Photo of “Cookery 51-52” class, Mary Washington College, 1917

“Serving breakfasts, luncheons and dinners, with practice in different styles of table service; soups, entrees, sauces, salads and desserts, with various methods of preparation and garnishings. An opportunity for review of principles learned in Cookery 51-52 is given. One single and one double period per week for the session for non-teaching Seniors.”

— from the Bulletin of the State Normal School, Fredericksburg, Virginia, June, 1917

 

Bulletin_of_the_State_Normal_School,_Fredericksburg,_Virginia,_June,_1917_(1917)_(14781550294)

By University of Mary Washington [No restrictions], via Wikimedia Commons

“Saturn Devouring One of His Children,” Francisco de Goya, circa 1819

Plaster mounted on canvas.

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Snowanoke!

So this was Thursday’s bizarre, abrupt twilight snowstorm.  Look how beautiful and blue the sky was before snow and night fell together.  Look at the size of the flakes!

 

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“The face of a lover is an unknown …”

“The face of a lover is an unknown, precisely because it is invested with so much of oneself. It is a mystery containing, like all mysteries, the possibility of torment.”

James Baldwin, “Another Country,” 1962

 

“Girl’s Head,” Koloman Moser, 1899

Indian ink on cardboard.

What’s most striking to me about Moser’s turn-of-the-century art is how often it can resemble an especially cool 1960’s album cover.

 

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#$@%, I BOUGHT WOMEN’S READING GLASSES BY ACCIDENT.

They even have little sparkly studs in the frame.

How can I be expected to BUY the right glasses when the ones I have are broken and I can’t SEE?!? And when I was in a rush!!!  WHY THE @#$% WERE THESE IN THE MEN’S SECTION?!?

The boys are going to laugh their @$$es off.

It sucks being old. And blind. And dumb.

Update: MY BUDDY’S GIRLFRIEND JUST TOLD ME SHE HAS THE SAME PAIR!!!

 

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William Shakespeare’s Sonnet 64, read by Eric Robert Nolan

When I have seen by Time’s fell hand defac’d
The rich proud cost of outworn buried age;
When sometime lofty towers I see down-ras’d
And brass eternal slave to mortal rage;
When I have seen the hungry ocean gain
Advantage on the kingdom of the shore,
And the firm soil win of the wat’ry main,
Increasing store with loss and loss with store;
When I have seen such interchange of state,
Or state itself confounded to decay;
Ruin hath taught me thus to ruminate,
That Time will come and take my love away.
This thought is as a death, which cannot choose
But weep to have that which it fears to lose.

 

“Love,” Koloman Moser, circa 1895

Indian ink, white gouache on paper.

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“The Addictions of Sin: W. H. Auden in His Own Words” (BBC Four)

I’m linking here to a terrific documentary produced by BBC Four to celebrate the centenary of W. H. Auden’s birth in 1907.  It’s a superb biopic — thanks to Youtube user Andrey Shulyatyev for uploading this.

One thing that occurred to me as I watched this was the resilience of Auden’s pursuit of love and beauty despite his first-hand witness of the most terrible and ugly things — the violent rise of fascism in Germany, the Second Sino-Japanese War, and the devastation of post-World War II Germany. And this resilience was reflected in his work ethic even until his death in 1973.

 

Poster for “Frommes Kalender,” Koloman Moser, 1899

Color lithograph.

Kolo_Moser_-_Plakat_für_„Frommes_Kalender“_-_1899

Nurse Your Favorite Heresies in Whispers