Tuesday Morning is a great store.

So this is the Day-of-the-Dead-style light-up skull that I bought at Tuesday Morning and then sent to a friend.  I packed it with assiduous care, but of course it arrived broken anyway, because U.S. postal employees are a brutish, godless people who know no love nor any mercy.

Anyway, the people at Tuesday Morning in my friend’s town let her exchange it, no problem — even when it was abundantly clear that it wasn’t the company’s fault.  And the salesperson was really nice about it.

And the skull itself is wicked-cool, isn’t it?

 

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A very short review of “The Walking Dead” Season 8 premiere

My enjoyment of “The Walking Dead” has waned sufficiently to make me wonder whether I should still call myself a fan of the show; it was sometime during Season 6 when I really began watching simply to see if it would get better.  With that said, I’d be lying if I said I didn’t enjoy last night’s premiere of Season 8.

I’d rate it an 8 out of 10 for its creators’ wise reliance on fan service to salvage a weary narrative.  They were successful enough to make me enjoy the episode, which was quite generous with action and special effects, including the show’s state-of-the-art zombie effects.

If you squint just a little, you can still see that “The Walking Dead” is worn at the seams.  This just isn’t a program that does dialogue or character development very well.  Dear God, am I sick of the saccharine pep talks among Maggie, Rick and Jesus.  It’s like a bowlderized menage a trois scripted by Hallmark card writers, in which everyone is masturbating one another verbally and metaphorically instead of literally.  (Strangely enough, though, the show does just fine scripting and characterizing its villains.  Negan and his henchman — including the traitorous Eugene — all seem to have distinct voices, are interesting to watch, and are well portrayed by their actors.)

There were plotting and logistical problems too … it seems to me that our heroes had ample opportunity to finally shoot Negan (in a story conclusion that we should have seen ages ago), yet inexplicably chose to expend countless rounds at his building’s windows.

I’d be lying if I said I didn’t enjoy the episode, though.  There was a lot of childish fun to be had with the explosions, armored vehicles, and grotesque zombies, not to mention the long overdue emotional payoff of watching Rick and company finally take the fight to Negan.  If you used to love this show and want to love it again, the premiere will at least give you a little hope.

 

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It’s 2 AM and I can’t sleep.

This isn’t the America I grew up in.

I am looking out the window at a strange country.

 

 

“Monsters are real …”

“Monsters are real, and ghosts are real too. They live inside us, and sometimes, they win.”

― Stephen King

 

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Photo credit: By “Pinguino” (“Pinguino’s” flickr account) [CC BY 2.0 (http://creativecommons.org/licenses/by/2.0)%5D, via Wikimedia Commons.

 

Yeah, my old Halloween decorations are pretty modest.

The ones that I received as a gift last week are a thousand times cooler.

And I still haven’t gotten around to creating or buying a proper glow-in-the-dark skull, as my efforts to craft one last year ended so roundly in disaster.

Still, the light-up plastic pumpkin is pretty neat.  There was a little boy up in Northern Virginia who was utterly fascinated by it.  I wanted so badly to give it to him, but of course you can’t give an electrical item to a young kid.

Speaking of pumpkins, you can see below that I did get a real one this year.  What should I do with it?  Draw a face?  Carve it into a Jack-o’-lantern?  I have zero artistic ability, so I’m only going to embarrass myself.  If I do anything with it, I have my heart set on the mask design for Matt Wagner’s “Grendel” comic book villain.  But I’m still open to suggestions, and I can always get another pumpkin.

 

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Too good not to share.

Thank you, Andrew Stanley Partridge.

 

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“Two Sisters (On the Terrace),” Pierre-Auguste Renoir, 1881

Oil on canvas.

This is the very same painting that Donald Trump falsely claimed to own.  (The original is housed at the Art Institute of Chicago, which publicly corrected him.)

 

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I sound just like Brendan Gleeson right now. I am AWESOME.

Tonight’s agenda — speak exclusively in British slang; tell all the nobs to bugger off, and sort out all the bellends. Then meet up with a nice bird who isn’t a tart.

Nice one. Right, my British slang is proper, innit? Oh, you don’t think so? GET OUT OF IT, THEN.

Tally ho!

Sally forth!

And let slip the dogs of war!  (Or something!)

Now is the winter of our discontent made glorious summer by this son of York!!

[Update: God damn it. I realized just now that Brendan Gleeson is IRISH.]

 

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Disney Cartoons’ “The Haunted House,” 1929

I think I said this last year around Halloween — I’m a sucker for antique animated shorts.  They’re sometimes darker and trippier than you’d expect, and they’re a weird glimpse into the past.  This was released on December 2, 1929, at the very start of the Great Depression; it was just over a month after the stock market crash.

 

That time when Sherlock and Watson grew up.

“Sherlock” Season 4, Episode 2. The three-way conversation in this scene gets me every time. It might have been the best segment of the entire show in some ways.

Yes, there were some strange tonal and stylistic changes in this last season. But Season 4 also offered some of the show’s best screenwriting and acting. The depth and maturity of this scene alone makes all the previous episodes (which were all outstanding) seem sophomoric by comparison.

This was the season when the two lead characters stopped resembling only fun, quip-a-minute 20-something yuppies and became mature adults and equal partners. This and the change in the show’s tone were both brave creative choices on the part of the writers.

I’ve said it before, and I’ll say it again — I’ve loved the Sherlock Holmes books and stories since I was a kid, and this might be the best film or television adaptation I’ve ever seen.

 

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