Tag Archives: 1991

Cover to “Detective Comics Annual” #4, Tom Grindberg, 1991

Part of DC Comics’ 1991 crossover event, “Armageddon 2001.”

 

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Mary Washington College, Fredericksburg, VA, June 2017 (4)

Pictured is Bushnell Hall at Mary Washington College in Fredericksburg, Virginia.  I lived here during the 1990-91 school year.  It was a freshman dorm then; I don’t know if that’s still the case.

I arrived here just before my 18th birthday; this was the first place I ever lived away from home.  I have never admitted it until this moment, but I was terrified watching my mother’s car pull away after I unloaded the last of my things.  That terror lasted … two hours?  Three?  After my first dinner with the other Bushnell kids at Seacobeck Dining Hall, Mary Washington College felt goddam perfect.  I never wanted to leave.

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My dorm room was on the bottom floor, second from the right in the picture below.  It was a suite — there were two rooms connected by a small bathroom.  And there were six 18-year-old boys living there — yes, that means three to a room.  Good lord, those were close quarters.  We were awakened twice a week by the BEEP-BEEP-BEEP of the garbage truck reversing to empty a dumpster outside our window.  And this was in a room without air conditioning, in Virginia, where teenagers were experiencing college-level academic stresses for the first time.  I helpfully eased tensions in the suite by playing Depeche Mode’s “Policy of Truth” 3,043 times.  The other five guys LOVED that.

There were even good-natured jabs connected with the North and the South.  I habitually and dryly referred to one of my suitemates as “South Virginia;” he addressed me just as dryly as “Long Island Piece of Shit,” (or just “L.I.P.S.,” for short).  He also took to calling me “Urban Spillover,” an appellation he derived from one of Dr. Bowen’s “Geography of North America” classes that mentioned Long Island.  For some reason, the latter nickname absolutely felt more pejorative.

Seeing those double white doors beside my room below, and that steep hill in the following photos, will always remind me of my 18th birthday.  A group of first-floor guys and fourth-floor girls had gathered inside that door just after moving in during the August of 1990, before classes started.  A polite debate stirred there about whether opening those doors would set off the fire alarm.  (They were clearly marked “Fire Doors” by an electric sign but … the LIGHT wasn’t on in the sign.  And surely the administration wouldn’t require the guys on my floor to walk up an entire flight to the lobby just to exit the building, right?)

Without a word of warning, one of the first-floor guys spontaneously decided to test this theory by just blasting right through it.  (No, it WASN’T me.)

The fire alarm went off.  Everyone panicked.  The guys and girls all shot down the hill outside Bushnell after the guy who’d triggered the alarm, and we all ran … right off campus.  We didn’t stop running until we’d reached somewhere along William Street, I think.

But not all of us escaped without injury.  One of my roommates was a tall, burly guy from right there in Fredericksburg, and he slipped in the sand and loose gravel that characterized that hill during that long ago August.  I still remember that dull, loud, discordant thump-and-rattle as his body hit the slope, while my own lungs were pounding.  When we reached the spot along William Street where our panic finally subsided, we all turned and gaped at his wound.  One of his legs had become a sepia Monet of sand-encrusted blood.  There were still pebbles clinging there, I’m sure of it.

He took it like a trooper.  I guess … he just walked it off.  And we walked around the ENTIRE town.  We were scared to return to campus, what with images of arrest and expulsion dancing in our teenage minds.  (We all might have overreacted a little.)  So we went on a truly lengthy hot summer trek that circled all of the historic downtown area.  (I think we wound up at Carl’s Ice Cream on Princess Anne Street at some point.)

That was really when I saw the City of Fredericksburg for the first time.  I remember thinking that the South seemed like some other world — or maybe the same world, but 100 years ago.  And I don’t mean that in any negative sense.  It genuinely confused me that this town was called a “city,” but it just seemed idyllic and old fashioned and beautiful.  I’m not sure if the average Fredericksburg resident realizes this, but their city indeed makes an impression on newcomers.

Somewhere along the way, I finally let it slip that the day was my birthday; I think heat exhaustion influenced my usual reticence on the subject.  A couple of the girls stole away to a card store on Caroline Street, I think, and bought a card for me.  My new friends all signed it for me upon our eventual return to Bushnell Hall that day (which was thankfully not occasioned by even a mention of the fire doors).  I went to bed that night thinking that my new friends were a pretty decent group.

Anyway — more on my roommate’s injury … he was a bit of an eccentric guy, and one of his eccentricities was that he did not like to go to the Campus Health Center.  He cleaned his long leg scrape himself, and then … bandaged it with duct tape.  That’s right — duct tape.  He’d apparently brought some along with him as an incoming freshman, just in case of an emergency.  You can’t say it was a needless precaution — here he was, using it in lieu of bandages.

He walked around campus like that for a while.  He looked a lot he was wearing part of an extremely low-budget “Robocop” Halloween costume.  I honestly don’t know what transpired when it came time to remove the duct tape, and I’m not sure I want to.

You can’t make this stuff up.

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This the dorm’s south side.  If you face Bushnell looking north, the southern cap of the rectangular campus will be at your back.  Today, it is is one the last places of the main campus’ 234 acres that remains undeveloped.

I’m not sure if there is any connection here, but there is a large mound of dirt among the trees and ivy that was rumored to be the remains of a Civil War fortification.  It makes sense — that hill commands a view of the city; that’s why I used to go there to have my once-a-day Newport menthol cigarettes around dusk.  And in the Nineteenth Century, before William Street’s more modern buildings were erected, I’ll bet you could see Marye’s Heights and the key sections of Sunken Road where the Battle of Fredericksburg raged.

I chatted with a girl on the steps of Bushnell once who told me she’d spoken with the ghost of a Civil War soldier.  She actually carried on a brief conversation with him.  She re-enacted the exchange after a some urging from me, but I wound up giving her story little credence.  I didn’t exactly believe in ghosts, and she sounded like an actress confused about a role.  (I wasn’t sure why her Confederate soldier would speak with a British accent.)

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“Justice League America” illustration, “Who’s Who in the DC Universe” #7, Adam Hughes, 1991

Drawn by Adam Hughes, inked by Karl Story, and colored by Anthony Tollin.

(I had to consult the Facebook nerd-hive-mind to find out the creative team behind this piece — thanks to Charlie McElvey for the info, and, by extension, Frank Becker. 🙂 )

 

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Variant cover to “X-Men” #1, Jim Lee, 1991

I previously identified the variant covers for Jim Lee’s first issue as a single four-section fold-out.  That was a mistake.  These were four variant covers for Issue #1 that comprised a larger picture when you placed them side-by-side.

In 1991, this racked up $7 million in revenue from preorder alone, and was entered into the Guinness Book of World Records as the best selling comic book of all time.

 

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Cover to “X-Men” #1, Jim Lee, 1991

I’m pretty sure this defines the concept of a classic cover.

It folded out into four parts.

[Edit 5/8/17: The above is a mistake — these were four variant covers for Issue #1 that comprised a larger picture when you placed them side-by-side.]

 

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A very short review of “Don’t Hang Up” (2017)

“Don’t Hang Up” (2017) is an absolutely derivative horror movie that nevertheless manages to be halfway decent.  I’d rate it a 7 out of 10.

We follow a handful of older teenage boys whose favorite avocation is perpetrating cruel prank phone calls and then posting them on the Internet.  The horror genre’s penchant for vengeance should make their comeuppance predictable.  “Don’t Hang Up” seems to borrow in equal (large) measure from the “Saw” and “Scream” film franchises, with touches of “Unfriended” (2014) and even “Silence of the Lambs” (1991).

Still, this was a halfway serviceable scary movie.  There were nice moments of tension, and it held my interest.

This doesn’t belong on anyone’s must-see list, but it’s a fun enough time-waster if you can’t find a better movie.

 

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Cover to “Robin,” Brian Bolland, 1991

DC Comics, limited series, 1 of 5.

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A quick review of “Wolf Creek 2” (2013)

Is “Wolf  Creek 2” (2013) a well made film?  Yes.  It’s exceptionally well made.  Would  I recommend it?  I’m not sure.

I’d rate it a perfect 10.  Its technical expertise in undeniable.  The cast is roundly excellent.  John Jarratt is absolutely perfect in the role he seems born for.  He’s so effectively menacing as this film’s serial killer that I think I’d find it unnerving even meeting the actor in real life.  The only other actor I think I can say that about is Ted Levine, who so indelibly portrayed Buffalo Bill in “Silence of the Lambs” (1991).

Ryan Corr is damn perfect, as are the actors in smaller roles.  I think Shannon Ashlyn portrays terror better than any other actress I’ve seen.  She isn’t just a horror movie “scream queen;” her performance was so skilled that she rises above such a trite label.  (And I’ve seen a lot of horror movies, people.)

It’s extremely well directed.  The conclusion of an action sequence involving a truck must have looked downright stupid on the page, but damn if Greg McLean doesn’t make it plausible and shocking.

The entire movie is gorgeously shot.  It was enough to make me want to visit Australia … if the story didn’t make want to stay the hell away from Australia.

I just get the impression that some movie studio planned to produce a generic, derivative slasher movie … but just inexplicably employed the best creative talent available for all aspects of its creation.

Now, about my reluctance to recommend this …  Please understand that this film is incredibly dark, even by horror movie standards.  At times it was just too much for me.  I actually stopped playing this on Netflix several times to “take a break with something lighter” by watching “The Walking Dead.”  Yes, you read that right.

The story depicted is just brutal.  There are very few movies that are too dark for me … I think I could count them on one hand.  (And one was 2005’s original “Wolf Creek.”)  And this film is just so masterfully made that its victims seem like real people suffering — something at which the “Saw” films and various other slasher movies rarely succeeded.

I honestly think it might have been so “good” that it went past the point of entertaining me.  Can I honestly recommend a movie that I felt the need to switch off?

You make your own call.  Again — this is exceedingly dark material, even by horror movie standards.  But if you think you’re up to it, watch it.

 

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Throwback Thursday: PRESIDENT LEN!!!

Anyone who’s listened even briefly to blog correspondent Len Ornstein knows he’s a man with deep-seated opinions about politics and statesmanship.  What few may know is that he was once quite a distinguished statesman himself.

This September 1991 article in the Mary Washington College Bullet covers Len’s rise to becoming Student Council President.  He was quite the dark horse candidate — the article indeed notes that he went from “pariah to president.”  Len was a bit of a provocateur in the old days, rattling the political order by criticizing the existing council for being too little engaged with the student body.  He handily won the election, though, after a spirited grassroots campaign in which he simply met and introduced himself to voters on Campus Walk.  (I still remember him doing this, and it was something the other candidates were not doing.)

Note also that the newly elected Vice President was a one Pete Bucellato — another good friend of mine and another eccentric Long Islander.  It’s a wonder the kids at the Virginia state school didn’t dub them “Grant and Sherman.”

We fared well under your stewardship, Len!!

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“Terminator Genisys” Terminated My Boredom!

There.  You see that truly sucky play on words that I employed in the headline for this blog post?  That should give you a sense of the quality of this film’s script.  I’m serious.  When one character expresses their desire to rule the world, another character shouts “Rule THIS!” before blasting the former with a laser.  Because the future is a long, looooong way from Tennessee Williams, Baby.

But hold up.  Believe it or not, this will actually be a positive review of “Terminator Genisys” (2015).  I’d reluctantly give it an 8 out of 10, because it was a fun summer popcorn movie, despite its flaws.

And there are flaws.  It isn’t high art, and it can’t even approach the pathos, drama, characters, rich themes and great old fashioned movie thrills of the true terminator classics: the 1984 original and James Cameron’s astonishingly superior sequel in 1991.

The dialogue for “Terminator Genisys” is terrible in many places.  The story’s most important character, Sarah Connor, falls flat.  She’s scripted as a chipper, upbeat, 20’ish “It Girl” who utterly fails to win viewer loyalty, as Linda Hamilton’s traumatized crusader did so beautifully in 1991.  I also humbly opine that Emilia Clarke did poorly with the role.  This is the first time I’ve ever seen her perform — I’ve heard that she’s actually considered a very good actress playing a queen on … that TV show.  “Game of Bones?”  “Crones?”  Or something?  People like that show, right?

A lackluster Sarah Connor might be a serious transgression in the fan community.  For a kid who learned to love science fiction movies in the 80’s and 90’s, Ellen Ripley will always be the paradigmatic heroine, but Sarah Connor was second.  No, no one can equal Hamilton’s performance, but others can still perform the role quite well when it is competently scripted.  Just see Lena Heady’s inspired turn in television’s “Terminator: The Sarah Connor Chronicles” (2008).

The “timey-wimey” stuff lost me early on.  Seriously — the time travel story elements confused and annoyed me as soon as Kyle Reese (Jesus, I almost wrote Corporal Hicks) entered the time machine and began having inexplicable memories of another timestream.

Who is sending multiple terminators on multiple missions?  Are they from various timelines and various iterations of Skynet, or are they from a single future?  Our heroes have an unknown benefactor with access to time machines?  A T-1000 attacks people on a rowboat?  Does it … float, then?  Walk on water?  It seems to me that hopping on a boat would be a rather ingenius way of escaping an unstoppable robot, unless he commandeers his own vehicle …  Hell, it’s something I’d never thought of, and I am precisely the sort of weirdo who thinks about things like that.  (Is it any worse than when other people have zombie contingency plans?)

I’m not even sure I understand the motives of the story’s antagonist who we see the most.  Is this character on nobody’s side, exactly?  If this character is a superior model composed of nanobots, shouldn’t Skynet be manufacturing and deploying dozens, instead of just one?  For that matter … why do individual terminators each have an individual consciousness and point of view?  Can Skynet simply download its own single collective consciousness to every unit?

I felt a little embarrassed at first, but the Internet reassures me that most, if not all viewers, are puzzled about these things.  The wonderful io9.com, for example, has an excellent tongue-in-cheek “FAQ” pointing out this movie’s surprising multitude of unanswered questions.  Warning: SPOILERS.

http://io9.com/terminator-genisys-the-spoilyr-faq-1716548070

Also … I really disliked this movie’s central plot twist.

Still, I have to give this movie a free pass.  I simply can’t give a negative review to a film during which I laughed and smiled throughout.  This is a fun summer event-movie.  It’s a fast-paced, sci-fi actioner with fantastic special effects, the return of Arnold Schwarzenegger, and tons of fan service and Easter eggs.  (Recreating the 1984 film’s sequences shot-for-shot?  C’mon!  That was just cool and fun.)

We’ve got nanobaddies, liquid metal terminators (made of mimetic polyalloy, to those of us in the know), aging T-800’s with stiff joints, time machines, terminators arriving in multiple decades, Bot-on-Bot violence, a schoolbus flipping over on the Golden Gate Bridge and … somebody does something totally sweet with an oxygen tank.  They really threw in everything but the kitchen sink for this movie.  The result is only kid stuff, but it’s still a good time.  If you see this movie, and you don’t smile when a T-1000 emerges from a police car windshield, then you have never been a 10-year-old boy.

This year’s “Jurassic World” had none of the earmarks of a great film, but it still entertained.  I gave that a positive review, so I’m going to go head and recommend this as well.

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