not justified,
And I weep but not with pride.
Not in me the credit for
Words I uttered long ago
Whose glad meaning I betrayed;
Truths to-day admitted, owe
Nothing to the councilor
In whose booming eloquence
Honesty became untrue.
Am I not Gonzalo who
By his self-reflection made
Consolation an offence?

There was nothing to explain:
Had I trusted the Absurd
And straightforward note by note
Sung exactly what I heard,
Such immediate delight
Would have taken there and then
Our common welkin by surprise,
All would have begun to dance
Jigs of self-deliverance.
It was I prevented this,
Jealous of my native ear,
Mine the art which made the song
Sound ridiculous and wrong,
I whose interference broke
The gallop into jog-trot prose
And by speculation froze
Vision into an idea,
Irony into a joke,
Till I stood convicted of
Doubt and insufficient love.

Farewell, dear island of our wreck:
All have been restored to health,
All have seen the Commonwealth,
There is nothing to forgive.
Since a storm’s decision gave
His subjective passion back
To a meditative man,
Even reminiscence can
Comfort ambient troubles like
Some ruined tower by the sea
Whence boyhoods growing and afraid
Learn a formula they need
In solving their mortality,
Even rusting flesh can be
A simple locus now, a bell
The Already There can lay
Hands on if at any time
It should feel inclined to say
To the lonely – “Here I am,”
To the anxious – “All is well.”

 

 

Another comic cover by the late, great Norm Breyfogle.

This is for 1991’s “Batman: Holy Terror.”  It was one of the first graphic novels  I ever read, and it was one of the books that got me hooked on comics.

 

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Meet the new moth. Same as the old moth.

The first two photos are before and after applying filters.

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“Despair,” Edvard Munch, 1894

Oil on canvas.

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Throwback Thursday: “The Monster Club” (1981)

I only saw one third of Roy Ward Baker’s “The Monster Club” (1981), when I was maybe in the third or fourth grade.  It was a typical 80’s horror anthology movie, and I walked in when my older brother was watching the third and final segment on television.  I’ll be damned if that segment alone didn’t creep me out, though.  (And the reviews of the film that I’ve read indeed name “The Ghouls” as the scariest entry in the trio.)

It’s pretty tame by today’s standards, or at least to my adult sensibilities.  It was definitely a lower-budget scary story, and probably pretty safe for television even back then.  But I watched it again the other night, and it still retains its creepiness after … about 35 years, I guess.  The titular monsters are indeed “ghouls” in the classical sense — they are human-looking fiends that are very much alive, but that feed on carrion (which actually makes them the reverse of zombies, I suppose.)

I can’t vouch for the rest of the movie, as I’ve only seen snippets, which seem pretty cheesy.  The wraparound segments star none other than Vincent Price and John Carradine, which will of course appeal to fans of classic horror.  (Carradine actually portrays a fictionalized version of R. Chetwynd – Hayes, the prominent British author who penned the stories on which the movie is based.)

If you saw this back in the day and “The Ghouls” got under your skin, then let me know.  I’d get a kick out of knowing that I wasn’t the only one.

 

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Legendary comic artist Norm Breyfogle passed away on Monday.

Rest in peace, Sir, and thank you for all the fun, magic and imagination that your pencils brought to the readers of “Batman.”  You made study breaks endlessly more enjoyable for a stressed-out 1990’s undergrad.  And you made weekend discoveries of your work at the shops in downtown Fredericksburg a pure joy.

 

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Is it too early for Halloween decorations?

Probably.  But these were too cool not to put up as soon as possible.  As you might remember from last year, they’re handmade by a sublimely talented craftswoman I know who has a truly macabre touch.  They’re much better than anything store-bought.

 

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“Ragazza alla Finestra,” Edvard Munch, 1893

“Girl at the Window.”

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MAKE IT WEIRD.

Care to hear the convoluted worldview of a pathological poet?  Then be sure to stop by this site’s My musings page.  I promise you that my random ravings are truly infused with strangeness.  (Or you get your money back.)

 

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