Tag Archives: 1993

Throwback Thursday: the fabled rotating comic stand!

Yep.  When I was in kid on Long Island, it would be either war comics (especially Sgt. Rock), Conan the Barbarian (or his himbo spiritual cousin, Ka-Zar the Savage) any of the various Archie titles, or a horror comic.  (I thought superhero comics were stupid when I was a kid.  In order for a comic to entertain me, it had to include war, swords, Archie or monsters).

When I was in the fifth or sixth grade, my dad would occasionally  pick me up titles that only seemed available in Manhattan, where he worked as a bus driver — books like the 1980’s iteration of the Blackhawk Allied commandoes or (joy and rapture) The Further Adventures of Indiana Jones.  (Maybe Indy’s title adhered more loosely to the rule of thumb I cited above, but that was forgivable, because it was the greatest comic book ever created.)

The last time I saw a rotating rack like this was … 1993?  1994?   For a while, it was neat little fixture of the 7-11 along Route 1 just outside Mary Washington College in Fredericksburg, Virginia.  You could make a run for coffee or nachos at any hour and snag a comic while you were at it.  By then, I was thoroughly entrenched in the DC and Marvel superhero pantheons.  (A really cool goth kid in my freshman dorm had shown me Frank Miller’s work, and I was hooked.)



Throwback Thursday: “The Return of the Living Dead” (1985)!

One of my tragic flaws is that I am consistently late to the party when it comes to cool stuff.  (Seriously.)  So I never saw “Return of the Living Dead” (1985) in the 80’s.  I saw it around … 1993 or 1994, I guess,  on VHS tape in the Mary Washington College dorm room of Rhett Carlson and Nickolai Butkevich.

I truly enjoyed it, which is unusual for a horror-comedy.  (Movies can either scare me or make me laugh, but they can rarely do both.)  Yes, I am one of the people out there who finds “Return of the Living Dead” genuinely creepy.  C’mon … it’s got decent makeup effects — and both the “Tarman” zombie and the slab woman, for example, are pretty well executed monsters.

Hey … there’s a remake due out this Christmas.  I guess we’ll have to wait and see if it’s any good.



Album Cover for Bjork’s “Debut,” 1993

One Little Indian, Elektra.

Rest easy, Gene Hackman.

I probably saw Gene Hackman for the first time in his hilarious turn as Lex Luthor in 1978’s “Superman.”  (Yes, I do realize that I am past the point of self-parody with my preoccupation with comics.)  Then again, 1972’s “The Poseidon Adventure” got plenty of television airtime later in the decade … so I might have seen him there first; I’m not sure.  (This was a very long time ago, people.)

Later in life, it was films like “The Firm” (1993), “Wyatt Earp” (1995) and “Crimson Tide” (1996) that made me truly appreciate Hackman’s talent.

I would rather not comment on the questions surrounding his death; I don’t think my uninformed speculation adds to that conversation.  Suffice to say here that he was a truly superb actor.

[Update — apologies for posting the wrong hyperlink yesterday!]



A few quick words on “Dark Matter” Season 1 (2024)

“Dark Matter” (2024) is easily one of the best science fiction tv series I’ve ever seen.  It’s like “Sliders” (1995-2000) got together with “North By Northwest” (1959) to create an homage to Homer’s “Odyssey.”  I’d cheerfully rate Season 1 a 10 out of 10.

I had two concerns about whether I would enjoy “Dark Matter,” after it was recommended to me by a college alumnus.

First, I was afraid that it would be too campy.  C’mon … a nice guy being kidnapped by his evil twin from a parallel universe?  That’s a potentially cheesy plot device, and one I feel certain I’ve seen more than once before … maybe “The X Files” (1993- 2018), or some iteration of “The Outer Limits.”  But this is a surprisingly grounded story that assiduously sticks to realism in its tone and plotting (even if it’s occasionally injected with an effective jolt of horror).

Second, I thought it might be too hard for me to follow.  Its premise relies not only on physics, but on the enigma of the “Schrodinger’s cat” thought experiment.  (I will never truly understand it, no matter how many times I pretend to on Facebook.  Reality is objective!)  But the storytelling here is direct and easy to follow, even if the (logical) surprises take the viewer happily off guard.  If my ADHD-afflicted brain could follow the story, then so can you.

And Season 1 ended so perfectly that I’m not even sure I wan a second season.  (It has been renewed by Apple+ TV.)

I definitely get the sense that “Dark Matter” benefitted from having Blake Crouch as the showrunner and head writer.  (Crouch is the author of the 2016 novel that is its source material).  And it’s got great performances by Joel Edgerton, Jennifer Connelly, Alice Braga and Jimmi Simpson.

It’s really good stuff.  Check it out.



Throwback Thursday: U2’s “Tryin’ To Throw Your Arms Around The World” (1991)

I love this song.  This was the ninth track from U2’s landmark 1991 album, “Achtung Baby.”  I remember listening to this song while munching on Butterfingers candy bars, cramming nervously for psych exams in my dorm room during the 1993/94 school year at Mary Washington College.

By psych exams, I mean tests in my psychology classes — not tests administered to me by a psychiatric professional.  But, hey, maybe they should have given me the latter.  It might have saved everyone a lot of time.



Cover to “Doom 2099” #10, Pat Broderick, 1993

Marvel Comics.

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Cover to “Detective Comics” #658, Sam Kieth, Kelley Jones & Bob LeRose, 1993

DC Comics.

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Cover to “Batman/Grendel: Devil’s Riddle,” Matt Wagner, 1993

DC Comics, Comico.

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Cover art for “Faraway, So Close! Original Motion Picture Soundtrack,” 1993

Sony Pictures Classics.

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