All posts by Eric Robert Nolan

Eric Robert Nolan graduated from Mary Washington College in 1994 with a Bachelor of Science in Psychology. He spent several years a news reporter and editorial writer for the Culpeper Star Exponent in Culpeper, Virginia. His work has also appeared on the front pages of numerous newspapers in Virginia, including The Free Lance – Star and The Daily Progress. Eric entered the field of philanthropy in 1996, as a grant writer for nonprofit healthcare organizations. Eric’s poetry has been featured by Dead Beats Literary Blog, Dagda Publishing, The International War Veterans’ Poetry Archive, and elsewhere. His poetry will also be published by Illumen Magazine in its Spring 2014 issue.

“To the Witches’ Revels,” Edith Maryon, 1909

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Coming soon — no masks required.

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Depiction of a Ronin by Tsukioka Yoshitoshi, 1869

Ukiyo-e woodwork illustration from Seichū Gishi Meimei Gaden (Illustrated Biographies of Truly Loyal Warriors).

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(They’re presumably on their way to the market — or home.)

I ran a version of this picture a number of years ago — and ran across it again.  This one’s cropped so that you can better see the little fellas.

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Illustration of a Memento Mori by Hendrick Hondius, 17th Century

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Roanoke, VA, August 2021

My cellphone camera is truly, categorically awful when it comes to shooting at night.  Sorry, folks.

Campbell Avenue at Roanoke City Market.

Salem Avenue.

Jefferson Street.

Cover to “Tales of the Unexpected” #193, Luis Dominguez, 1979

DC Comics.

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My friend doesn’t want to give up on this indoor herb garden.

But I think it’s about thyme.

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Roanoke, VA, July 2021

Elmwood Park.

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Sorry about the shaky cam. And my cellphone camera is obviously not high quality.

Fountain beside Hampton Inn & Suite (facing Church Avenue).

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Looking north up Market Street.

Market Street

The Roanoke Times.

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A Banksyesque painting in front of Wok-ology on the corner of Campbell Avenue and Jefferson Street.

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Depiction of Visigoth Royal Guard, 1861

Lithographic plate from Album de la Caballería Española: from Primitive Times to the Present Day, by the Count of Clonard, published by the General Directorate of the Weapon.   The artist has the surname “Villegas.”

“The Goth monarchs had a cavalry royal guard that defended their person. The one who carried the banner was called Bandóphoro, and the Chiefs took the names of Dukes, Counts, Gardingos and Tiuphados. The latter commanded 1,000 horses, which were divided into two portions of 500 men, ruled by second Chiefs called Quingentarius.”

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