Tag Archives: 1982

A review of “Special Bulletin” (1983), with link

There’s a pretty damn interesting chestnut from from 80’s-era nuclear nightmare films available on Youtube — 1983’s “Special Bulletin.”  (The link is below.)  I was surprised I hadn’t heard of it.  I think most 80’s kids remember ABC’s “The Day After.”  That infamous television movie was a cultural touchstone that scared a generation of kids.  “Special Bulletin” was produced by NBC the same year, actually preceding “The Day After” by nine months.  Instead of a world-ending war with Russia, the feature-length special imagined a single incident of nuclear terrorism in Charleston, South Carolina.  (I myself had no idea that Charleston was the strategic military nexus that the movie explains it to be.)

“Special Bulletin” was filmed as a “War of the Worlds”-type narrative, consisting exclusively of faux news coverage, and it’s pretty damned good.  (It won a handful of Emmys.)  It’s just as frightening today — or maybe more so, given the increased threat of precisely this kind of terrorism from stateless groups.

The acting is mostly good, the directing successfully captures the feel of live news coverage, and the absence of a musical score further lends the movie a sense of realism.  The story has a few surprises for us, too — the plot setup is creative and interesting, and much more thought went in the the teleplay than I would have expected.  The film asks some difficult questions about the role of the media in affecting the outcome of high-profile crimes like the one depicted.  (Would such questions be more or less relevant in the age of camera-phones, uploaded ISIS executions and Facebook Live?  I’m not sure.)

I was also quite impressed with some of “Special Bulletin’s” thriller elements.  (I’d say more, but I will avoid spoilers for anyone who wants to watch it below.)

One thing that detracts from the format’s realism is the fact that some of this movie’s actors are easily recognizable from other roles in the 80’s (although it’s fun spotting them as an 80’s movie fan).

Most viewers my age, for example, will recognize Ed Flanders and Lane Smith.  The utterly sexy female reporter who arrives on location at Charleston Harbor is Roxanne Hart, who later played Brenda in “Highlander” (1986).  (She’s still quite beautiful, guys, and she’s still making movies.)  Most jarring of all, however, is a prominent role played by David Clennon, who any fan of horror-science fiction will recognize as Palmer from John Carpenter’s 1982 masterpiece, “The Thing.”  This is still fun, though — he has that same disarrayed hair.  Was it his trademark back in the day?

 

https://www.youtube.com/watch?v=NKY-2zkWJuo

Throwback Thursday: the 1982 3-D broadcast of “Revenge of the Creature!”

Here’s another Throwback Thursday post that is a relatively obscure, but might be a treat for my fellow HNAM’s (Horror Nerds Approaching Midlife).  Who remembers the nationwide syndicated broadcast of 1955’s “Revenge of the Creature” in 3-D in early July 1982?

Your parents had to pick up the 3-D glasses for you from a local Pizza Hut or 7-Eleven, I think …  This was a pretty big deal, especially if you were a nine-year-old boy, as I was.  My good old Dad got the glasses for me, and he patiently explained to me how depth perception the 3-D technology worked.  Good Lord, how I looked forward to this.

And I wasn’t disappointed.  I remember the effects being actually pretty damned good.  I was thrilled.  It was my first 3-D movie.  (In fact, it might actually have been the only 3-D movie I’ve ever seen …)

The Neato Coolville website has a far better account of the event than I could write — check it out right here:

http://neatocoolville.blogspot.com/2007/10/1982-television-event-revenge-of.html

The movie itself, in 3-D format, is also on Youtube.  I’d love to view it on my laptop, but I don’t have any 3-D glasses handy.  I might have to rectify that with my next Amazon purchase.

 

 

An annual April 2nd disclaimer

No, guys, I have not been hired by any United States Antarctic Research Program to assist John Blair and his fellow scientists at Outpost 31.  Neither will I be relocating to any research base in Antarctica.  Nor do I have a college alumnus named R.J. MacReady.

Those were lies.  My post yesterday was an April Fool’s Day prank.  The setting and people I described yesterday are derived from the classic 1982 sci-fi/horror film, John Carpenter’s “The Thing.”

 

IYEWg

 

A few quick words about “Last Shift” (2014)

“Last Shift” (2014) came highly recommended.  It didn’t quite meet my consequent expectations, as aspects of it seemed amateurish — I felt there were problems with plotting, pacing, structure and even sound editing.  (I just couldn’t always discern what was said by the voice on the phone.)

But it was still good enough for me to rate it a 7 out of 10, thanks primarily to an interesting premise, a solid lead actress, and some genuinely scary moments.  Juliana Harkavy does just fine as a rookie cop working alone on her first shift — on the titular last shift of a police station being shuttered after a new facility opens elsewhere.  She carries the movie well as demonic shenanigans ensue at the haunted site, even if, at times, it seems she needed better direction about her character’s mood and reactions.

And the scares were there, which means this does qualify as a successful horror movie.  One, for example, results from an extended sequence involving a dropped flashlight — it’s creative and effective despite its simplicity.  Another scare results from what seems to be a direct homage to “Poltergeist” (1982) — but it might be even creepier here.

This is a decent enough fright flick; it’s worth checking out.

 

last-shift

Throwback Thursday: “Halloween III: Season of the Witch” (1982)

Young people, let me try to explain what it was like for a kid who loved movies in the early 1980’s.

There was no trivia section for the Internet Movie Database.  There was no Internet Movie Database.  There was no goddam Internet.  This meant that information about new movies came mostly from other second-, third- or fourth-graders.  And that was one imperfect grapevine.

Sometimes the information was flat out wrong.  Brad Fisher told me at the beach in the summer of 1980 that Han Solo dies in “The Empire Strikes Back.”  (Yes, “Star Wars” fanatics, I am aware that Harrison Ford wanted the character to die.  Now grow up and watch Ron Moore’s “Battlestar Galactica.”)

Other times, the information was technically accurate, but confusingly articulated.  Such was the account of Jason Huhn, the kid across the street, of Ridley Scott’s “Alien.”  (That was a 1979 movie, but I wasn’t even allowed to watch the bowdlerized version that was on television a few years later.)  “Its head is like a tube.”  Jason told me thoughtfully.  “It has, like, two mouths.  It has a mouth, and then a mouth inside a mouth.”

Finally, the other boys’ reviews were occasionally just too spoiler-heavy.  In 1984, I had the entire rope-bridge scene in “Indiana Jones and the Temple of Doom” memorized in detail before I got to see the movie myself.  (Maddeningly, most of Mr. Greiner’s sixth grade class had seen it before I did, and Jason Girnius was particularly exuberant in recounting its climactic fight.)

“Halloween III: Season of the Witch” was something of a different animal.  None of the kids in the neighborhood could figure that one out.

“Michael isn’t in it!”  That was the buzz.  To a boy in the 1982, Michael Myers was an icon on par with “Friday the 13th’s” Jason.  (Leatherface was a bit before our time, and Freddy Krueger and Pinhead hadn’t arrived in theaters just yet.)  Even those of us who weren’t allowed to watch the movies had heard all about him.  It utterly confused us that that a “Halloween” movie could be made in which he was absent.

It … looked pretty scary, at least.  Its poster and tagline suggested that young trick-or-treaters would be victimized instead of teenagers old enough to babysit, so that was more frightening to a young boy.  (As an adult today, I suggest that this movie absolutely did not turn out to be a classic horror film, despite the pretty terrifying basic plot device revealed at the end.)

Today a simple Google search would inform us of John Carpenter’s plans — an anthology series in which every subsequent “Halloween” sequel was a standalone horror story with the holiday as a theme.  (I think I’d question the wisdom of that even as a kid; the studio wisely resurrected the slasher four years later.)

But the gradeschool grapevine was not so informed.  There weren’t even any tentative hypotheses among the kids on my street.  I think we just shrugged it off and returned to talking about “Star Wars.”  We just figured that adults sometimes did some really puzzling, really stupid things.  That’s a belief I still hold today.  In fact, I’m pretty sure that I occasionally engender that belief in others.

halloween-3-poster

My take on the ambiguous ending for John Carpenter’s “The Thing.” (Major spoilers.)

John Carpenter’s 1982 tour-de-force, “The Thing,” is arguably the best horror movie of the decade.  It paid little attention to the movie it ostensibly remakes, the standard, boilerplate, flying-saucer Saturday-matinee of “The Thing From Another World” (1951). It presumably paid greater attention to its real and far darker source material, “Who Goes There?,” John W. Campbell Jr.’s 1938 horror-sci-fi novella.

One of the things the movie’s fans still debate heatedly is its bleak ending — I think it goes beyond ambiguous to downright mysterious.  Viewers actually are given no certainty whatsoever about who or what are actually pictured onscreen in the film’s Antarctic setting, after a fiery climax for this gory, special-effects-heavy actioner.  (Only people who have seen the film know what I am talking about.)

My own interpretation is a little less popular than the others you hear about.  To conceal spoilers, I’m sharing it after the poster image below.  [IF YOU HAVE NOT SEEN THE MOVIE, STOP READING NOW!]

movie-poster-the-thing

Continue reading My take on the ambiguous ending for John Carpenter’s “The Thing.” (Major spoilers.)

Oh! Just one more Thing tonight!!

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You’re glad I reminded you, aren’t you?

I told Pete Harrison the other night that I watched the 2011 prequel to John Carpenter’s 1982 masterpiece, “The Thing.”

He simply responded, “Why?”

To me and undoubtedly many others, the 80’s classic will always be the paradigmatic horror – science fiction movie.  Because I admire a well made house as much as anyone, but AIN’T NO CARPENTER LIKE JOHN CARPENTER.  (Nobody repeat that, I want to copyright it and sell bumper stickers at horror conventions.)

Yes, the recent prequel inexplicably has the exact same title as the 1982 movie, and I have no frikkin’ idea why.  That just seems … deliberately stupid.  Nor is that the 2011 film’s only flaw … it’s universally maligned.

Does the 2011 outing really deserve all its bad press?  I say no.  Among other things, it delivered some fine goopity-gloppity monster goodness, delivered by an archetypal flying saucer, no less.  That’s something that I find refreshing in a horror movie marketplace that just seems inundated with demons and ghosts.  (I loved “Insidious,” but enough already.)

C’mon, Hollywood.  There are plenty of horror fans out there who grew up loving giant ants, Marine-baiting “Aliens,” werewolves, swarms of spiders troubling William Shatner, and the adversaries of Godzilla.  It’s why I gave a positive review to this year’s “Jurassic World,” despite a script of the same quality as that of “Gilligan’s Island.”  I want to see velociraptors chase a speeding truck.  I will ALWAYS want to see velociraptors chase a speeding truck.

And … I liked the 2011 movie’s protagonist!  Trying to mimic MacReady’s cunning anti-hero would have redundant!  This story featured a smart, young lady scientist who turned out to be tough under pressure.  That kinda worked for me.

I actually have seen 1951’s “The Thing From Another World,” but that was 30 years ago on VHS, with my “Movie Uncle,” John Muth.  I have NOT read “Who Goes There?,” John W. Campbell, Jr.’s 1938 novella upon which all of these films were based.  But I’m planning to.  (Last time I checked, it was floating around online somewhere.)

I’m just waiting for the first big blizzard to hit next winter.  Because ATMOSPHERE.