Tag Archives: Eric Robert Nolan

Throwback Thursday: Rutger Hauer in the 1980’s

If you’re acquainted with this blog at all, then you’re already aware of the sheer reverence I have for Ridley Scott’s “Blade Runner” (1982).  So I won’t belabor that subject yet again in order to note Rutger Hauer’s passing this past Friday.

Hauer was a prolific actor, and his fans can remember him fondly from any number of roles.  Below are the trailers for my three favorites.

The first is 1986’s “The Hitcher,” which might have been the first modern, adult horror film that I truly loved.  (This is leaving aside Alfred Hitchcock’s 1963 “The Birds” and various monster movies aimed at kids.)  I’m a little concerned that the trailer below misrepresents the movie, though.  “The Hitcher” aspired to be a serious film, and was truly a great horror-thriller, in my opinion.  It was moody, atmospheric, thoughtful and methodically paced (although it didn’t lack blood and violence either).  It was far better than the 80’s action-horror boilerplate movie that the trailer seems to depict.

Hauer was terrifying.  (If you are wondering, that is indeed C. Thomas Howell and Jennifer Jason Leigh costarring.  And if you watch the trailer very closely, you can see Jeffrey DeMunn — who contemporary audiences will recognize as Dale from “The Walking Dead.”)

The second is movie is 1985’s “Ladyhawke,” which saw Hauer co-star with none other than Matthew Broderick and Michelle Pfeiffer.  It had far more mainstream appeal, and it reliably kicks up nostalgia every time it’s mentioned on social media.  (Seriously, go try it.)

The third is one that far fewer people will remember –1989’s “Blind Fury,” which rode the tail end of the decade’s martial arts craze.  It was zany stuff, and it didn’t hold back on the 80’s-era cheese, but it had a lot of heart and was surprisingly earnest.  Some of the action sequences were damned impressive too.  (And if you were a nut for 80’s ninja movies, you’ll of course recognize Sho Kosugi as the acrobatic villain here.)

 

 

 

 

IT’S A JUNGLE IN THERE.

This is Charlotte Perkins Gilman’s “The Yellow Wallpaper” on steroids.

 

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A very short review of “Crawl” (2019)

“Crawl” (2019) is an often corny creature feature that still delivers the scares quite nicely, given its decent special effects and its successful mashup of man-vs.-nature plots.  (Our father and daughter protagonists here must face off not only against the movie’s reptilian horrors, but also against the hurricane that conspires to aid the lizards’ hunt.)  Our heroes are portrayed by the terrific Barry Pepper and Kaya Scodelario, both of whom are better than the script’s forced and clunky family drama.

But the real stars here are the alligator-related catastrophes that we bought a ticket to see, and those are inventive and fun.  The movie feels like a particularly creative 10-year-old playing with his toy alligators in his sister’s dollhouse — but I mean that in a good way.  It totally works.  I jumped a couple of times, and that’s a pretty good sign that a horror movie is working.

I’d rate “Crawl” an 8 out of 10, and I’d cheerfully recommend it to someone looking for a decent new summer monster movie.

 

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So we’re set, then.

Still a better attack plan then sending Dothraki cavalry ahead unsupported at the Battle of Winterfell.

And … still a better love story than “Twilight.”

I didn’t make this meme — I found it on Twitter.  Everyone knows this is a gag cooked up by the young people, right?  PLEASE tell me that everyone knows this is a gag.  Otherwise, someone is going to get shot.

Probably me, even though I’ll be nowhere near Area 51, because that’s just how my luck works.

Me, I’d rather storm Pier One than Area 51 — get me some nice furniture.  (I’m old.)

 

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Bee cool.

If you want to read some fantastic postapocalytic poetry, then do stop by The Bees Are Dead.

There is some outstanding work by Linda Imbler, Benjamin Blake, Howie Good, Jake Tringali, Cody Simpson, Yuan Changming, Holly Day and more.

 

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Photo credit: Engin Asil [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)%5D

“The Writer” appears at Every Writer!

I am grateful tonight to Editor Richard Edwards for publishing “The Writer” at Every Writer!

I’m quite happy that Mr. Edwards felt my poem might appeal to the readers of Every Writer — especially considering what an important resource Every Writer has been to the independent literature community since 1999.

You can find the poem right here:

“The Writer,” by Eric Robert Nolan

 

 

 

The Piker Press features “Smiling Among Inert Shipwrecks”

I’m honored tonight to share here that The Piker Press has graciously published my poem, “Smiling Among Inert Shipwrecks.”

Once again, I’m indebted to Editor Sand Pilarski for allowing me to join the creative community of this wonderful weekly journal of arts and sciences.

You can find the poem at the link below:

“Smiling Among Inert Shipwrecks,” by Eric Robert Nolan

 

 

It’s so hot out that it looks like the new street tar is melting.

I’m serious. Look at the picture below. This is from a pothole that was fixed yesterday.

If it were any hotter out here, it would be King’s Landing.

Remember, guys. Replenish your electrolytes by drinking lots of Mercury Retrograde.

 

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“The Writer” will appear at Every Writer!

I’m honored to share here that Every Writer has selected one of my poems, “The Writer,” for publication.  Editor Richard Edwards passed the news along to me this morning.  Every Writer is one of the oldest comprehensive resources for writers on the net, and I’m grateful to Mr. Edwards for allowing me to join the creative community there.

I’ll post a link here when the poem appears.

 

 

Eye like puns.

Gnat really loving these bugs flying into my eyes.

You see what I did there?

God DAMN, I’m brilliant. This is why I will inevitably be recognized as one of the 21st Century’s literary lions. I won’t forget where I came from, though. I’m taking all of you WITH me. Mark my words.