“Lucifer, the Fallen Angel,” Gustave Dore, 1866

Engraving for John Milton’s “Paradise Lost.”

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“All Our Faults Are Fallen Leaves,” by Eric Robert Nolan

“All Our Faults Are Fallen Leaves”

Again an annual angled auburn hand
announces advancing Autumn —
fingers aflame, the first Fallen leaf,
As slow in its descent, and as red,
as flailing Lucifer.

Hell in our sylvan vision
begins with a single spark.
The sting of the prior winter
subsided in July,
eroded at August.
Now, as at every September,
let new and cooler winds
fan a temperate flame.

May this nascent season only
bring brick-tinted perdition
and carmine Abaddon.
Where flames should burn, may there be
only rose tones on wide wine canvasses,
tormentless florid scarlets,
griefs eased in garnet trees.

What I hold in my heart to be true
is Edict at every Autumn:
Magentas may not make
forgetful a distracted God,
unless we ourselves forget
or burn to overlook.

Auden told us “One Evening”
to “Stand, stand at the window,”
and that we would love our neighbor,
but he didn’t counsel at all
about how we should smolder there.

Outside my window, and yours,
if the Conflagration itself
acquits us all by claiming only
the trees upon the hill,
the Commonwealth a hearth,
Virginia an Inferno,

Then you and I
should burn in our hearts to absolve
ourselves and one another,
standing before the glass,
our curtains catching,
our beds combusting,
our bureaus each a pyre.
Take my hand, my friend, and smile,
there on the scorching floor,
beneath the searing ceiling and
beside the blackening mirror
that troubles us no longer,
for, about it, Auden was wrong.

God’s wrathful eye
will find you and I
incandescent. The damned
are yet consigned to kindness.
All our faults are Fallen leaves.
Forgive where God will not.

Out of our purgatory
of injury’s daily indifference,
let our Lake of Fire
be but blush squadrons of oaks,
cerise seas of cedar, fed
running ruby by sycamore rivers,
their shores reassured
by calm copper sequoias,
all their banks ablaze
in yellowing eucalyptus.

Let the demons we hold
harden into bark
holding up Inferno.
All their hands are branches now;
all their palms are burning.

There, then, softly burning, you and I,
may our Autumn find
judgmentless russets,
vermilion for our sins,
dahlia forgiveness,
a red for every error,
every man a love,
every love infernal,
and friends where devils would reign.

(c) Eric Robert Nolan 2015

— Author’s note: the poem to which I’ve responded above, with its images of standing at the window and the mirror, is W. H. Auden’s “As I Walked Out One Evening.”

 

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“Andromeda,” Gustave Dore, 1869

Oil on canvas.

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I should bill you for these jokes.

Pal: “These ducks deliberately walked in front of my car and refused to move. They stared me down even when I drove up really close and honked, whereupon they SHOOK THEIR HEADS at me. I finally had to back up and go around. ‘Humiliated by ducks’ is not really how I saw the day going.”

Me: “Sounds like you were the victim of some pretty fowl harassment. And that one bird facing you looks like he has zero ducks to give.”

 

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“Autumn,” Alfons Mucha, 1896

Oil on panel.

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“I was as mystified as Frodo at Gandalf’s failure to appear on September 22.”

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Variant Cover to “The Life of Captain Marvel” #1, Fiona Staples, 2018

Marvel Comics.

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I never Mehta Mehta didn’t like.

Someone on Twitter asked for soundtrack suggestions for writing a space opera; this is what I just sent her.  It’s the prelude for Richard Wagner’s “Tristan und Isolde” (of course), with Zubin Mehta conducting the National Theatre Munich.

I’ve run this piece of music on the blog before, but not this version, which I think is far better.

 

Cover to “Suzie Comics” #51, Al Fagaly, 1945

Archie Comics.

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Throwback Thursday: The ABC 4:30 movie in New York!

Here’s another very obscure Throwback Thursday post about broadcast television in the New York metropolitan area — this was the intro the ABC 4:30 movie.  People commenting here at its Youtube entry remember it from the 1970’s … I thought I remembered it from the very early 1980’s as well.  But I could be mistaken.

One commenter said that, as a young child, he thought that the image of the spinning camera-man looked like “a mechanical frog monster.”  I thought that as a kid too!

 

Nurse Your Favorite Heresies in Whispers