Tag Archives: Robert A. Heinlein

Throwback Thursday: Invasion(s) of the Body Snatchers!!!

Below are the trailers for all four major film iterations of “Invasion of the Body Snatchers.”  Though these movies enjoy varying degrees of fame, they all remain close to my heart.  There is just something about Jack Finney’s original paranoia-inducing story idea that’s timeless and frightening.  (Finney’s 1955 novel served as the basis for the first film, directed by Don Siegel, a year later.)  And I always thought that the identity-stealing, alien body snatchers were an elegant monster concept too, because they can be rendered effectively on film with little or no special effects.

The first trailer is for the original 1956 classic, which still holds up surprisingly well.  (If you haven’t seen it, then you might discover that it’s got more urgency and less camp than you’d expect from a typical 1950’s alien invasion flick.)  The second trailer is for the genuinely frightening 1978 remake, which is, quite simply, one of the top science-fiction/horror films of all time.

I was introduced to both of these movies by my “movie uncle,” Uncle John.  I remember thinking the original was far better than I’d expected for an “old black-and-white.”  (I’d had a an adolescent’s predictable skepticism about old movies.)  And the dour 1978 masterpiece got under my skin and stayed there forever.

The 1993 installment, simply titled “Body Snatchers,” is probably the least well known —  I’ve never heard it mentioned outside of horror fan circles.  I myself had never heard of it until I stumbled across it in a video store more than a decade following its release.  It had a very limited theatrical release, and it sometimes feels like the most generic of the “Body Snatchers” movies — like maybe a made-for-television movie or an especially good entry for the first revival of “The Twilight Zone” (1985-1989).

I love it.  You could tell it was a labor of love for its screenwriters and its director, Abel Ferrara … it was obvious that they truly “got” Finney’s concept, and that they set out to deliver just what genre fans wanted.  This “Body Snatchers” was freaky, fast-paced and unsettling, and I still feel it deserves a broader following.

The fourth trailer is for the most maligned and recent adaptation of Finney’s novel, 2007’s “The Invasion.”  (My god, was this really made 13 years ago?  Tempus fugit.)  People really dislike this movie, despite a cast led by Nicole Kidman and Daniel Craig.  It was generally panned by both critics and audiences, and I sorta understand why.  It’s got its share of flaws — most notably a hasty happy ending that feels tacked on by the studio.  I don’t quite love it, but I really like it quite a lot — it’s stylish and ambitious and has a lot of creepy moments.  And if you think Nicole Kidman is easy on the eyes, as I do, you’ll see that she looks like a million bucks here.

If you really enjoy these films and are hungry for more, there are two other alien invasion movies that seem to channel the same muse as Finney’s.  The first is 1994’s “The Puppet Masters” by Stuart Orme.  (It should not be confused with its soundalike contemporary, the “Puppet Master” (singular) horror franchise, which depicts demonic dolls.)  “The Puppet Masters” is campy, but still very cool, and it adapts the eponymous 1951 novel by Robert A. Heinlein.

The second recommendation I’d offer is 1998’s “The Faculty.” It’s an even campier horror-comedy aimed more at mainstream audiences, but it’s still a lot if fun.

 

“Secrecy is the keystone to all tyranny.”

“Secrecy is the keystone to all tyranny. Not force, but secrecy and censorship. When any government or church for that matter, undertakes to say to its subjects, This you may not read, this you must not know, the end result is tyranny and oppression, no matter how holy the motives. Mighty little force is needed to control a man who has been hoodwinked in this fashion; contrariwise, no amount of force can control a free man, whose mind is free. No, not the rack nor the atomic bomb, not anything. You can’t conquer a free man; the most you can do is kill him.”

— Robert A. Heinlein

 

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#spaceforceselfies

I just started the Twitter hashtag #spaceforceselfies to troll Donald Trump’s planned “Space Force.”   Just take a shot of yourself in any sci-fi getup to parody an eager recruit. You get extra points if you work in a gag directly at the president’s expense within the photo.

This could be a lot of fun if it gains traction among the cosplayer crowd.  I’d go first, but I haven’t the slightest idea how to make a costume.

I’d love to figure out a way to make a convincing costume for the Mobile Infantry depicted in Paul Verhoeven’s 1997 adaptation of Robert A. Heinlein’s “Starship Troopers.”  This … this might actually just be an elaborate excuse for me to dress up as “Starship Troopers.”

 

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“Boys, we need to fertilize this oak tree. Just jump in that hole at its base and I’ll cover you up.”

“If I had had any sense, I’d have quit and taken a working job. The only trouble with that would be that I wouldn’t have been working for the Old Man any longer. That made the difference.

“Not that he was a soft boss. He was quite capable of saying, ‘Boys, we need to fertilize this oak tree. Just jump in that hole at its base and I’ll cover you up.’ We’d have done it. Any of us would. And the Old Man would bury us alive, too, if he thought that there was as much as a 53 percent probability that it was the Tree of Liberty he was nourishing.”

― Robert A. Heinlein, “The Puppet Masters”

 

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