Judging from the things pushed or upended, there is either an angry ghost in our attic or the cats are flying into a goddam nightly roid rage while we sleep.
I’m not sure which scenario is more disturbing.
Then again, I’m not sure which scenario is more disturbingly awesome.
Poster by Georges-Antoine Rochegrosse (1859-1938) for the première of Gustave Charpentier’s Louise at the Théâtre National de l’Opéra-Comique in Paris in 1900.
I just finished watching Disney’s “Fantasia” (1940) this snowy afternoon with my girlfriend — she gave me the boxed set with “Fantasia 2000” (1999) this Christmas. This is the first time I’ve seen the entire film in … 26 years? If memory serves, I last saw it at Mary Washington College’s Dodd Auditorium when I was a freshman in 1990.
I loved it just now even more than I loved it then. My favorite segment will always be the final one — Modest Mussorgsky’s “Night on Bald Mountain,” with a coda of Franz Schubert’s “Ave Maria.” (The accompanying animation is Gothic horror; I’ve posted about it here at the blog before.)
I felt for sure that my second favorite would be Igor Stravinsky’s “Rite of Spring.” Pictures of those animated dinosaurs startled and thrilled me as a tot after Christopher Finch’s “The Art of Walt Disney” (1975) somehow appeared magically among my baby books in Queens, New York. As an adult, however, I liked the segment mostly because of its cool depiction of lower life-forms. The dinosaurs were stylized and interesting to see, but I don’t think the quality of the animation has held up very well — especially considering what we know about the dinosaurs has changed so much in 80 years or so.
Instead, my second favorite was Ludwig von Beethoven’s “The Pastoral Symphony,” and its whimsical, beautiful depiction of centaurs, gods, and other figures from Greek mythology.
My girlfriend’s favorite segment was Pyotr Ilyich Tchaikovsky’s “Nutcracker Suite,” with its dancing fairies. “Fantasia” was actually a favorite movie of hers growing up; she’s seen it several dozen times in her childhood.
There is some bizarre trivia about “Fantasia” from Wikipedia, which has a lengthy entry for the movie: “In the late 1960s, four shots from The Pastoral Symphony were removed that depicted two characters in a racially stereotyped manner. A black centaurette called Sunflower was depicted polishing the hooves of a white centaurette, and a second named Otika appeared briefly during the procession scenes with Bacchus and his followers.” That’s so nuts.
Eric Robert Nolan, Author 